Füge eine Handlung in deiner Sprache hinzuA man discovers that he has psychotronic powers--the ability to will people to die. He begins exercising that power.A man discovers that he has psychotronic powers--the ability to will people to die. He begins exercising that power.A man discovers that he has psychotronic powers--the ability to will people to die. He begins exercising that power.
- Regie
- Drehbuch
- Hauptbesetzung
Chris Carbis
- Lt. Walter O'Brien
- (as Christopher Carbis)
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This movie is so bad in every way, it's not even worth going into. Although I'm a bad movie aficionado, I'd never make it through this one without RiffTrax's comedic commentary. With their riffs, it's worth watching once, but I won't be returning to this one.
The main reason I wanted to review the film was to let people know that there's a scene in a med school where a roomful of students dissect what appear to be real human corpses! (Flayed and contorted into disturbing poses, no less, apparently to make dissection access easier and/or to dehumanize them.)
There's no way this no-budget '70s turkey had the makeup / props budget for those to not have been real. I'm surprised none of the other reviews mentioned this, and I was surprised the RiffTrax guys didn't give their audience a trigger warning beforehand, and instead merely said stuff like "Wow!" during the scene. Since I don't watch snuff films, this is the most disturbing thing I've ever seen in a movie.
The main reason I wanted to review the film was to let people know that there's a scene in a med school where a roomful of students dissect what appear to be real human corpses! (Flayed and contorted into disturbing poses, no less, apparently to make dissection access easier and/or to dehumanize them.)
There's no way this no-budget '70s turkey had the makeup / props budget for those to not have been real. I'm surprised none of the other reviews mentioned this, and I was surprised the RiffTrax guys didn't give their audience a trigger warning beforehand, and instead merely said stuff like "Wow!" during the scene. Since I don't watch snuff films, this is the most disturbing thing I've ever seen in a movie.
Here's another great contender for my own personal award of "Most Demented Film I ever watched", but the least I can say is that it was very interesting. "The Pschotronic Man" begins with the longest and most unnerving opening credits ever, but they're quite sinister and atmospheric what with the really creepy music and odd color schemes and everything. This is one of them rare films that already make you feel uncomfortable before it even properly takes off. The slow-paced story introduces Rocky Foscoe; a barber with a few issues that may or may not be caused by the fact that he consumes his own hair shampoos and conditioner lotions. Rocky starts having strange visions, like himself flying around in a car and such similar tomfoolery, and he gradually becomes the world's first and only Psychotronic Man. Basically, this just means that he's an older, fatter and sleazier male version of "Carrie" who can inflict stuff only by using his overdeveloped willpower. At first, Rocky doesn't comprehend the powers that have been granted to him and even seeks professional help to make the unbearable headaches go away, but then he gradually learns how to control his skills and use it against the people he doesn't like, like his own wife who's in the way of his love affairs.
"The Psychotronic Man" is overall a pretty cool flick, but sadly director Jack M. Sell wasn't quite sure which narrative tone to maintain. Does this story require a dramatic, mysterious or exploitative tone? Or perhaps a combination of all three? This indecisive behavior leads to an illogical structure and uneven pacing, for example when a moody love-making sequence is immediately followed by an extremely violent murder vision. The film is also slow and uneventful. Especially considering the plot outline, they could have made this into a far more grotesque and trashy cult experiment; even bearing in mind the budgetary restrictions. The overlong chase sequence, for example, is the least spectacular one in the history of cinema. The cars just drive in straight lines and at snail pace, without tricky maneuvers or causing flamboyant accidents. Still, there's some greatness to find in this oddball production, like the creepy sound effects that are frequently repeated, including a church bell chiming and half the tune of Ennio Morricone's classic music for "Once upon a time in the West". I bet the composer of this film was the only person who had great fun on set.
Bizarre film, to say the least, but it did offer us the collective term for everything in cult, horror and trash cinema that is unique and indescribable. Psychotronic power!
"The Psychotronic Man" is overall a pretty cool flick, but sadly director Jack M. Sell wasn't quite sure which narrative tone to maintain. Does this story require a dramatic, mysterious or exploitative tone? Or perhaps a combination of all three? This indecisive behavior leads to an illogical structure and uneven pacing, for example when a moody love-making sequence is immediately followed by an extremely violent murder vision. The film is also slow and uneventful. Especially considering the plot outline, they could have made this into a far more grotesque and trashy cult experiment; even bearing in mind the budgetary restrictions. The overlong chase sequence, for example, is the least spectacular one in the history of cinema. The cars just drive in straight lines and at snail pace, without tricky maneuvers or causing flamboyant accidents. Still, there's some greatness to find in this oddball production, like the creepy sound effects that are frequently repeated, including a church bell chiming and half the tune of Ennio Morricone's classic music for "Once upon a time in the West". I bet the composer of this film was the only person who had great fun on set.
