The Huntress

The beginning is just what you expect: lots of people shooting at each other, huge explosions, a street covered with corpses – and a mysterious woman in disguise. But then the complications set in. Cat (Almen Wong) is a professional killer falling in love with John, a police investigator (Michael Wong). John feels torn between his job, his ex-wife and child, and Cat of course. You guess it: it's not one of those easy relationships. A very stylish movie using strange camera angles, weird colours (almost only yellow and blue, hardly any red or green) and distorted unnatural sounds. The story picks up familiar ideas from movies such as John Woo's ‘The Killer' or Patrick Leung's masterpiece 'Beyond Hypothermia', so maybe it won't win a prize for originality, but it is a vivid mixture, not boring for a second, and it's got beautiful Almen Wong in her best role so far. If you are looking for something bizarre (what else would you expect from the director who made 'Naked Killer'?) instead of the average assassin story, try this one.

This movie has a little bit of everything but that is not necessarily a good thing. The story is average and so are the actors. This movie seems to be an hommage to John Woo in the action scenes (as an example: the final showdown is in a church)but the direction is not very inspired. Still Almen Wong is quite sexy but she doesn't even wear what she was wearing on the cover of the DVD. This is the main reason I bought this film (Joke :) ) But this movie is maybe worth a rent if you are into Clarence Ford's stuff (à la Naked Killer but with a lot less imagination) This movie deserves...............................................6,9/10

With just about any other actress put into this average girls with guns film, full of slow parts and sappy love scenes, the movie would have been lackluster at best. Enter the striking on screen persona of Almen Wong, a talented and beautiful sight to witness. Unlike her more well known HK counterparts, Almen commands this film and for perhaps the first time since Michiko Nishiwaki, actually looks like she could get rough with the guys. Almen Plays noodle addicted master assassin Yang Ying A.K.A. Cat. She is very brutal, not afraid to get kinky either, but has the dichotomy of a tender side. She is killing evil Triad bosses, but a heady gumshoe played by a rather one dimensional Michael Wong wants her brought to justice. Yeah the plot is full of holes, but Almen's blistering performance is worth +3 points turns the film from a 4 to a 7 out of 10.

THE HUNTRESS: HER NAME IS CAT is another oddball sex 'n' violence shocker from Hong Kong director Clarence Ford. The worst thing about the movie is the disjointed direction, which makes watching and making sense of the thing a real chore; Ford directs in one of those tiresome, hyper-stylised ways, with lots of odd camera angles, quick-fire editing, and crazy camera shots. It looks cool at first but after about five minutes it becomes overcooked.

Not that the style hides much of the story, because this is very simple stuff indeed, an assassination-style thriller clearly modelled on the likes of LEON. Almen Wong is the titular character, a top-notch killer who's sometimes overdubbed with the sound of a big cat, for some bizarre reason. She begins a relationship with family man Michael Wong (who looks faintly embarrassed to be here), and a combo of action and romance follows.

THE HUNTRESS is notable for featuring endless cheesy sex scenes that tease nudity but steadfastly refuse to reveal any (Wong clearly wasn't willing to go the whole hog, leaving the whole film pretty much a tease). The action sequences are more fun, with all of the wild over-the-top fights and shoot-outs that you'd expect to see, but the film is very cheap and slapdash throughout. Poorly-translated subtitles don't help. In the end, the only way I could enjoy this was as a so-bad-it's-good piece of entertainment.

I love female assassins as much as the next cinemaphile, and Hong Kong action has gotten such a lot of press because of that John Woo fellow, that I went out and picked this box off the rental shelf and wantonly plugged it into my VCR. Boy is this a load of weird hooey. Maybe it's just the way they do things in other countries. I don't know. But it was an abominable meld of soft-core porn--going under the "it is okay as long as we do not show any genitals or nipples" rule--and John Woo "homage"--read "ripoff"--including the requisite shadowy mob conferences in cathedrals, and the acrobatic ending gunplay in that very holy space, where sourceless fluff seems to fly about suddenly in slow motion as everybody stops, drops, and rolls. The heroine, Cat, is a ninja-style booty-kicker strong woman with a passion for Cup-O-Noodles and a distrust of men that stems from her evil former boyfriend who punched her in the gut until she miscarried when she said she was having his baby. Curiously, she turns out to be just a head case who needs to have cheesy bondage sex with a cop and fantasize about a normal life with kids and marriage. Fat chance, sister. She films herself in the tub a lot--wearing a bikini to toe the censorship line--with her digital camera, and most of the camera work is handheld DV, with some off-kilter angles and fishlens stuff for no good reason except the director watches too much MTV. The cop in question is supposed to be an Englishman--the whole thing takes place in Hong Kong--but his English sounded like Bill Clinton, which was eerie enough, and his Cantonese was so atrocious that Chinese characters asked him not to speak it. He gets to feel up the assassin while a lite FM track rolls. When they're not making out, a "modern" vaguely techno-like music rules, but it's techno for your grandma. It was more fun to watch than eating a whole package of Rollos really fast. I recommend seeing it with someone you love.