Monkeybone

2001
12
1 Std. 33 Min.

IMDb-BEWERTUNG

IHRE BEWERTUNG

Brendan Fraser and John Turturro in Monkeybone (2001)

Als er im Koma liegt, findet sich ein Karikaturist in seiner eigenen unterirdischen Kreation gefangen und muss einen Weg finden, um zurückzukommen, während er gegen seinen beliebten, aber tü... Alles lesenAls er im Koma liegt, findet sich ein Karikaturist in seiner eigenen unterirdischen Kreation gefangen und muss einen Weg finden, um zurückzukommen, während er gegen seinen beliebten, aber tückischen Charakter Monkeybone antritt.Als er im Koma liegt, findet sich ein Karikaturist in seiner eigenen unterirdischen Kreation gefangen und muss einen Weg finden, um zurückzukommen, während er gegen seinen beliebten, aber tückischen Charakter Monkeybone antritt.

Siehe Produktionsinformationen bei IMDbPro

IMDb-BEWERTUNG

4,8/10

19.764

IHRE BEWERTUNG

Siehe Produktionsinformationen bei IMDbPro

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- 3 Nominierungen insgesamt

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Monkeybone

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9EmperorNortonII

A Beautiful Nightmare

"Monkeybone" is one of the most visually stimulating movies I've seen in quite a while! Its run in theaters was too brief, which doesn't do a movie like this justice. The imagery was surreal and disturbing, in a nice sort of way. It was interesting to see the strange denizens of Downtown, the mythological characters, the dead celebrities and so many others. The animated Monkeybone keeps the action and the comedy at a fever pitch. It all may have been too much for the average moviegoer. But I say this weird kaleidoscope is worth a look. You won't believe your eyes!

7Spleen

Deserved to do better

Henry Selick's first feature, "The Nightmare Before Christmas", was a modern classic. His next, "James and the Giant Peach", had most of the things that made "Nightmare" great - heavily diluted. One thing that weakened Selick's second movie was his decision to begin and end with live action footage, when the glory of both "Nightmare" and "Peach" lay in skilful, sharp, gorgeous stop-motion animation.

In "Monkeybone" Selick has watered the original batch of Nightmare juice still more (note to Selick: it's time to stop mining this lode - if you make a fourth feature, get a new look), with at least half of the footage lacking the visual trademarks that were probably the reason for making the film in the first place. There WAS some stop-motion footage thrown in, probably it's for old time's sake.

Still, this is a better, more memorable movie than Selick's last one, and certainly not nearly as bad as the miserable box-office returns and scathing reviews would lead you to believe. Yes, the film has its flaws, but if you were to judge from its reception you'd think it didn't have ANY virtues - which simply isn't true. There's Brendan Fraser, for a start. How can you not like Stu Miley, or the way Fraser plays him? (If you want to see Fraser's charm wasted, see "Bedazzled".) At one point Stu is forced to temporarily occupy another body (Chris Kattan), and we instantly transfer our affections to the new actor without giving the matter a second thought - which is more remarkable than it sounds, and shows that Fraser really had been WORKING to get us to like Stu.

Then there's Downtown, which you must admit, looks good. It's more of a visual hodgepodge than Selick's previous two worlds (the first of which owes its look largely to Tim Burton), partly because it was realised through an ill-chosen mixture of costume, CGI, stop-motion and set design ... our eyes must constantly adjust, yet the overall look is strong enough to make it worth the effort.

As for the film's flaws, well, they've been greatly exaggerated. I suppose there were (as several American critics complained) some bodily-function-based jokes, but I can't recall that many - certainly not as many or as witless as in "Shrek", and besides, at least some of the jokes in "Monkeybone" are actually funny. That's because they're character-based, and not solely reliant on the alleged shock value of someone suddenly farting or burping.

All that's really wrong with "Monkeybone" is that it lacks the brilliance a premise this bizarre demands. Yeah, well, big deal. So unlike Selick's first feature it's not a masterpiece. It's still an entertaining, competently made film with a good, solid story, more than inventive enough to justify having been made.