Bizarre film, to say the least, but it did offer us the collective term for everything in cult, horror and trash cinema that is unique and indescribable. Psychotronic power!
The quick pitch: An otherwise unremarkable barber goes for a long (very long) drive, has some sort of nightmare, and mysteriously develops psychotronic powers that give him the ability to kill people with his mind. The police aren't too happy when the bodies start piling-up, leading to one of the longest, dullest chases in screen history.
It's been awhile since I've watched a movie quite as bad as The Psychotronic Man. I don't hand out the dreaded "1" rating like candy. You have to earn it. But this one is a real stinker. As I've already alluded to, it's as dull as watching paint dry. Oh my God, I would have given just about anything for something to happen. I must have fallen asleep, woken up, and rewinded this abysmal film at least a half-dozen times. But what do you expect from a movie whose runtime (and I can't be bothered looking up the exact runtime) is filled with "exciting" things like watching a car drive slowly down a road, watching a doctor read papers and make notes, watching really bad dancing, or watching that damnable final chase that goes on forever. These events take up at least ¾ of the movie - I'm not exaggerating. Anyone who says they like this excruciating mess as more patience than I.
A deserved 1/10 from me.
It's been awhile since I've watched a movie quite as bad as The Psychotronic Man. I don't hand out the dreaded "1" rating like candy. You have to earn it. But this one is a real stinker. As I've already alluded to, it's as dull as watching paint dry. Oh my God, I would have given just about anything for something to happen. I must have fallen asleep, woken up, and rewinded this abysmal film at least a half-dozen times. But what do you expect from a movie whose runtime (and I can't be bothered looking up the exact runtime) is filled with "exciting" things like watching a car drive slowly down a road, watching a doctor read papers and make notes, watching really bad dancing, or watching that damnable final chase that goes on forever. These events take up at least ¾ of the movie - I'm not exaggerating. Anyone who says they like this excruciating mess as more patience than I.
A deserved 1/10 from me.
I would advise AGAINST watching this...there's better things to do with your time and/or money. If, for some reason, you ARE gonna be subjected to this, don't expect ANY elements of many sci-fi/horror films - no special effects; no gore; no sex - virtually no attempts. So, it's a no-no, all the way. Rigid acting; illogical continuity. The plot is simple: Rocky uses psychotronic ability to dispense with people; and the Chicago-area cops get onto his trail as a result. Psychotronic wasn't in MY dictionary, but I THINK that it means that he can WILL things to happen. I suspect that he WILLED a lot of time in his car. MY psychotronic powers must need a little work: This movie continued for quite a while after I WILLED it to end.
A barber named Rocky Foscoe (Peter Spleson) has a bizarre experience on his way home from work. After more unexplainable occurrences, Rocky becomes THE PSYCHOTRONIC MAN. He appears to be able to cause things to happen with his mind. Deaths ensue, and the police are baffled.
TPM is a super-low-budget horror film that isn't a total embarrassment. The "hovering car" scene is effective, though it's pretty obvious how it was achieved.
This movie contains one of the longest chase scenes ever filmed. It starts out as a car chase, resulting in a foot chase through what seems like the entire city of Chicago! Then, when it appears to finally be over, it starts up again!
Worth a watch, if for no other reason than to say that you've seen a movie called THE PSYCHOTRONIC MAN...
TPM is a super-low-budget horror film that isn't a total embarrassment. The "hovering car" scene is effective, though it's pretty obvious how it was achieved.
This movie contains one of the longest chase scenes ever filmed. It starts out as a car chase, resulting in a foot chase through what seems like the entire city of Chicago! Then, when it appears to finally be over, it starts up again!
Worth a watch, if for no other reason than to say that you've seen a movie called THE PSYCHOTRONIC MAN...
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- WissenswertesMichael Weldon titled his magazine "Psychotronic Video" and, by extension, his books "The Psychotronic Encyclopedia of Film" and "The Psychotronic Video Guide," after this film.
- PatzerDuring the "Oyster Bar" scene, the shadow of the camera and cameraman are seen numerous times.
- VerbindungenFeatured in The Psychotronic Man (2017)
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- Laufzeit1 Stunde 30 Minuten
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By what name was The Psychotronic Man (1979) officially released in Canada in English?
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