Wenn der Nebel sich lichtet - Limbo

Don't Believe the Type (...below). John Sayles' Limbo is a slow-burning, stonker of a movie! The character interaction and dialogue are sublime and subtle. Personally I love to see David Strathairn in the lead role, and it is to Sayles' credit that he has, and continues to give this deft actor a chance to shine. For those who have complained about the 'boring storyline' and 'dissapointing finale' I feel sorry, really very sorry - Sorry, that you could not enjoy the films' depth and intelligence as I did. And if you didn't like the ending, then well, you just don't get it, do you?

Tops marks Mr. Sayles, One of your Best!!

This movie starts like a typical great John Sayles movie. It is about people in Alaska struggling to get through their day-to-day lives, some with dignity, some not so much. They are all interesting and they all have their secrets and their stories. Like any small town, everyone knows everyone else's problems.

The second half of the movie is about circumstances that leave Joe Gastineau, his new girlfriend, and her daughter stranded on a remote island and their struggle to survive. I had trouble believing any of the action in the second half. It starts going wrong when Joe brings the girls on his brother's boat without asking his brother if that was OK. Then his brother does not object even though he knows it is going to be dangerous. Later, the bad guys track down the boat, even though the boat is not where it is supposed to be due to a storm. The bad guys are able to silently sneak up on and board the boat. Joe and friends are able to swim away from and escape from the bad guys even though the bad guys have a motor boat and guns. They struggle to survive on the remote island, but they always seem too clean, dry, shaved, and well fed. The movie then has a cop-out ending, although I could not think of a better ending, given the incredible action that preceded it.

The second half of the movie did not feel like a John Sayles movie. It was like someone else wrote it.

This movie has some great performances. David Strathairn is a troubled, but good hearted handy-man. Mary Elizabeth Mastrantonio is wonderful as a singer who is just barely keeping her life in order and raising a daughter. She portrays someone who is cheerful and optimistic and at the same time someone who is weary and can see only more problems in the future. She is getting older and has given up ever becoming a famous singer. It is an interesting, appealing character.

If you are a film student, or a John Sayles devotee, I recommend you buy or rent the DVD version. As compelling as the film was, the director/author's running commentary was equally fascinating. This movie sweeps you along at a leisurely pace, till you are not sure whether or not you are interested at all. When the plot twist begins, you will be swept under like a whirlpool. Four stars, two thumbs up. Better than Lone Star. And if you didn't like the ending, you didn't understand the movie. This isn't entertainment, this is art.

Once again, as do all John Sayles films, this is no Hollywood fare. There are no easy answers or solutions to the questions raised or problems illustrated. John Sayles gives his insightful subtle approaches to another aspect of life and living, of ordinary people tackling everyday encounters and challenges. Nothing spectacular (yet it is quietly spectacular). It's another multi-character study, and Sayles is very good at telling the story and providing the different premises and details in a seemingly casual manner. Sayles fans know it will not be a boring journey - life lessons will be assimilated.

In LIMBO, photography is skillfully delivered by veteran cinematographer Haskell Wexler (the unforgettable "Medium Cool" 1969, which he also wrote and directed; "The Thomas Crown Affair" 1968 with director Norman Jewison; two with Sayles: "Matewan" 1987, "The Secret of Roan Inish" 1994). Here, graphic detail shots are included on fishing, informing us of the intricacies involved - it's Sayles ingredients to the core.

Mary Elizabeth Mastrantonio, as always, a tour de force. She gets to demonstrate what a wonderful singer she can be. She did a terrific job - she sings so well that it sounds like Judy Collins at times! David Strathairn, for once, is not in a supporting role. He is in the male lead role and as expected, a quiet sensitive delivery of his character as a fisherman incognito. There is mother and daughter tension at play here. Vanessa Martinez played the teenage daughter and what a superb performance - hers is no easy role. The segment by the campfire where she reads from a diary book, her subtle expressions and poignant portrayal complete this triangle of complex emotional cauldron a-brewing…yet she held her own in capturing our attention on her touching delivery.

This is not an easy film to consume - it provides mind probing and requires reflective thinking. A John Sayles fan MUST-SEE, or anyone who's ready for a different movie and a change of pace.

Music is by Mason Daring. As usual, the film is written, directed, and edited by John Sayles himself.

Having finally caught us with John Sayles' "Limbo", it must be said that the king of the indie scene can still surpass any genre.

Casting his friend (and movie veteran) David Strathairn as an Alaskan fisherman with an emotional crisis is one of the film's many pluses. Strathairn brings an everyman quality to every role he's in. The film is also not unlike Strathairn's own "The River Wild". At least, without the contrivances. Mary Elizabeth Mastrantonio is also good as a bar singer (she sings pretty well too) hauling her teenage daughter (Vanessa Martinez, very good in her debut) through gig after gig. The film also has some thriller elements; but, this of course, is Sayles, who wisely pushes for character development and dialogue ladened with truth.

As he proved with EIGHT MEN OUT, MATEWAN, CITY OF HOPE, and PASSION FISH, Sayles is a truly gifted writer/director. Keep it coming.