Far from the Madding Crowd

This is a wonderful adaption of the great Thomas Hardy novel. Though the 1960's version (starring Julie Christie, Alan Bates,and Terrance Stamp) is gorgeous, this film is not so dated and the performances are in keeping with the original intent of the novelist. All the principles are strong but especially impressive is Nigel Terry's performance as doomed Mr. Boldwood whose love for Bathsheba drives him from hope and new-found happiness to despair and frenzy.

The locations are beautiful - almost another character in the story. The dialects of the locals may be difficult to understand at first but my ear learned to listen. The video version allows for playback of difficult to understand dialog.

Definately worth the 4 hour investment. It made me re-read the novel and enjoy it all over again.

I sometimes think that a film based on a Hardy novel should be shot at Stonehenge; the emotions brought out by his stories seem to be pre-Christian, the plot points seem to come from some dark corner of the human soul that Dickens and George Eliot never troubled to explore. I enjoyed this production while always remembering my dislike for Hardy's methods. Gabriel Oak is a wonderful creation and Nathaniel Parker is very effective in the part, I liked him more than Alan Bates, as good as Bates was.

Nigel Terry as Boldwood was the outstanding performance; his bull-like determination to have Bathsheba's hand, combined with his insecurities made a great impression. Jonathan Firth's part is a boy-toy basically; he doesn't have the substance to affect the viewer in any way. Paloma Baeza leaves an impression of not having thought out her character much, maybe she was a last-minute addition to the cast. She moves the story along well enough but the intellectual grasp of character is not there. It's the detail that makes the interest, the viewer keeps watching for the sheep-shearing and other aspects of rural life.

I am a big fan of movies that follow the novel, and this version does not disappoint. It helps if one truly loves literature, as I do, but even so this story is incredible. The film makers did a wonderful job with this. It makes me want to move back to England when I watch it.

As a native of 'Hardy country', I feel I have a duty to comment on this production. I, as with many other people in England, eagerly awaited this series, and I have to say I was not disappointed. As us English have come to expect from our television dramas, the locations and costumes were fantastic, but this has the added bonus of an extremely accomplished screenplay. Also, the acting is superb. The accents, one of the major stumbling blocks to American acceptance, are accurate enough to satisfy English viewers (including those with the same accent!), while at the same time allowing American viewers to understand the dialogue. Particular praise should, I feel, go to Nathaniel Parker, who has achieved something very spectacular, in eclipsing Alan Bates' 1967 performance as the faithful shepherd Gabriel Oak. All in all, a feast of Wessex magic which can be enjoyed by all. Nice one.

This is a beautifully realized adaptation. Producers took a risk in using the rural dialect, and it works. That's just another touch that makes the story and the characters more real than the Hollywood version. Baeza is a treat, and Parker has never been better. Writing, directing and performance wring out every heartbreaking and humorous emotion of the Hardy novel. My one quibble is that often the rural scenery seemed "too" green for the harvest time of year, but that's a wee mark.