Füge eine Handlung in deiner Sprache hinzuA British family is trapped between culture, tradition, and the colonial sins of the past.A British family is trapped between culture, tradition, and the colonial sins of the past.A British family is trapped between culture, tradition, and the colonial sins of the past.
- Regie
- Drehbuch
- Hauptbesetzung
Prayag Raj
- Abraham
- (as Prayag Raaj)
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I am, or was, a diehard Merchant-Ivory fan. Then I saw "Cotton Mary". I thought it was a sad embarrassment of riches, with the exception of Ms. Jaffrey, whose title performance was badly worn flannel. Ms. Scacchi and Mr. Wilby were unable to ignite my interest, despite ample attempts by the cinematographer to try to hock their (charming) wares for that purpose. India itself came across as a dusty hot place with muddy water and bad paint jobs on the buildings. Ms. Jaffrey's direction was obviously a key element in producing such a Titanic bore. I wondered if she had fallen to the same hubris as her character. What were they thinking?
In India, in the 50s, an English housewife gives birth to a premature baby. An Anglo-Indian nurse looks after it from then on, using it to secure her position in the family sphere. This somewhat overlong portrait illustrates rather simply the quest for identity of an English - Indian community.
Don't get me wrong, there are Merchant-Ivory films I've really loved, like "Room With A View" and "Remains of the Day." But M-I films either suck you in or they don't, and halfway through this one made me wish I had a 'relief video' handy, perhaps one with car chases and explosions.
For one thing, the title character, a thieving, scheming servant, was completely unlikable. There was no attempt to draw humor from the situation. For another, the character played by Greta Scacchi, an actress I love, was a hopeless dupe. Not only did she seem unaware of the very existence of baby bottles and wet nurses, but one would think that an upper class British woman in India would have a well-developed radar for servant politics and shenanigans.
Lastly, the film would have you believe that Cotton Mary could take a baby, ship it across the river to her sister's compound to nurse, ship it back - and still have time for her various plots? As I recall, the little buggers want to feed pretty often.
If you want to see an allegory on British colonialism in south Asia, watch "A Passage to India" or "The Man Who Would Be King," the latter having more action in any three minutes of its running time than "Cotton" had in its entire length.
For one thing, the title character, a thieving, scheming servant, was completely unlikable. There was no attempt to draw humor from the situation. For another, the character played by Greta Scacchi, an actress I love, was a hopeless dupe. Not only did she seem unaware of the very existence of baby bottles and wet nurses, but one would think that an upper class British woman in India would have a well-developed radar for servant politics and shenanigans.
Lastly, the film would have you believe that Cotton Mary could take a baby, ship it across the river to her sister's compound to nurse, ship it back - and still have time for her various plots? As I recall, the little buggers want to feed pretty often.
If you want to see an allegory on British colonialism in south Asia, watch "A Passage to India" or "The Man Who Would Be King," the latter having more action in any three minutes of its running time than "Cotton" had in its entire length.
Thank Goodness Merchant and Ivory share some stuff.
They are both masters of creating an intoxicating atmosphere ! The scenery of their movies are always breathtakingly beautiful. 'Cotton Mary' is no exception.
And Ismael Merchant lured a leading lady into his picture that is even more gorgeous than all the scenery of the Merchant-Ivory films (in which she has shined so often) combined. Besides that, Greta Scacchi is an astonishing actress, and so she is again in this film. So fragile yet so present, what an enormous accomplishment !! Her performance alone deserves a (re)viewing of this film.
The other principal actors give us very nice portrayals too.
BUT...
Somehow Merchant does not seem to be able to capture the excitement his partner Ivory finds so easily. Somehow this beautiful picture with good performances and a stunning Scacchi refuses to really fly after taking off nicely.
The film is not as bad as some would like you to believe, far from it. Imagery and acting and the technical side of filming, together with the beautiful scenery, will make 'Cotton Mary' an agreable pastime for 2 hours.
But surely it could have been so much more with all the talent and beauty assembled ? It was nice, where it could have been great. If the characters would have been given a bit more depth, this would have been a stunning film, instead of the nice one it is now...
They are both masters of creating an intoxicating atmosphere ! The scenery of their movies are always breathtakingly beautiful. 'Cotton Mary' is no exception.
And Ismael Merchant lured a leading lady into his picture that is even more gorgeous than all the scenery of the Merchant-Ivory films (in which she has shined so often) combined. Besides that, Greta Scacchi is an astonishing actress, and so she is again in this film. So fragile yet so present, what an enormous accomplishment !! Her performance alone deserves a (re)viewing of this film.
The other principal actors give us very nice portrayals too.
BUT...
Somehow Merchant does not seem to be able to capture the excitement his partner Ivory finds so easily. Somehow this beautiful picture with good performances and a stunning Scacchi refuses to really fly after taking off nicely.
The film is not as bad as some would like you to believe, far from it. Imagery and acting and the technical side of filming, together with the beautiful scenery, will make 'Cotton Mary' an agreable pastime for 2 hours.
But surely it could have been so much more with all the talent and beauty assembled ? It was nice, where it could have been great. If the characters would have been given a bit more depth, this would have been a stunning film, instead of the nice one it is now...
I rented this film because a few of my colleagues suggested this as interesting viewing. This was not a rave but a...once you see this film, you will have a better understanding of a fellow co-worker's oddities.
I can't say that I enjoyed this film. Cotton Mary was just darn annoying. She interferes with people's lives, climbing aboard when she sees opportunity. The manipulation and the passive-aggressive nature of her personality struck me. She was just so desperate to rise from her station and be someone to be reckoned with. Her impending madness was predictable and sad nevertheless.
An odd film but one that only Merchant-Ivory fanatics should see for the sake of completeness.
I can't say that I enjoyed this film. Cotton Mary was just darn annoying. She interferes with people's lives, climbing aboard when she sees opportunity. The manipulation and the passive-aggressive nature of her personality struck me. She was just so desperate to rise from her station and be someone to be reckoned with. Her impending madness was predictable and sad nevertheless.
An odd film but one that only Merchant-Ivory fanatics should see for the sake of completeness.
Wusstest du schon
- WissenswertesLast career nude scene for Greta Scacchi. She was 39.
- PatzerAs Theresa is walking along with the procession she passes an Indian boy in the crowd who waves at the camera.
- Zitate
John MacIntosh: [to striking workers] My father was a union man.
- Alternative VersionenIn the theatrical version, the scene when Rosie (Sakina Jaffrey) and John (James Wilby) have sex and are caught by Mary (Madhur Jaffrey) at 1:43, Rosie is nude. In a version shown on the Sundance Channel, Rosie is wearing a slip during the entire scene.
- VerbindungenFeatures Aar-Paar (1954)
- SoundtracksMr. Sandman
Composed by Pat Ballard
© Edwin H. Morris & Co Inc
used by kind permission of Warner/Chappell Music Ltd.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Pamuk Mary
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 3.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 299.432 $
- Eröffnungswochenende in den USA und in Kanada
- 24.680 $
- 19. März 2000
- Weltweiter Bruttoertrag
- 299.432 $
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