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Mifune

Originaltitel: Mifunes sidste sang
  • 1999
  • 12
  • 1 Std. 38 Min.
IMDb-BEWERTUNG
7,1/10
8281
IHRE BEWERTUNG
Mifune (1999)
DramaKomödieRomanze

Füge eine Handlung in deiner Sprache hinzuKresten's dad dies and he returns to the farm on Lolland to take care of things, including his developmentaly-challenged brother. He employs a hooker as maid. He loses his wife and job due t... Alles lesenKresten's dad dies and he returns to the farm on Lolland to take care of things, including his developmentaly-challenged brother. He employs a hooker as maid. He loses his wife and job due to lies. The maid's kid brother moves in and they're a family of 4.Kresten's dad dies and he returns to the farm on Lolland to take care of things, including his developmentaly-challenged brother. He employs a hooker as maid. He loses his wife and job due to lies. The maid's kid brother moves in and they're a family of 4.

  • Regie
    • Søren Kragh-Jacobsen
  • Drehbuch
    • Anders Thomas Jensen
    • Søren Kragh-Jacobsen
  • Hauptbesetzung
    • Iben Hjejle
    • Anders W. Berthelsen
    • Jesper Asholt
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,1/10
    8281
    IHRE BEWERTUNG
    • Regie
      • Søren Kragh-Jacobsen
    • Drehbuch
      • Anders Thomas Jensen
      • Søren Kragh-Jacobsen
    • Hauptbesetzung
      • Iben Hjejle
      • Anders W. Berthelsen
      • Jesper Asholt
    • 62Benutzerrezensionen
    • 63Kritische Rezensionen
    • 57Metascore
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 10 Gewinne & 14 Nominierungen insgesamt

    Videos1

    Mifune
    Trailer 1:09
    Mifune

    Fotos30

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    Topbesetzung32

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    Iben Hjejle
    Iben Hjejle
    • Liva Psilander
    Anders W. Berthelsen
    Anders W. Berthelsen
    • Kresten
    Jesper Asholt
    • Rud
    Emil Tarding
    • Bjarke Psilander
    Anders Hove
    Anders Hove
    • Gerner
    Sofie Gråbøl
    Sofie Gråbøl
    • Claire
    Paprika Steen
    Paprika Steen
    • Pernille
    Mette Bratlann
    • Nina
    Susanne Storm
    • Hanne
    Ellen Hillingsø
    Ellen Hillingsø
    • Lykke
    Sidse Babett Knudsen
    Sidse Babett Knudsen
    • Bibbi
    Søren Fauli
    Søren Fauli
    • Stemmen
    • (Synchronisation)
    Søren Malling
    Søren Malling
    • Palle Alfons
    Kjeld Nørgaard
    • Claires far
    • (as Keld Nørgaard)
    Kirsten Vaupel
    • Claires mor
    Torben Jensen
    • Ældre kunde
    Klaus Bondam
    • Præst
    Lene Laub Oksen
    • Luder #1
    • Regie
      • Søren Kragh-Jacobsen
    • Drehbuch
      • Anders Thomas Jensen
      • Søren Kragh-Jacobsen
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen62

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    Empfohlene Bewertungen

    8philip_vanderveken

    Only for the real fans of European cinema

    I've always been a fan of European cinema, mostly because it has something more to offer than Hollywood's mass production. Don't think that I hate every movie that comes from Hollywood or that I love all European films. As well in Europe as in America, they have made some excellent movies as well as awful ones.

    If it isn't a better story or more profound characters, than it is the style of filming that makes European cinema a little different from the American. And this movie has it all. The story is very good and original and the characters are very recognizable. I really got the feeling that I got to know them better, even though their lives are sometimes completely different from mine. But most important is the way everything is shot. For those who aren't familiar with the rules made up by Dogma yet, I'll give a small explanation: the director promises not to use extra light, special effects, extra sound effects... They want to make the story speak for itself and show everything in a natural and realistic way. To some this may seem like the most boring concept ever. I guess many people who like movies like The Lord of the Rings, Star Wars, Spiderman,... movies that are full of special effects, huge scenes and nice visual effects, may not be blown away by this movie. I know that many people may hate the concept, that many people don't want to see this kind of movies, but personally I find this a very welcome concept in a world where everybody seems to feel the need to copy what works, without being original.

