A Rather English Marriage

Finney & Courtenay are teamed again in this tale of two widowers who are drawn together by a well meaning social services worker.

Finney seems at first coolly detached from his loss, while Courtenay is the far more visibly shaken of the two. Finney is essentially left with a lifetime interest in his home and a small annual stipend by his late wife. Courtenay needs companionship. The social worker brings them together in a marriage of convenience.

Finney assumes the role of the master of the house and Courtenay essentially the man servant.For those who enjoyed the pair in 1984's The Dresser, Courtenay calling Finney "Sir" will bring a smile to your face.

As the plot evolves, we see Finney deteriorating while Courtenay steps up to the plate to assume the more dominant role. Both are forced to face tragedy again during their time together and learn to adapt.

The film deals with how people deal with grief, or choose not, and in the end, how we all must make that choice.

I was tired and did not expect to stay with this movie, but thought I'd see how it began. The story and the absolutely wonderful performances by Finney and Courtenay kept me absorbed in it till it was all over. This quiet movie was, unexpectedly, to be one of my all-time favorites.

Albert Finney and Tom Courtenay, reunited from 1983's "The Dresser", are just as impressive this time as two widowers, an elderly squadron leader and a retired milkman, who are put together by social services for convenience and companionship. Finney's blustery, randy woman-chaser, cheerfully bloated and lazy and horny, initially thinks of Courtenay as a prude, someone he can boss about. But efficient, humble Courtenay isn't willing to be a doormat, and Finney's appreciation of his housemate's quiet strength helps to produce a surprising friendship over time. Adaptation of Angela Lambert's book, produced for British television, is nimbly directed and edited, both frank and moving, providing the two justly-celebrated leads with rich character roles. Finney and Courtenay revel in these delicious dramatic opportunities and are a joy to watch.

A really wonderful drama. A good plot, elevated hugely by two perfect performances from Tom Courtenay and Albert Finney. They are truly superb as Southgate (working-class) and Reggie ("The Squadron Leader"-staunchly upper-class), two widowers who strike an unlikely friendship to come to terms with life again. Finney and Courtenay truly show exactly what brilliant acting is, and this is comfortably the best original single drama in 1998.

You will enjoy this movie if you step back and watch it like a spoof put together by the actors themselves. Otherwise the story as portrayed in this production is just not logical. There are irritating loose ends and tangents that I found frustrating. However they are all great actors doing a fine job and if you take it as it comes and just accept it as a silly spoof then you will enjoy it. Why an otherwise sensible, financially independent, elderly widower, would move in with an old grumpy, ungrateful, insulting, rake is not well explained. If you are going to write a script at least give good solid logical reasons to support why a character follows a particular course of action. The moment I gave up asking why so and so did such and such I began to enjoy the journey. A few drinks would also help. It is a silly movie that I ended up enjoying. Rosamund Pike - her movie debut - and some others appear for about half a second. One wonders why you would go to the trouble of assembling a cast of actors who may well spend three days on set only to be almost invisible in the final production. Even more outrageous is that very often, some bugger would have spent weeks mulling over who to cast in these invisible roles. We can only hope the invisible ones receive regular residuals ! So grab a stiff drink, relax, throw logic out the window and watch this movie.