Neal Oliver begibt sich auf die Reise seines Lebens auf der Autobahn I60, die auf keiner Landkarte verzeichnet ist, an Orte, von denen er noch nie gehört hat, auf der Suche nach einer Antwor... Alles lesenNeal Oliver begibt sich auf die Reise seines Lebens auf der Autobahn I60, die auf keiner Landkarte verzeichnet ist, an Orte, von denen er noch nie gehört hat, auf der Suche nach einer Antwort und seiner Traumfrau.Neal Oliver begibt sich auf die Reise seines Lebens auf der Autobahn I60, die auf keiner Landkarte verzeichnet ist, an Orte, von denen er noch nie gehört hat, auf der Suche nach einer Antwort und seiner Traumfrau.
- Auszeichnungen
- 2 Gewinne & 5 Nominierungen insgesamt
- Warehouse Worker
- (as John Canavan)
Empfohlene Bewertungen
With a bit more money this could have been one of the best films ever. As it is, director Bob Gale makes the best of things and it's a reflection on how strong the story is that he can get away with it on a measly budget. There are great cameos from Michael J.Fox and Kurt Russell amongst others.
Like Donnie Darko, this is a weird little indie film you may never have heard of but buying the DVD will be one of the best choices you'll make.
Due to the somewhat cheapish look of the film and the surreal subject matter, I initially thought that I was watching an episode of the newest "Twilight Zone" series. Then I realized there were simply too many famous actors cropping up for this to be a TV production. Gary Oldman, Chris Cooper, Ann-Margaret, Kurt Russell - dang, that's actually a great cast! I still couldn't tell what on Earth I was watching, though.
Well, thanks to the magic of IMDb, I know now that "Interstate 60" is an indie flick, courtesy of "Back to the Future" scribe Bob Gale. I'm not too surprised to find out that it has weird origins. And I'm also not too surprised that lots of people love it, and lots of people hate it, judging from the user comments I've scanned.
My opinion is somewhere between the extremes. I was intrigued enough by the movie to keep watching, even though it was pretty darn late when I started. The social satire, though obvious, sort of amused me, and I was curious to see where it was going.
The trouble with a movie like this, though, is that its greatest strengths are also its weaknesses. The aggressive "oddness" of the film is compelling, but it kept me at a distance from the characters. In other words, the people and the proceedings were a little too surreal for their own good. It's interesting stuff, yeah, but I'm not too sure that it's profound or deep or anything. The general storyline of a young artist trying to "find" himself is actually pretty basic, run-of-the-mill material; only the weird execution makes it memorable.
On the acting end, I really had no problem with James Marsden's performance, unlike a lot of other commentators on this site. I find him to be a pretty charismatic actor, and I was glad to see him in a starring role for a change (I'm used to him playing second fiddle in super-hero films). But I've got to give the acting laurels to Chris Cooper, who steals every scene he's in. I became genuinely fond of his character, but not really anybody else.
In the end, I enjoyed this. I was glad to see Gale mock aspects of contemporary society that I can really do without - rampant substance abuse, out-of-control litigation, etc. He wasn't exactly subtle in his approach here, but he was memorable. And that's worth something, right?
Also, the movie's got the Pink Power Ranger as a crazy seductress! Nice bonus there. I could certainly think of worse movies to watch at 2 AM.
Wusstest du schon
- WissenswertesDespite its all-star cast and Academy Award-nominated writer and director, this went direct-to-video.
- PatzerSeconds after Neal wakes up in the hospital after being knocked cold, clearly disoriented and unsure where he is, his sister comes in. He tells her the doctors want to "keep me overnight, to log some tests in the morning." How does he know this?
- Zitate
Bob Cody: Ever hear of Frederick Turner, Mr. Oliver?
Neal Oliver: No, sir.
Bob Cody: Well, he was an historian. About a hundred years ago he came up with a theory about the frontier. He said the frontier was a safety valve for civilization, a place for people to go to keep from goin' mad. So, whenever there were folks who couldn't fit in with the way things were, nuts, and malcontents, and extremists, they'd pack up and head for the frontier. That's how America got started - all the crackpots and troublemakers in Europe packed up and went to a frontier which became the thirteen colonies. When some people couldn't fit in with that, they moved farther west, which is why all the nuts eventually ended up in California. Turner died in 1932, so he wasn't around long enough to see what would happen to the world when we ran out of frontier. Some people say we have the frontier of the mind, and they go off and explore the wonderful world of alcohol and drugs, but that's no frontier. It's just another way for us to fool ourselves. And we've created this phony frontier with computers, which allows people to, you know, think they've escaped. A frontier with access fees?
Neal Oliver: What about space? You know, the final frontier!
Bob Cody: Ah, Star Trek isn't space. That's television - fine fuckin' frontier that is. Besides, how many folks can just pack up and go to space?
- Crazy CreditsThe end credits testify "No computer or miniatures were used to create or enhance the destruction of any vehicles in this movie".
- VerbindungenFeatured in The Making of 'Interstate 60' (2003)
- SoundtracksBroken Heart For Sale
Written and Performed by Heather Myles
Published by Happy Valley Music (BMI)
Courtesy of Rounder Records
By Arrangement with Ocean Park Music Group
Top-Auswahl
- How long is Interstate 60?Powered by Alexa
Details
Box Office
- Budget
- 7.000.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 8.449 $
- Laufzeit
- 1 Std. 56 Min.(116 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1