Rude Awakening - Nur für Erwachsene!

I haven't seen this show for ages now and must admit I stumbled upon it by accident when I was watching wrestling on TV and was too lazy to get up and turn it off,so I kept watching.Before it began,the consumer advice stated it contained coarse language,nudity and adult themes.That's what convinced me to watch it no matter what.But it wasn't the nudity that made it good,it was the wickedly funny and almost surreal way the show is set out.But my favorite thing about it was the first thing you noticeas soon as it starts-no audience.I thought this allowed the viewer to laugh when THEY found something funny,instead of being told when to laugh by the constantly annoying laugh lines.The themes of the show were also very daring,with things like homosexuality,sex toys women talking very openly about their bodies and so on.A great comedy show,one of the best ever made.

I saw the season premiere and I couldn't stop laughing. Sure the show had it's serious moments, but it was funnier more than it was dramatic. I liked Billie's (Sherilyn Fenn's) friend, Maureen (a guest appearance by off and on actress/singer Taylor Dayne). Taylor was great as Billie's druggie friend. I just hope that her role is a recurring one. If you who loved "Seinfeld" and adore "Veronica's Closet" then this show is definitely for you. Of course, you have to get Showtime before you can watch it.

This show is so refreshing and funny, I couldn't believe it could survive the prevailing tastes of American TV executives. Trawling the channels late at night, I stumbled upon Sherilyn Fenn's gorgeous face looking at me and found that she could make me laugh as well! This show doesn't look polished, it does not have contrived plots or even high production values, but what it does have, is great laughs, realistic situations, and just all around funny stuff. It is crass, rude and sexy, and it doesn't apologize for it. And it shouldn't, in this time of over political correctness and subsequent fear of offending anyone, this show doesn't care, and in the process, provides great entertainment.

this was a great show... I think of it with relation to REAL life experiences. Hope to see it on air again. VERY good show. It could even be thought of as a session in therapy for anyone who actually has some of the issues addressed in the episodes. Or it can be seen as a way to understand friends with these same problems. Love, life, family, drinking,drugs... real life problems. The last episode did get to my senses... and I cried. The acting was superb... the writing was original... Why did the producers take this show off the air. I wonder if the censors disapproved. It's heart-warming to see real life reenacted through TV. I like not having to go to live theater to have this experience. In fact, shows like "Rent" are allowing more audiences to see another 'real life' experience by showing the story in a film.

Perhaps one of the most "difficult" television series to ever make it into production, Showtime's "Rude Awakening" is worth the effort it takes to warm up to a cast of flawed, occasionally unlikable, and all-too-human characters.

The material is a look at addiction, sex, and dysfunctional families, filtered through a sitcom sensibility. Sherilyn Fenn's Billie Frank is habitually self-destructive, with a gift for making the wrong choice at every given opportunity, and most of the addiction, sex, and dysfunction revolves around her.

What makes Billie a watchable, sympathetic creation is her ability to spot her own culpability in her failures, and her sputtering, stuttering romance with Jonathan Penner's Dave. Penner gets a lot of mileage out of the show's thinnest major character, the owner of a coffee shop and the person who helped guide Billie into a 12-step program, but his function is mostly just to stand around and trade hyper-sexual barbs with Fenn.

Lynn Redgrave, on the other hand, is in full diva mode with Trudy, Bille's mother. And it is indeed a sight to behold; intensely, bitingly funny, cruel, and relentlessly self-involved, Trudy is a work of art. Unlike her daughter, Redgrave's character has no saving grace, but somehow remains the most compelling thing on the screen at any given moment.

Without question, RA's run has been uneven. When it wanders away from its central themes, the show can easily begin to look like the most painful sort of cable comedy, with little more than explicit language but like its main character, when "Rude Awakening" finds its feet and takes a clear-eyed look at where it is and where it hopes to go, it can make for a funny, intense half-hour of entertainment.