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IMDbPro

Kidô senshi Gandamu III: Meguriai sorahen

  • 1982
  • 12
  • 2 Std. 24 Min.
IMDb-BEWERTUNG
7,5/10
1827
IHRE BEWERTUNG
Kidô senshi Gandamu III: Meguriai sorahen (1982)
MechaScience-Fiction-EposWeltraum-Science-FictionActionDramaKriegScience-FictionAnimationsfilmAnimeHandgezeichnete Animation

Füge eine Handlung in deiner Sprache hinzuAmuro Ray's White Base crew, now the 13th Autonomous Corps, rejoin the Earth Federation forces in space for the climactic battle against the Duchy of Zeon's military.Amuro Ray's White Base crew, now the 13th Autonomous Corps, rejoin the Earth Federation forces in space for the climactic battle against the Duchy of Zeon's military.Amuro Ray's White Base crew, now the 13th Autonomous Corps, rejoin the Earth Federation forces in space for the climactic battle against the Duchy of Zeon's military.

  • Regie
    • Osamu Sekita
    • Yoshikazu Yasuhiko
    • Yoshiyuki Tomino
  • Drehbuch
    • Yoshiyuki Tomino
    • Ken'ichi Matsuzaki
    • Hiroyuki Hoshiyama
  • Hauptbesetzung
    • Tôru Furuya
    • Shûichi Ikeda
    • Hirotaka Suzuoki
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,5/10
    1827
    IHRE BEWERTUNG
    • Regie
      • Osamu Sekita
      • Yoshikazu Yasuhiko
      • Yoshiyuki Tomino
    • Drehbuch
      • Yoshiyuki Tomino
      • Ken'ichi Matsuzaki
      • Hiroyuki Hoshiyama
    • Hauptbesetzung
      • Tôru Furuya
      • Shûichi Ikeda
      • Hirotaka Suzuoki
    • 7Benutzerrezensionen
    • 3Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos11

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    Topbesetzung67

    Ändern
    Tôru Furuya
    Tôru Furuya
    • Amuro Ray
    • (Synchronisation)
    Shûichi Ikeda
    • Char Aznable (Casval Rem Daikun)
    • (Synchronisation)
    Hirotaka Suzuoki
    Hirotaka Suzuoki
    • Bright Noah
    • (Japanese version)
    • (Synchronisation)
    Yô Inoue
    • Sayla Mass (Artesia Som Daikun)
    • (Synchronisation)
    • …
    Kiyonobu Suzuki
    • Hayato Kobayashi
    • (Japanese version)
    • (Synchronisation)
    Fuyumi Shiraishi
    Fuyumi Shiraishi
    • Mirai Yashima
    • (Synchronisation)
    Toshio Furukawa
    Toshio Furukawa
    • Kai Shiden
    • (Synchronisation)
    Keiko Han
    Keiko Han
    • Lalah
    • (Synchronisation)
    Rumiko Ukai
    • Frau Bow
    • (Synchronisation)
    Banjô Ginga
    • Giren Zabi
    • (Synchronisation)
    Mami Koyama
    Mami Koyama
    • Kishiria Zabi
    • (Synchronisation)
    Hidekatsu Shibata
    • Degin Zabi
    • (Synchronisation)
    Makio Inoue
    Makio Inoue
    • Slegger Lau
    • (Synchronisation)
    Yasuo Matsumura
    • Admiral Revil
    • (Japanese version)
    • (Synchronisation)
    Steve Apostolina
    Steve Apostolina
    • Additional Voices
    • (English version)
    • (Synchronisation)
    • (as Jimmy Theodore)
    Steve Blum
    Steve Blum
    • Char Aznable
    • (English version)
    • (Synchronisation)
    • (as David Lucas)
    Bob Buchholz
    • Zanzibar Soldier
    • (English version)
    • (Synchronisation)
    • (as Robert Wicks)
    • …
    Leslie Buhr
    • Mirai Yashima
    • (English version)
    • (Synchronisation)
    • Regie
      • Osamu Sekita
      • Yoshikazu Yasuhiko
      • Yoshiyuki Tomino
    • Drehbuch
      • Yoshiyuki Tomino
      • Ken'ichi Matsuzaki
      • Hiroyuki Hoshiyama
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen7