5rebeljenn

pretty funny

I am amazed at the low reviews of this film. Although it is not a great film or even a memorable film, 'Monkeybone' had some pretty funny content and a pretty good story. It could have been better, but this is just a comedy film we are talking about here. The concept is a good one: man is going to propose to girlfriend but ends up in a coma where he is trying to escape from a fantasy cartoon world filled with unusual characters. It's been a few years since I have seen it, and I do admit that the film was not that memorable, but again, it is just a comedy, and I did think they did a pretty good job with this one. Average - 5 out of 10.

DJAkin

This TICKLED my MONKEYBONE.

I loved this movie! Than again, ANY movie with BF is good. This is a great movie with a DARK OVERTONE. It was very much like BEETLEJUICE in terms of it's daring plot. I love the scenes where that one corpse is throwing body parts. It was a good movie and great for a Friday night if you have no other plans. I suggest you see MONKEY BONE!

5La Gremlin

Could this movie get any stranger?

Well, sadly, yes.

I had really high hopes for this one. I liked it, don't get me wrong. I just wish they'd pushed a lot farther with it. I was expecting something truly trippy and messed up with frightening and bizarre images. What I got was more like a frat party attended by the minor characters in "the Never-ending Story".

Come to think of it, that's one heck of an idea for a movie. I thought of it first, so hands off!

If you've already seen "Nightmare Before Christmas" and the highly underrated "James and the Giant Peach", you won't miss anything much by skipping "Monkeybone". If you haven't seen either of those two movies yet, well, check them out ASAP!

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Wissenswertes
Cartoon Network later went to make their hit late night block Adult Swim after receiving criticism from parents for supporting the movie and its marketing during its regular run time blocks.

Patzer
Stu's hands, which were covered in cake, are totally clean in the next scene, when he jumps away from the dog.

Zitate
Stephen King: How about that nightlight I asked you for?
Edgar Allen Poe (to King): King You Pussy!
Stephen King: Bite me Poe!

Crazy Credits
Following the credits a stop-motion animated statue, which gave Stu Miley his pajamas earlier in the film, is seen for a few seconds holding two flags. One reads THE and the other reads END.

