IMDb-BEWERTUNG
6,1/10
2750
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe Big Tease is big fun, a fish-out-of-water tale teeming with charm and a hilariously satiric view of life in L. A.The Big Tease is big fun, a fish-out-of-water tale teeming with charm and a hilariously satiric view of life in L. A.The Big Tease is big fun, a fish-out-of-water tale teeming with charm and a hilariously satiric view of life in L. A.
- Regie
- Drehbuch
- Hauptbesetzung
Caitlyn Jenner
- Bruce Jenner
- (as Bruce Jenner)
Melissa Rivers
- Dianne Abbott
- (as Melissa Rosenberg)
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I had not heard about THE BIG TEASE before I saw it. I was not familiar with its star, Craig Ferguson. My expectations, therefore, were fairly low. What a nice surprise this movie turned out to be. It feels like a small movie, but delivers big laughs. The cast features a perfect mixture of unknowns, believable character actors, and unexpected cameos. The story is well-paced for a running time no longer than it needs to be (now THAT's refreshing). The Scottish dialect can be hard to decipher for the untrained ear, so a few punch lines fall flat. And while the documentary style helps moves the story along (why waste time on character background when you can have a documentary filmmaker simply ask our hero a pointed question?), it also slows the story down at times. (We're watching documentary footage, remember? So every few scenes need to end with the film being cut, or the camera guy running into a wall.) But apart from those minor annoyances, THE BIG TEASE is one of the funnier movies in recent memory. Partly because I had no expectations, but mainly because it's original, well-acted, and well-written.
I found this film to be rather unique. It wasn't too 'mockumentary' but it wasn't exactly a beautifully edited screen play either. It took a while to get used to the pace, but then its merits shined through. I love subtle humour, and the thought that went into those adhoc comments and little facial expressions made it extremely funny. (Check out Martin's face when Crawford refuses to talk about his childhood) The storyline and ending maybe predictable, but aren't they all? Definitely worth a giggle. Oh . . .and any movie with a kilt scene can't be wrong now, can it?
Unjustly obscure, this mock-umentary is certainly not revolutionary film making or Oscar material, but it does offer gentle laughs and some amusing performances and visuals. Ferguson stars (and appears in virtually every scene) as a Scottish hairdresser who gets a letter inviting him to an international hair styling competition in Los Angeles. This is cause for Langham to film a BBC documentary on him and much of the film is from that perspective (although Ferguson also narrates in blurbs filmed after the event.) Falling somewhere in between the lame "Drop Dead Gorgeous" and the sublime "Best in Show", the film is full of odd situations and the infectious charm of Ferguson as he sets out to win top honors. Needless to say, if Ferguson weren't entertaining the film would be sunk. Thankfully, he is delightful throughout. Fisher, though less endearing, also provides nice support for him. Several excellent comedic performers pop up along the way, notably the bizarre and side-splitting Miller as a harried hotel manager. Rasche sinks humorously into his role as Ferguson's chief competitor. McCormack, a very attractive young lady, perfectly captures the phony, insincere aspects of the contest organizer. And any film that even briefly utilizes the untapped charms of McGinley can't be all bad. Home video viewers may need to use subtitles to catch all of the remarks as the authentic Scottish accents are sometimes hard to completely understand. Some real life hair professionals appear, but star cameos are minimal. Carey inexplicably shows up as himself, but with a full head of hair. Hasselhoff comes off amusingly as himself. Crosby, an actress who always could have used a good stylist, appears briefly as a demonstration assistant. One quibble: If the film was going to be rated R anyway, why not show more of the lead's physical assets. What's shown is great, but all too brief. On it's own little terms, this is a charming and fun movie.
If you stick with it this is a very funny film. Don't be put off by the plot - a misguided Scotsman attempts to crash a mythical hairdressing Olympics. It's a very human comedy about identity and self-worth. Filmed in a documentary style, which takes a few scenes to get used to, it really only hits its stride when the hero Crawford lands in the US. From there it works very well, tilting at various American showbiz windmills. I saw one of the co-stars, Mary McCormack, recently in "High Heels and Lowlifes", and surfing her name in the database reminded me of this little gem. If it's in your local video store, and you enjoyed Spinal Tap or Local Hero, you should try it.
7=G=
"The Big Tease" is an under-rated, genuinely funny, and intelligently made film about a dauntless Scottish hair stylist, Crawford Mackenzie, and his quest for the globally coveted Platinum Scissors Award. A tour de force by Furgeson, the film delivers plenty of wry British humor and less subtle American hilarity with warmth and coherence, develops it's unlikely centerpiece (Mackenzie), sticks faithfully to it's plot, and builds to satisfying and very funny climax.
Wusstest du schon
- WissenswertesThe inspiration for this film arose out of Craig Ferguson's desire to make a cheerful film that celebrates Scottishness, as opposed to the epic nature of films like Braveheart (1995) and Rob Roy (1995), and the downbeat quality of Trainspotting - Neue Helden (1996) and Kleine Morde unter Freunden (1994).
- PatzerCrawford rents a car that was apparently stolen from a Korean cook named Chokko. When Crawford visits Chokko's house, the camera pans and reveals a sign above the doorway on the ground floor displaying what seems to be 'Asian' characters. However, it's neither Korean nor any other Asian language. The characters are entirely fictitious.
- Zitate
Crawford Mackenzie: Sorry, Candy. I adore you, I really do. It's just that I prefer my women with a penis.
- VerbindungenReferenced in The Late Late Show with Craig Ferguson: Folge #6.121 (2010)
- SoundtracksMy Boy Lollipop
Written by Johnny Roberts and Morris Levy
Performed by Millie Small
Courtesy of Island Records Ltd.
Under license from Universal Music Special Markets
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Je M'Appelle Crawford
- Drehorte
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Box Office
- Budget
- 4.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 187.152 $
- Eröffnungswochenende in den USA und in Kanada
- 29.010 $
- 30. Jan. 2000
- Weltweiter Bruttoertrag
- 187.152 $
- Laufzeit
- 1 Std. 26 Min.(86 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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