Mifune

This was the first film I had seen from the Dogma series and I didn't know quite what to expect. Mifune is actually a very moving and personal insight into the life styles of a small handfull of characters. The acting in the movie is superb and it follows the rules of dogma down to a tee (natural lighting, no sound effects etc.). The film at face value is also very funny, although the source of comedy is rather disturbing. This is a film that will stay fresh in your mind long after you leave the cinema. 7/10.

I've always been a fan of European cinema, mostly because it has something more to offer than Hollywood's mass production. Don't think that I hate every movie that comes from Hollywood or that I love all European films. As well in Europe as in America, they have made some excellent movies as well as awful ones.

If it isn't a better story or more profound characters, than it is the style of filming that makes European cinema a little different from the American. And this movie has it all. The story is very good and original and the characters are very recognizable. I really got the feeling that I got to know them better, even though their lives are sometimes completely different from mine. But most important is the way everything is shot. For those who aren't familiar with the rules made up by Dogma yet, I'll give a small explanation: the director promises not to use extra light, special effects, extra sound effects... They want to make the story speak for itself and show everything in a natural and realistic way. To some this may seem like the most boring concept ever. I guess many people who like movies like The Lord of the Rings, Star Wars, Spiderman,... movies that are full of special effects, huge scenes and nice visual effects, may not be blown away by this movie. I know that many people may hate the concept, that many people don't want to see this kind of movies, but personally I find this a very welcome concept in a world where everybody seems to feel the need to copy what works, without being original.

Kresten has moved from a small Danish island, where his parents farm is, to Copenhagen in order to pursue an excellent career and unconcerned life. He marries his boss's daughter and is sure that he'll become the new boss as soon as his father-in-law decides to retire. But on his honeymoon he gets a phone call that his father died and that he'll have to return home. The only problem is that he has never told his wife that he had a father and a retarded brother, living together on the family farm. Once he arrives at the farm, he sees that much hasn't changed or been done since he left and he decides that they will need a housekeeper to clean up the mess. He sends an advertisement to a local newspaper and he immediately gets a reaction from Liva Psilander. Liva is a prostitute who wants to start a new life. She wants to escape from an anonymous psychopath who harasses her by phone and needs a lot of money to pay her brother Bjarke's school tuition. When Kresten's wife discovers the truth, or at least what she thinks the truth is, she breaks off the marriage and makes sure that Kresten will lose his job at her father's company and that he'll never get it back. Now Kresten will have to live together with his brother, with Livia and her little brother in the old farm on the island...

I can assure you that you'll have to get used to the way of filming at first. Perhaps you'll need two viewings to fully appreciate this movie, but once you can see past the style of filming, you'll see that this movie has a very beautiful and hearth warming subject. Personally I really liked it and that's why I give this movie at least an 8/10, even an 8.5/10.

Terrific acting and mesmerising locations make this an easy movie to love. Denmark's hazy, almost dreamy summer light lends a touch of magic to this tale of a prodigal son's enforced return.

The main characters are exquisitely drawn. Berthelsen plays newlywed Copenhagen yuppie Kresten, who has denied the very existence of his family in far-off (or so he thought) Lolland. Rud, his retarded brother, is brought to us with great sensitivity and charm in a show-stealing performance by Jesper Asholt. Iben Hjejle sparkles as Liva, a city prostitute with steadily mounting problems, many of which can be traced directly to her brattish younger brother Bjarke, for whom she seems to have assumed parental responsibility.

Before long (and to nobody's great surprise), we see these two pairs of siblings brought crashing together by life's twists and turns. Kresten is summoned back to Lolland in the middle of his honeymoon by news of his father's death. He soon sees that Rud is incapable of looking after himself and is forced to stay on temporarily in Lolland.

His advertisement for a housekeeper attracts Liva's attention just as she finally wears out her welcome in Copenhagen. Bjarke lasts about five minutes in the big city without her, and soon follows her to Lolland.

The interplay between these makeshift cohabitees is wonderful, particularly Rud's relationships with Kresten and Bjarke. Endless summer evenings spent in Lolland's rural idyll with these four for company will soon have you believing in crop circles and cellar-dwelling samurai heroes.

On the back of some audacious tricks to get us this far, Kragh-Jacobsen delivers a transcendent hour or so in the middle of this film that reminds me of just why I love the cinema so much.

Having created this beautiful, shimmering landscape (both emotional and physical), and reminded us that love for your family - and perhaps, in a special way, your siblings - is its own reward, the movie finds it has nowhere particular left to go. There are supporting characters - some of them reasonably well-formed, others not - but once our quartet is established and the relationships between them start to blossom, any involvement from outsiders is unwelcome, unfulfilling and only likely to bring trouble.

It's no spoiler, for I mean it purely in structural terms, when I say that we are brought to a bumpy and unsatisfying ending to this ride through the lives of four people we soon grow to care a great deal about.

For me, though, despite its shortcomings, Mifune was a beautiful movie that I'm sure I'll watch again, many times.

Mifune is a surprisingly easy film to watch, delightful in many respects and certainly original. The comedy is in many ways unique; nothing hits you in the cinema, but you still leave with a smile on your face. The acting is, in my view, superb, the locations fitting, and the plot; well, original and refreshing. If you need cheering up or it's a rainy day then I recommend this film. Very refreshing indeed.

A movie to fall in love with. Simple as that. A tender, sweet love story that will make your heart melt (I know how terribly cheesy that sounds, but I stand by my words), unless your heart is made of stone. It's another Danish masterpiece and yet another Dogme movie (but don't worry; once you get used to the shaky cam, these films are all richly rewarding). 8 stars out of 10.

In case you're interested in more underrated film gems, here's some of my favorites:

imdb.com/list/ls070242495