No se lo digas a nadie

It's a shame this movie, showcased at the February 1999 Miami Film Festival to a sold out crowd of almost 2,000, has not been distributed outside its home territory of Peru. To North Americans and Europeans, it is only another coming out story, but for Latin America, it's a break out film, based on a break out novel (Read it. Its ending is not compromised for commercial reasons as the film's ending is.)

Santiago Magill does an excellent job playing the main character as a frightened boy, a confused teenager, a drifter, and finally a "normal" person. All along the way, he is at war with himself. He hates the fact that he is gay in a world full of all sorts of bigotry including homophobia, a world of Hemingway's "macho code" (fighting, hunting, drinking, having sex), and a world that pretends to be dedicated to God when it is really nothing but a sham.

There are numerous surprises in the film for the young hero as well as for the audience. Many surprises come from the ironies involved in putting up a false-front of honesty to hide falsehoods. We see how drugs and manipulations are used to hide from everyone -- including one's true self. The ending is an ironic surprise too.

This is a bittersweet story of a man coming to terms with himself -- if, in fact, he does. The film is well-made and worth watching. Too bad it didn't get wider distribution in theaters, but now it can be enjoyed on video and DVD. If you get the chance, see it. It's a funny, sad, and gripping story of not telling anyone who you are.

I really enjoyed this film --- a great and emotionally complex movie that, like life, is full of ambiguity and difficult questioning. I really felt for the main character as he struggled to be both happy and honorable in a world that will not accept him as he is. I also found myself wavering over just what the right answer for Joaquin was. Not a conventional story, but a very rewarding two hours; highly recommended!

If you are inclined to indulge yourself in a fresh, candid, and rather engaging cinematic view of modern sexual mores involving a certain upper-class segment of society in Peru's capital city, this is the place to find it. Admittedly that description limits the size of its intended audience somewhat. Nevertheless, this film will appeal to anyone who likes a combination of good production values and autobiographical breastbaring -- so to speak.

The writer is in fact extending his reputedly autobiographical novel into new literary territory. The result is a good if not great movie. It preaches a bit without being preachy as regards racism, class prejudice, homophobia, drugs, and personal loyalties. The central character is by turns likable and unlikeable as he tries to find his true character during puberty and into young adulthood.

I give high marks not only to the principal actors but also to the director.

There are no false steps and few unexplored viewpoints in this story, which starts at the beginning and ends at the end (a rarity in these days of overwrought angularity in the movie business). Unlike some comments already given, I would call the ending appropriately incomplete rather than "sad" or "happy."

Which is as it should be. Ten of ten.

"No se lo digas a nadie" is a film that is showing in several theaters in Mexico City, following a trend of showing gay themed movies outside art clubs. I think it is a good reflection of what coming out is in Latin America for upper class youth, it shows the alienation that can lead to drug abuse, something that is not particular to this part of the world, as Australian movie "Head on" shows; but more tellingly, it shows the absence of a gay subculture, or at least, in such deeply class divided cultures as Peru and Mexico, the preeminence of class identity over sexual identity. It is thus not only possible but even mandatory for people with a homosexual orientation to marry within the appropriate social circle, while at the same time having homosexual encounters. I think this movie is at times excessively caricaturesque in its portrayal of machismo and its counterpart, submissiveness and religiousness in Latin American women, I felt like I was watching one of the soap operas the region is famous the world over, but on the whole I think the movie is on target in its honest portrayal of the subject.