Aftermath

first of all i cant necessarily complain because i knew what i was getting into. being jaded though i didn't heed any warnings. Im sorry people can say that this film is art and they are welcome to there opinion, but what ever they saw in this film i did not. maybe I'm bias in the fact that necrophilia in general gets under my skin. i couldn't even sit through nekromantik,and this film has all that times 10. However unlike nekromantik,aftermath doesn't try to make the subject matter erotic or stylized in anyway what so ever. All it does is place a very real and very ugly truth and puts it out unapologetically for all to see. when it comes to gore and the really unpleasant stuff,the only thing worse then this is maybe august underground mordum. this film is not for most people. in fact i know gore hounds who couldn't handle this. This film is not a test of manhood and showing this to your friends could easily get you labeled as sick. you have been warned.

Oft lamented gore short in the same vein as 'Necromantik', though arguably a superior product.

A coroner performers his daily duties of managing the dead, but when the day ends and all others go home the dead are his to do what he pleases.

Timeing in at a mere 30 minutes and lacking any spoken dialogue, the film is very short on story. Aside form a couple quick bits out side of the operating room, the film doesn't concern itself with story details; it already knows exactly what it wants to show you. That being the graphic dismemberment and eventual sexual desecration of the dead. Showing as much of the process as the (very convincing) corpse effects will allow, hardly a detail is spared from view.

The coup de grace is, of course, meant to be the ultimate act of intercourse with a gutted out body, yet that was not the scene that affected me the most. A different scene involving a more real-world process of preparing a cadaver was (to my mind) more disturbing. It was so simple, by the numbers and unemotional, and no matter what I will be there someday.

Technically the film is outstanding. Effective camera use, perfect lighting, and a great use of both music and excellent sound effects. It could be argued that the film needs something resembling a story to further flesh out, and I would both agree and argue against it. Without a deeper story, the gory visuals do lose some emotional impact, but adding to much more would have thrown off the pace and dulled the impact of the film.

Definitely shocking, undeniably well made, but to simple to garner more than a curiosity viewing. Genre fans only please.

8/10

Using no direct dialogue, Nacho Cerda employs pure cinematic technique to create a horror powerhouse in AFTERMATH.

There is no plot, just a sequence of events leading up to the "rape" and desecration of a female corpse.

Mozart's "Requiem" accompanies the imagery.

Once again, as is common with films of this nature, sound design plays a large part in the film's effectiveness. I say "once again" because we have a pattern here. Strong, potent films by the likes of directors such as Gasper Noe (IRREVERSIBLE), Ruggero Deodato (CANNIBAL HOLOCAUST), Yasaharu Hasebe (ASSAULT JACK THE RIPPER), Augustin Villaronga (IN A GLASS CAGE), and now, Nacho Cerda, are notable for the acutely attuned, aural instincts of their highly talented creators.

AFTERMATH is a beautiful film, a gorgeously crafted gaze into the world of necrophilia and loneliness.

Cerda's GENESIS is equal in its technical department, but it lacks the power of its predecessor.

The additional, non-Mozart music cues, are simply perfectly placed and emotionally fierce.

This short film presents in graphic detail the dirty little secret of funeral services. All too often, bodies are mutilated and raped. Karen Greenlee was jailed and became nationally famous for her rampant necrophilia in the 80s. Here, Nacho Cerda presents this topic with a great attention to detail and no sensationalism. The mortician fondles, mutilates, and rapes a corpse after the viewer witnesses a very accurate autopsy. The mortician takes home some souvenirs, pictures for himself and a heart for his dog. That's it, no distractions from the reality of the subject matter. It's not filmed in such a way as to shock the viewer but to present unapologetically the very sickening reality that things like this happen more often than we'd like to believe. The realism is the most disturbing part.

The gore is well done, the production values are top notch. Nacho Cerda is obviously a gifted filmmaker. But this movie did sicken me at the same time, because of how real they made everything look, this is definitely a movie to hide from the kids.