Désiré

Attempts to correct a series of misunderstandings drive a valet into the lady of the house's arms.

A typically cheeky upstairs/downstairs farce, Désiré's utterly irreverent sacking of the class divide is the sort of thing that would surely have been unimaginable in Britain around the same time. But not in France, at least not with Sacha Guitry.

As with most Guitry films, it's all about the dialogue - which is as fast and fruity as always - there is very little beauty in the photography or set designs or any of the other facets that come together to make a film. It's essentially little more than a filmed play, but an instantly charming and enjoyable one.

Sacha Guitry is Désiré, a valet who goes to work for Jacqueline Delubac (Guitry's wife at the time). He has a cloud over his head. His last employer wrote him a good reference, but over the phone intimates that something embarassing happened that caused him to leave.

Delubac is the mistress of Jacques Baumer,a pleasant but stuffy cabinet minister. The three of them, plus cook Pauline Carton and lady's maid Arletty head off to Deauville, when there is a problem. Delubac and Guitry have loud erotic dreams about each other.

It's clearly a one-set play opened up for the screen. It's a witty affair that mocks the institution of marriage and class, and Guitry has written himself some very funny monologues, and a very funny dinner scene which includes Saturnin Fabre as a rude rake who propositions Delubac in front of his deaf wife, Alys Delonce. Looking at the movie, one can see how it was opened up, and wonder if it would play better on the stage -- particularly with such a fine cast.

Guitry's plays often mocked marriage, and it's easy to understand why; he was married five times,making one think of the saying that insanity is to make the same mistake over and again. The story is that in 1918, his first wife told him she had been praying at a church -- one that Guitry knew had just been destroyed by German guns. The divorce soon followed.

It's a fine story, and given Guitry's marriages and plays, it's easy to believe. One should, however, hesitate to accept the word of a humorous story teller. Sometimes they make up stories.

This movie probably deserves a 6, but I gave it a 7 because it gave me so much pleasure. It is far from a great movie. If it began as a play, I could well believe it: it is, indeed, very talky. And, unlike in Les Perles de la couronne, which is much better and much funnier, there are long speeches. Granted, Guitry delivers them at breakneck speed and yet with total clarity, leaving you astounded, as if you were at the Opera and the soprano had just finished a passage of brilliant fioratura at breakneck speed, with all the notes faultless. It is a bravura performance on his part - hey, he wrote his own lines, and in this movie he gave himself all the good ones - and the other roles are in his shadow. So it is very much worth watching him perform, strange hair and all. He delivers his lines magnificently. But the plot, what little there is, is obvious, the characters not interesting. Pauline Delubac is radiantly beautiful, but she doesn't get much to do in this movie. One feels that she is wasted.

I suppose one could say, to use an over-used metaphor, that it is like a soufflé. Delicious, but basically a puff pastry that leaves little once it has been consumed.

In "Désiré," Guitry gives himself a quite out-of-the-ordinary vehicle. Frankly, I had become rather tired of his usual pater familias-type character, and it is refreshing to see him in the role of a servant -- a wise, extremely sophisticated valet de chambre, but a servant nonetheless. Oddly, this film somewhat calls to mind Genet's "The Maids," in plot and even, strangely enough, a bit in tone (though it's very funny, funnier even than the usual Guitry comedy). Altogether a very unusual Guitry! Jacqueline Delubac is her usual charming self, Pauline Carton (the French Thelma Ritter, one could say) is as always excellent, and Arletty is seen in her only principal role in a Guitry film (though she is also seen in cameos -- one very wild! -- in two other Guitrys). Also excellent in a small but difficult role is Saturnin Fabre. One is hardly conscious that this is "filmed theater." Yes, there is a lot of talk, but the film-making is swift, sophisticated and inventive. Very enjoyable.

Like many (all?) Guitry's movies ,"Désiré " begins with a spoken "cast and credits" .It was before Welles' "Magnificent Ambersons" wasn't it? Paying a tribute ,not only to his actors but also to all those obscure people who contributed to the movie was pretty smart and generous on Guitry's part,a director whose films were slagged off by critic Georges Sadoul as "mirrors of his ego" " canned plays" .

Time has done Guitry justice.Two of his movies ,this one and "Quadrille" were recently remade.That said ,in spite of brilliant sequences,I think that "Désiré " is too talky -with his scenes with then-wife Delubac ,his delivery is so rapid ,it's sometimes impossible to catch all he is saying.

Désiré is a butler who seduces the posh ladies who hire him.As soon he is in the house,Odette begins to dream she's a love affair with him.The problem is that she speaks and even shouts when she's dreaming and her lover (a politician) is not prepared to accept it.A "Freudian" book about dreams -the kind of work you easily find in a dime store- puzzles the lady.

The second half of the play is not as funny as the first one.The arrival of a stupid hard of hearing old "friend" gets in the way.One should note that the first part did include some memorable scenes by Arletty and Pauline Carton as the chamber maid and the cook .

A good (but not great) Guitry.