    Kresten has moved from a small Danish island, where his parents farm is, to Copenhagen in order to pursue an excellent career and unconcerned life. He marries his boss's daughter and is sure that he'll become the new boss as soon as his father-in-law decides to retire. But on his honeymoon he gets a phone call that his father died and that he'll have to return home. The only problem is that he has never told his wife that he had a father and a retarded brother, living together on the family farm. Once he arrives at the farm, he sees that much hasn't changed or been done since he left and he decides that they will need a housekeeper to clean up the mess. He sends an advertisement to a local newspaper and he immediately gets a reaction from Liva Psilander. Liva is a prostitute who wants to start a new life. She wants to escape from an anonymous psychopath who harasses her by phone and needs a lot of money to pay her brother Bjarke's school tuition. When Kresten's wife discovers the truth, or at least what she thinks the truth is, she breaks off the marriage and makes sure that Kresten will lose his job at her father's company and that he'll never get it back. Now Kresten will have to live together with his brother, with Livia and her little brother in the old farm on the island...

    I can assure you that you'll have to get used to the way of filming at first. Perhaps you'll need two viewings to fully appreciate this movie, but once you can see past the style of filming, you'll see that this movie has a very beautiful and hearth warming subject. Personally I really liked it and that's why I give this movie at least an 8/10, even an 8.5/10.
    8Mr. Fish-3

    Delightful.

    Mifune is a surprisingly easy film to watch, delightful in many respects and certainly original. The comedy is in many ways unique; nothing hits you in the cinema, but you still leave with a smile on your face. The acting is, in my view, superb, the locations fitting, and the plot; well, original and refreshing. If you need cheering up or it's a rainy day then I recommend this film. Very refreshing indeed.
    starvin4megravy

    They ain't heavy, they're our brothers

    Terrific acting and mesmerising locations make this an easy movie to love. Denmark's hazy, almost dreamy summer light lends a touch of magic to this tale of a prodigal son's enforced return.

    The main characters are exquisitely drawn. Berthelsen plays newlywed Copenhagen yuppie Kresten, who has denied the very existence of his family in far-off (or so he thought) Lolland. Rud, his retarded brother, is brought to us with great sensitivity and charm in a show-stealing performance by Jesper Asholt. Iben Hjejle sparkles as Liva, a city prostitute with steadily mounting problems, many of which can be traced directly to her brattish younger brother Bjarke, for whom she seems to have assumed parental responsibility.

    Before long (and to nobody's great surprise), we see these two pairs of siblings brought crashing together by life's twists and turns. Kresten is summoned back to Lolland in the middle of his honeymoon by news of his father's death. He soon sees that Rud is incapable of looking after himself and is forced to stay on temporarily in Lolland.

    His advertisement for a housekeeper attracts Liva's attention just as she finally wears out her welcome in Copenhagen. Bjarke lasts about five minutes in the big city without her, and soon follows her to Lolland.

    The interplay between these makeshift cohabitees is wonderful, particularly Rud's relationships with Kresten and Bjarke. Endless summer evenings spent in Lolland's rural idyll with these four for company will soon have you believing in crop circles and cellar-dwelling samurai heroes.

    On the back of some audacious tricks to get us this far, Kragh-Jacobsen delivers a transcendent hour or so in the middle of this film that reminds me of just why I love the cinema so much.

    Having created this beautiful, shimmering landscape (both emotional and physical), and reminded us that love for your family - and perhaps, in a special way, your siblings - is its own reward, the movie finds it has nowhere particular left to go. There are supporting characters - some of them reasonably well-formed, others not - but once our quartet is established and the relationships between them start to blossom, any involvement from outsiders is unwelcome, unfulfilling and only likely to bring trouble.

    It's no spoiler, for I mean it purely in structural terms, when I say that we are brought to a bumpy and unsatisfying ending to this ride through the lives of four people we soon grow to care a great deal about.

    For me, though, despite its shortcomings, Mifune was a beautiful movie that I'm sure I'll watch again, many times.
    9steve.schonberger

    A fine movie, whatever the Dogma

    I didn't know much about this movie going in, but I got a very nice surprise. The Kresten plot -- a yuppie summoned home to deal with his redneck past by the death of his father -- could have been a dull family drama, but this movie was much better than that. It turns out that he has a number of things about his past that he's kept secret from the people in his city life -- his retarded brother, the badly run-down farm he grew up on, and more. Some of his story is serious, and much is played for humor, with good taste separating the drama and humor.

