Out of the Cold

After I saw this movie I thought it was good for a number of reasons. As a World War II buff I was interested in the war aspect. It was enlightening to see the viciousness of the Russians portrayed during and after the second world war. I got a kick out of Keith Karradine sticking the hand of the sultry female SS agent down his trousers. All to prove if he was circumcised or not. It also reminded me of the Richard Burton film, The Spy Who Came In From The Cold as the post war scenes were similar. Women will find the romance angle of the movie just as interesting as I found the war part. Great cast and terrific production values.

a really terrible film that goes nowhere quickly. Though it's nice to see Keith Carradine in a starring role (when was the last time that happened?), the film is truly misconceived in everyway. The only question is: why did so many "name" actors choose to be in this film. The story is idiotic at best - an Estonian Jewish tap dancer in the 30's whose career on Broadway has dried up goes back to his family's country, Estonia, to perform in a nightclub owned by Judd Hirsch. He falls in love with a girl (played by the wonderful Mia Kirschner) and falls into trouble with the Nazis. As a period piece goes the film is a clumsy mix of attempted humor and drama that isn't dramatic. Our tap dancer hero is completely unlikeable and his motivations don't make much sense. That's all well and good, but the film itself doesn't make much of an impression. What were they thinking?

Even the wonderful little story couldn't save this terrible mess of a film. It's as if the director wanted this film to be a B movie. It's got all the formulaic features of a great straight-to-video B movie: Choppy editing with cheesy music thrown in here and there. Actors sitting in a bright and evenly lit rooms spitting out not-so-clever one liners. And most of all, a street savvy yet sleazy male lead.

I don't understand why the director wanted the main character to be portrayed as a cocky and selfish little bum. He's so unlikable that you never understand why his love interest spend her life away to wait for him.

If I have to come up with one reason to watch this film, I'd say, watch it for Mia Kirshner.

Who is this Aleksandr Buravsky who gets all those wonderful actors to work for him?? And not only in this one, also in a couple of other of his ill-conceived movies. The story here starts out quite promising and soon collapses. The characters are not likable, except for tragic Deborah, the historical errors are many, some situations laughable. And I was looking forward to seeing Keith Carradine in a leading role, after how long....Just wasted my time. Why are there so many bad movies lately which dabble in the Holocaust instead of using history's lessons wisely and weave them into a good story??? There are hundreds of good true stories out there - why don't scriptwriters and directors pick them up and use them???

I was impressed how the screenplay of probably fictitious story can be full of really true details of war and Soviet camps. Lots of people lost everything in wars. And all people always should remember it. This movie reminds me "Enemy at the gates".