Alternative Versionen
The DVD contains the following extended or removed scenes:
The "Show Me The Monkey" short is shown in its full length. It shows little Stan's erection actually popping up through his pants, the psychiatrist looking at an ad for an expensive boat, telling Stan that it'll take many sessions to cure him of this "imaginary monkey case". Stan asks why the doctor thinks Monkeybone is not real, but is shoved out of the door. Monkeybone then pops out of the case, pushing the doctor out of the skyscraper window. Monkeybone rides the doctor like 'Slim Pickens' in Dr. Seltsam oder: Wie ich lernte, die Bombe zu lieben (1964), screaming "Yeeha!" as they fall. The doctor is killed, crashing out of frame next to Stan in a splash of blood - but Monkeybone survives. Stan chastises Monkeybone, but Monkeybone tells Stan he doesn't need a psychiatrist. He sticks his finger inside his bottom, telling Stan that it's the best way to stop sucking his thumb (it's references later in the regular version with the Monkeybone toy which has ITS thumb in its bottom). Stan tells him to "get back in the pack!" (which Stu says twice to Monkeybone later in the regular version of the film.)
After the car crashes due to the inflated Monkeybone boat, Stu and Julie exit the car. Herb runs up to them, and is inspired with an idea for Monkeybone car air bags. Stu is incensed that Herb is calling a merchandising department instead of reporting the accident. Julie tells Stu to calm down, and use a pay phone to report the accident to the authorities. Unfortunately, a pipe which had been loosened by the crash falls on the booth, putting Stu in a coma.
Stu finds a Visible Man and Visible Woman in his psychological baggage. When arriving at Down Town, the street-squashed animals that first meet Stu rummage through his baggage, looking at a training bra and other odd items. Stu also tries to talk to coma cases on line for the Morpheum Theater, and meets a western cowboy centaur who offers him a pony ride as the street-squashed animals start to follow him. After being taken aback by the Yeti selling tickets for Nightmares Uncut at the Morpheum Theater, a Buffalo Kachina asks Stu for a smoke (which was asked by the Community Service Cigarette Sweeper in the final version ) while a strange fish-like creature with two noses, wings, and reverse legs named Ass Backwards asks Stu if he has an anchovy. After his encounters with Betty the Bovine, the Cyclops, and the BBQ Pig, Stu is approached by a three-headed Devil whose three heads compliment Stu's work, and asks for Stu's autograph with all three heads quote "in blood". The street-squashed animals catch up to Stu and he evades them by ducking into the Coma Bar.
Stu first meets Moneybone in the Coma Bar when Jumbo the Elephant God leaves his piano and approaches the bar upon being called over by the Minotaur bartender Bull who pulls Stu onto the bar. Before Jumbo can punch Stu, Moneybone pops out of his knapsack. There are two versions of this: in one version, Monkeybone announces, "Fee fi fo fum, Something smells like..." and then pulls his thumb out of his bottom. The other version, he says, "Just kidding folks! Drinks on the house," then adds, nodding at Stu, "On him, of course." In both versions, he then kisses him and says, "Hiya, Boss", as he does in the regular version.
In an extended version of the "Love Is A Drug" scene, Stu spies his macabre paintings on display at Hypnos' party. Monkeybone tells him that he finds them disgusting and repelling. Stu gets angry, and tells him that the paintings are art, and that Monkeybone is only a doodle. The full version of "Love Is A Drug" is played, with more dancing by the town's inhabitants.
An extended scene with Hypnos. Monkeybone gets drunk on Hypnos' wine, annoying Stu. The Wasp Woman that Hypnos is laying down with flies away. Hypnos reveals that he is Death's brother (Interesting to note Stu is never told that Hypnos is Death's brother at anytime except for the extended version of the scene, yet reveals this knowledge when being tortured by Death). Stu decides to go to the Land of Death on his own, but Monkeybone, despite his fear, desperately convinces Stu to take him along, telling him "You gotta take me with you!" At that point, one of the Reapers comes to the party, and claims a party guest named Lulu LaRue after she hits on him as the man he was making out with throws his drink on the Reaper. This is the same dead girl Stu and Monkeybone follow in the regular version.
There is a brief scene in which Death's Helper complains that "no one understands I was born to dance", then goes through "Death's Door" to help Death process souls.
Monkeybone in Stu's body, is shaving off the beard he had in a coma, when Kimmy comes in, apologizing for wanting to pull the plug. She tells him that if there is anything she could do to make it up to him, she would do it. Monkeybone Stu closes the hospital room's door, tells Kimmy that she's awfully attractive, and starts dancing with her suggestively, exclaiming, "ALL ABOARD! BABY GOT A BIG CABOOSE!" Scene cuts to Julie walking toward the room, while Stu can be heard crowing, "GET ON THE BOOTY TRAIN!" A second later, Stu screams "Ow!" after being punched by Kimmy then kicked in the groin, who comes out the door looking flustered by her brother's sexual advances. Stu, still clutching his groin, says "nothing happened".
The scene in which the "Little Jack Horner" Monkeybone doll is extended, with the other executives actually getting on the table and rubbing bottoms with Monkeybone Stu. After they leave, Monkeybone Stu tells Herb that at the Monkeybone benefit that they should have a giant pinata full of Monkeybone dolls. As Stu continues to behave strangely, taking one of the Burger God reps white jackets, Herb is asked if Stu has been improving since the accident. Herb gleefully says, "Has he ever!"
The alternate ending has instead of the Monkeybone cartoon ending where Herb tells people to take off their clothes, Death calls out to Hypnos as Kitty directs her giant robot to Hypnos' hideaway. Hypnos is shown with two suitcases stating that he's glad to see her and that he can explain his actions. Death's giant robot then grabs Hypnos out of his tower as he begs for another chance and drags him down to the Land of Death to deal with him as Down Town closes for the night.