    7,51.8K
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    Empfohlene Bewertungen

    cpm6

    The final installment in the Gundam movie trilogy

    Just as Part II was set almost exclusively on Earth, Part III takes the White Base and it's crew back to the stars to a final showdown with the Duchy of Zeon. Along the way, both Amuro and Char once again face each other, and events transpire they won't soon forget(and which carry on to the sequels Zeta Gundam and Char's Counterattack). Part III also has 75% new animation, so it appears more solid than it's predecessors, although the animation is still dated in most places(mostly during battle scenes). Overall, it's very good stuff.
    8siderite

    Great, but I liked the second more

    The NewType concept takes away from the Gundam story. It has a lot of potential, but to me it distracts from the main message that war is hell and people are dumb. I would have loved, for example, to have this NewType thing being thrown around as a political token and as a genuine concern or fascination, only to discover that no, there is no new stage of human evolution, just some people who worked at it and some who didn't. But it wasn't to be. For the sake of this idea, poorly developed characters are introduced, given a lot of importance and then killed off. It did not help the story at all.

    There are a lot more fights and there is some closure, but story-wise and on pure enjoyment level, I liked the second film in the series. I was about to look for the Gundam series only to discover that in fact this IS the series, reedited, quality improved and compressed into three films. They should do this with all anime :)
    4TooKakkoiiforYou_321

    Useless as the movies preceedeing it

    A recyclying of the series material with the "Newtype" word thrown at the viewer with no subtetly, another guncannon in place of the guntank and some nonsensical plot changes just to give the idea that this retelling has a reason to exist. No, it doesn't. Skip all this 0079 compilation movie trilogy and go directly to Gundam Z after watching the original series, you won't miss anything.
    10proplayer-68902

    An amazing conclusion

    Mobile Suit Gundam III: Encounters in Space (1982) is the epic finale to the original Mobile Suit Gundam trilogy, delivering an emotional, action-packed conclusion to the monumental conflict between the Earth Federation and the Principality of Zeon. Directed by Yoshiyuki Tomino, this film encapsulates the drama, heartbreak, and thrilling space battles that have come to define the Gundam franchise, solidifying its status as a must-watch for fans.

    What makes Encounters in Space stand out is its ability to balance intense mecha combat with deep character development and emotional stakes. This final installment brings together all the threads from the previous films, focusing on Amuro Ray's growth and his ultimate confrontation with Char Aznable. The personal stakes of their rivalry reach a boiling point, with both characters' paths driven by their ideals and deep-seated emotional trauma. This makes the movie not only a spectacle of mecha action but a poignant exploration of the cost of war, the complexity of personal conviction, and the toll it takes on those involved.

    The animation in Encounters in Space wa stunning for the time, with impressive space battles that showcase the raw intensity of combat. The scale of the battles feels vast and consequential, with each Gundam fight adding emotional depth to the story. The design of the mobile suits, including the iconic RX-78-2 Gundam, remains a high point of the series, with fluid, dynamic animation that captures the thrill of piloting giant robots in outer space.

    The film's soundtrack, composed by the legendary Takeo Watanabe, is a standout feature. The music complements the tone perfectly, from the stirring orchestral themes during key battles to the somber, reflective pieces that underscore the film's more introspective moments. The emotional resonance of the soundtrack enhances the film's depth, making the stakes feel more personal and the characters' struggles all the more intense.

    The film's pacing is excellent, smoothly weaving action with moments of introspection and personal conflict. The resolution of the Amuro and Char storyline feels earned, providing a satisfying conclusion to their epic rivalry.

