Slow Burn - In der Hitze der Wüste

...how many reviewers are unfamiliar with GREED, an engrossing and fascinating film that many critics list in their all-time top ten. This film is a blatant tribute to that film and the book it's based on. Among the many clues are the setting, the characters' names (Marcus, Trina, McTeague, Frank Norris (!!)), the theme, and probably many more things that I've missed. To all who are reading this, please immediately make plans to see GREED by Erich Von Stroheim, the Man You Love to Hate, and the butler from SUNSET BOULEVARD! To be a serious movie-watcher and not to have seen it, is like being interested in drama and having never read Shakespeare.

Minnie Driver plays a woman looking for diamonds lost by her ancestors out in the desert, when she stumbles upon two criminals (Spader and Brolin) who have miraculously stumbled upon the diamonds on accident, and who quickly take her captive. Driver has to figure out how to get the diamonds to herself and try to ditch her captors, while a mysterious old friend, Stuart Wilson, watches the events unfold from a distance and narrates Driver's past.

Minnie Driver makes an adequate lead, but it's James Spader who makes this movie. He plays a real goon; a rat-like voice and the only one with a gun. He gets increasingly desperate to escape his purgatory in the middle of nowhere and make the diamonds his. His mentally slow but good-hearted partner in crime, Brolin, and the antics of Driver lead his character. A great performance that kept me hooked, despite reading the other reviews.

Great cinematography to this movie. It's all shot in the desert, and the dry heat is beautifully captured. Ditto for the costumes. Spader and Brolin's bumbling conmen aren't used to the weather, and their faces are chapped and blistered in startlingly realistic fashion.

The movie's biggest problem is Stuart Wilson's bizarre, almost random narration. His character isn't very well set up in the beginning and you spend most of the movie trying to figure out his relevance to the story. It's purpose is a way to wrap up the loose ends, but I would have liked the film more if it had just abandoned the explanation of the past and made instead a character study of this trio.

Overall, I recommend it.

The reason I rented this film was because it featured James Spader. However, after watching it I would say Mr. Brolins performance deserves far more kudos. Overall, the film was so-so. The plot was a tad shaky and not layered out very well. Minnie Driver did a good job of looking haggard and perplexed but her role did not require much else. Spader was fine but his accent drove me mad. It was a funky cross between a man with a frog in his throat and a fellow from New Jersey. Despite the lackluster pace of the film I enjoyed every minute that featured Duster(Brolin). He played his character with depth and was convincing. I really liked that he had a special protection feeling for the bird, that was sweet. Overall though, this film was pretty shoddy and could have been a way better piece than it was.

As a Minnie Driver fan, I couldn't believe the tawdry disaster unfolded in the telling of "Slow Burn." Produced in part by Two Drivers (Minnie and her sister, Kate), it gives the impression of two intelligent women based on self-destruction. For three generations, Minnie's forebears have been consumed with the search for her grandmother's remains, and with it, the diamonds with which she disappeared into the desert so many years ago. It has consumed all of Trina's (Driver's) life, from infancy into young womanhood. Now, only Trina and her older mentor (and Mom's former lover) are left. Trina has promised that this will be her final year of searching. After this season, she'll throw in the towel. Two bumbling escaped convicts, one a bit dim (but basically of good heart) - the other given to apparant glimpses of insight between fits of pique, literally stagger upon what three generations of desert veterans have been unable to find. One of the cons is played by James Spader, and I swear I didn't recognize him. (As Martha Stuart might say [as far as a career move is concerned], "This is a good thing." His agent would agree. In short, there are disabled trucks with runaway tendencies. Said trucks seem to appear meaningfully late in the movie, almost cluttering the set ... despite their mechanical devastations. With trucks like these, "OK! I'll take the kids!" There's a sterility in interpersonal relationships that makes evem Driver's character appear to be a cardboard cut out. Is this love in bloom, or heatstroke. There's even a touch of 'Marathon Man" here, for those with expensive "tastes." The premise should have been developed into a taut thriller. However, neither the viewer seeking justice nor the sophisticate in search of irony comes away satisfied. There's a lovely and colorful little bird to win your heart; but this is not the bird director Chrisyian Ford delivers to paying audiences. "Is it safe?" to see "Slow Burn?" Only if it's free and you're desperate for seeing Minnie Driver on the big screen.

Underrated indy film. Solid story and fascinating characters. Many elements obviously borrowed from forgotten Frank Norris classic, McTeague, first published in 1899. The Norris novel was the basis for 1925 silent classic Greed, directed by Erich von Stroheim. Greed is generally considered one of the best films ever though the nine hour original and witnesses are long gone. With respect to Slow Burn, I enjoyed watching one aspect of human nature, namely greed, play out under the blazing sun.