    The Liva plot -- a woman escaping prostitution into an honest common job -- was completely opposite the Hollywood presentation of prostitution. (Hollywood either glamorizes it, uses it as an opportunity to add gratuitous sex before switching to the gratuitous violence.) Liva's prostitution pays fairly well, but it's clearly miserable, degrading, full of fear, and sometimes danger. The movie shows why she wants out with understated drama -- instead of rubbing her misery in our faces, it shows us hints of it, but leaves room for us to imagine just how bad it is for her.

    When Liva escapes prostitution with a job as Kresten's housekeeper, the her part in the movie switches from drama to comedy, in the form of funny situations and events that feel natural, rather than contrived gag situations.

    The acting was very good, particular Iben Hjejle's portrayal of Liva. Anders W. Berthelsen played Kresten well, and Emil Tarding's smaller role as Liva's young brother Bjarke was also very good.

    I had never heard of the Dogme film series until after seeing this movie. The only one Dogme rule that really matters to the movie was that the plot must stick to real life and avoid superficial violence. That demanded a plot where the characters and story matter, and Søren Kragh-Jacobsen delivered. The simple camera work, natural lighting, minimal set dressing, etc., didn't improve the movie. But neither did the simple movie-making detract from the quality -- they deserve praise for doing so well within their rules of simplicity. One additional benefit of the movie-making simplicity rules was that it kept the budget low, so that more good movies like this could be made.
    starlite41981

    Dogme 95 films are at their best in the story.

    Mifune starts off a little slow and at first you are really not sure where it is going. Thankfully this does not last for long. The characters have many dimenions and the viewer quickly cares and grows more curiousity towards the characters. Yes, many of the Dogme 95 guildlines are in this film however (must like Festen... another fabulous film) it is the story that makes this such a great film.

    All characters in this film are completly different from eachother. The dialouge itself is not what makes this film great, it's the story of all these people combined.

    Dogme films often show things that an American audience may have a hard time dealing with. If seeing something and learning from something that Americans can hide from is something that holds an interest than I highly recommend this film.

    Handlung

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    • Wissenswertes
      After the movie's completion, director Søren Kragh-Jacobsen made the following statement: "As one of the DOGME 95 brethren and co-signatory of the Vow of Chastity, I feel moved to confess to the following transgressions of the aforesaid Vow during the production of Dogme 3 - Mifune. Please note that the film has been approved as a Dogme work, as only one genuine breach of the rules has actually taken place. The rest may be regarded as moral breaches: (1) I confess to having made one take with a black drape covering a window. This is not only the addition of a property, but must also be regarded as a kind of lighting arrangement. (2) I confess to moving furniture and fittings around the house. (3) I confess to having taken with me a number of albums of my favorite comic book series as a youth, Linda & Valentin (Valérian and Laureline). (4) I confess to helping to chase the neighbor's free-range hens across our location and including them in the film. (5) I confess that I brought a photographic image from an old lady from the area and hung it in a prominent position in one scene: not as part of the plot, but more as a selfish, spontaneous, pleasurable whim. (6) I confess to borrowing a hydraulic platform from a painter, which we used for the only two bird's-eye overview shots in the film. (7) I do solemnly declare that in my presence the remainder of Dogme 3 - Mifune was produced in accordance with the vow of chastity. (8) I also point out that the film has been approved by DOGME 95 as a Dogme film, as in real terms no more than a single breach of the rules has been committed. The rest may be regarded as moral transgressions."
    • Zitate

      Liva Psilander: Livet er en lang lort, som man skal tage en kæmpe bid af hver dag!

    • Verbindungen
      Featured in Bag kameraet: Mifunes sidste sang (1999)
    • Soundtracks
      Nocturne No 9 Opus 2
      by Frédéric Chopin

      Performed by Nulle & Verdensorkestret

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    FAQ17

    • How long is Mifune?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 27. Mai 1999 (Deutschland)
    • Herkunftsländer
      • Dänemark
      • Schweden
    • Offizielle Standorte
      • From the dogme 95 official site
      • Sony Pictures Classics
    • Sprache
      • Dänisch
    • Auch bekannt als
      • Mifune - Dogme 3
    • Drehorte
      • Horslunde, Lolland, Dänemark
    • Produktionsfirmen
      • Danmarks Radio (DR)
      • Nimbus Film
      • SVT Drama
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Bruttoertrag in den USA und Kanada
      • 512.434 $
    • Weltweiter Bruttoertrag
      • 512.434 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 38 Min.(98 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby SR
    • Seitenverhältnis
      • 1.66 : 1

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