    Ultimately, Mobile Suit Gundam III: Encounters in Space is a masterpiece. It's a movie that successfully blends thrilling action, complex characters, and emotional depth. Its portrayal of the horrors of war, the growth of its protagonists, and the epic scale of its battles make it an unforgettable experience, and one of the best entries in the Gundam franchise. With stunning visuals, a powerful soundtrack, and a deeply satisfying conclusion, this film is a must-watch for any mecha or anime fan, earning a perfect 10/10.
    8IonicBreezeMachine

    Successfully closes the book on its story, bringing itself and characters to satisfying conclusions

    The war between the Principality of Zeon and the Earth Federation continues as the crew of the White Base and newtype Gundam pilot Amuro Ray return to space for a final confrontation with Zeon as the infighting among the Zabi family continues and Char Aznable intends to finish off Amuro and the Gundam once and for all.

    The final film in the compilation film trilogy of Mobile Suit Gundam's first series, Mobile Suit Gundam III: Encounters in Space is noted for containing the most new footage of the three films added by Yoshiyuki Tomino. The movie is the best of the of three Mobile Suit Gundam compilation films because it has the most "complete feeling" to it with adequately established stakes and a sense of finality that leaves it a satisfactory conclusion to the trilogy.

    Pretty much every point established is paid off here from Amuro's conflict with Char, to Sayla Mass and her relationship with Char as her long lost brother, and Char's conflict with the Zabi family. All the primary and secondary characters feel like they've come full circle at this point with harrowing action sequences and striking moments of emotional resonance that kept me engaged throughout the 2 and ½ hour runtime. A solid inclusion to this movie is definitely in regards to the Zabi family who's backstabbing and conniving makes them really strong characters who feel like they could've been the basis of a series unto themselves, but we're just given tidbits as to what goes on with them unfortunately. Amuro and Char's conflict is also given more weight with the inclusion of another newtype named Lalah who like the Zabi family feels like she could've been further developed and established.

    Encounters in Space does a mostly successful job of closing the book on the theatrical retelling of the original Mobile Suit Gundam series. There's a sense of desperation in the stakes as well as a sense of finality that makes this entry the most fully realized film of the trilogy and hits all the key points of Gundam and its foundations. While it does rely on you seeing the first two movies, it's a mostly successful payoff to two films worth of build-up.

    Handlung

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    Ändern
    • Wissenswertes
      Unlike Mobile Suit Gundam 00 (1981), which was edited entirely from existing episodes and Kidô senshi Gandamu II: Ai senshihen (1981), which uses at least 30% of new animation; this adaption uses at least 70% of new animation.
    • Patzer
      Sayla leaves the FF-X7-Bst Core Booster on A Baoa Qu at 2:04:01 but at 2:04:11 there are reused frames of the G-Fighter which doesn't appear in the rest of the movie.
    • Zitate

      Slegger Lau: It sucks, but this is war, after all.

    • Crazy Credits
      After the end of the credits there's a message that reads, "And now... in anticipation of your insight into the future."
    • Alternative Versionen
      The new DVD versions in both Japan and the US uses a recently-recorded Dolby 5.1 surround stereo track, complete with re-recorded dialogue from all of the original cast. Tape versions use the original 1979 mono sound track.
    • Verbindungen
      Edited from Kidô Senshi Gundam (1979)
    • Soundtracks
      Meguriai
      Arranged by Shirô Sagisu

      Composed by Daisuke Inoue

      Lyrics by Masao Urino and Yoshiyuki Tomino (as Rin Iogi)

      Performed by Daisuke Inoue

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 13. März 1982 (Japan)
    • Herkunftsland
      • Japan
    • Offizieller Standort
      • Official site
    • Sprache
      • Japanisch
    • Auch bekannt als
      • Mobile Suit Gundam III: Encounters in Space
    • Produktionsfirmen
      • Sotsu Agency
      • Sunrise
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    Technische Daten

    Ändern
    • Laufzeit
      • 2 Std. 24 Min.(144 min)
    • Farbe
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.33 : 1

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