IMDb-BEWERTUNG
6,4/10
20.870
IHRE BEWERTUNG
Ein ultrakonservativer Ex-Sicherheitsbeamter erleidet einen schweren Schlaganfall und macht ein Rehabilitationsprogramm durch, zu dem auch Gesangsunterricht bei seiner Nachbarin, einer Drag ... Alles lesenEin ultrakonservativer Ex-Sicherheitsbeamter erleidet einen schweren Schlaganfall und macht ein Rehabilitationsprogramm durch, zu dem auch Gesangsunterricht bei seiner Nachbarin, einer Drag Queen, gehört.Ein ultrakonservativer Ex-Sicherheitsbeamter erleidet einen schweren Schlaganfall und macht ein Rehabilitationsprogramm durch, zu dem auch Gesangsunterricht bei seiner Nachbarin, einer Drag Queen, gehört.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Gewinne & 4 Nominierungen insgesamt
Nashom Wooden
- Amazing Grace
- (as Nashom Benjamin)
John Enos III
- Sonny
- (as John Enos)
Empfohlene Bewertungen
FLAWLESS / (1999) **1/2 (out of four)
By Blake French:
Somewhere in "Flawless" there is a very good movie, but it is shuttered by the awkwardness of a jumbled plot. There are two separate stories here, and although they are interrelated, either one by itself would be enough for a whole movie. Robert De Niro and Philip Seymour Hoffman make a chemistry-rich pair, both entertaining and amusing, and their screen presence is deserving of a lot of attention-it is tragic that not one but two different stories get in the way of their electric charisma together.
The first storyline details a homophobic former New York City security officer named Walt Koontz (Robert De Niro) who, at the beginning of the movie, has a stroke while rushing to a nearby crime scene. He is burdened with partial paralysis on the right side of his body and speech problems, which can be overcome with the help of his neighbor, Rusty Zimmerman (Philip Seymour Hoffman), a flamboyantly gay drag queen who often practices his musically vocal abilities with fellow friends in drag. Walt's physical therapist recommends singing lessons from Rusty.
The other story involves a criminal named Mr. Z and his attempts to find the incompetent people who stole a large sum of cash belonging to him. As Walt'z recovery continues, and the relationship between him and Rusty becomes more stable, various characters must react to the danger of Mr. Z and his clan of criminals.
What makes this movie so amusing is the interesting personality clash between the characters of Robert De Niro and Philip Seymour Hoffman. I just wish De Niro's character was more active; for much of the production he is nothing but a metronome who is unable to speak or even move much. Some of the elements involving the gay drag queens are hilarious and contribute to the movie's effective mood, and Philip Seymour Hoffman is so deliciously clever as Rusty that I would nominate his performance for an Oscar almost immediately. The dialogue is witty and intelligent ("I need some butch faggots over here."), taking advantage of the situations applicable and giving the movie a surprising emotionally gentle side.
Not much else of "Flawless" is gentle, though. The overwhelming majority of the movie is gritty, rough material intended for adult audiences only. The vulgarism and profanity seemingly never stop and the coarse atmosphere is prevalent. The film is shot in a grainy, high-contrast style, with excellent cinematography and mood development. None of this shocks us, however, since the film's director, Joel Schumacher, was behind such perverse movies like "A Time To Kill," "8MM," and "Tigerland."
"Flawless" has a lot of decent material but it just does not fit together because of the plot distractions. Too much plot has never really been an issue for Joel Schumacher; in "A Time to Kill" and "8MM" he found focus with a central character, here he finds likable traits in two main characters, but allows the plot to control their inspirational qualities. If Schumacher were to reexamine this script with a different perspective, perhaps cutting the Mr. Z plot entirely, maybe it would work more effectively. As it currently stands, "Flawless" is a movie in which the actors work hard to overcome a plot heavy script and they do reign victorious in a few battles, but eventually lose the war.
By Blake French:
Somewhere in "Flawless" there is a very good movie, but it is shuttered by the awkwardness of a jumbled plot. There are two separate stories here, and although they are interrelated, either one by itself would be enough for a whole movie. Robert De Niro and Philip Seymour Hoffman make a chemistry-rich pair, both entertaining and amusing, and their screen presence is deserving of a lot of attention-it is tragic that not one but two different stories get in the way of their electric charisma together.
The first storyline details a homophobic former New York City security officer named Walt Koontz (Robert De Niro) who, at the beginning of the movie, has a stroke while rushing to a nearby crime scene. He is burdened with partial paralysis on the right side of his body and speech problems, which can be overcome with the help of his neighbor, Rusty Zimmerman (Philip Seymour Hoffman), a flamboyantly gay drag queen who often practices his musically vocal abilities with fellow friends in drag. Walt's physical therapist recommends singing lessons from Rusty.
The other story involves a criminal named Mr. Z and his attempts to find the incompetent people who stole a large sum of cash belonging to him. As Walt'z recovery continues, and the relationship between him and Rusty becomes more stable, various characters must react to the danger of Mr. Z and his clan of criminals.
What makes this movie so amusing is the interesting personality clash between the characters of Robert De Niro and Philip Seymour Hoffman. I just wish De Niro's character was more active; for much of the production he is nothing but a metronome who is unable to speak or even move much. Some of the elements involving the gay drag queens are hilarious and contribute to the movie's effective mood, and Philip Seymour Hoffman is so deliciously clever as Rusty that I would nominate his performance for an Oscar almost immediately. The dialogue is witty and intelligent ("I need some butch faggots over here."), taking advantage of the situations applicable and giving the movie a surprising emotionally gentle side.
Not much else of "Flawless" is gentle, though. The overwhelming majority of the movie is gritty, rough material intended for adult audiences only. The vulgarism and profanity seemingly never stop and the coarse atmosphere is prevalent. The film is shot in a grainy, high-contrast style, with excellent cinematography and mood development. None of this shocks us, however, since the film's director, Joel Schumacher, was behind such perverse movies like "A Time To Kill," "8MM," and "Tigerland."
"Flawless" has a lot of decent material but it just does not fit together because of the plot distractions. Too much plot has never really been an issue for Joel Schumacher; in "A Time to Kill" and "8MM" he found focus with a central character, here he finds likable traits in two main characters, but allows the plot to control their inspirational qualities. If Schumacher were to reexamine this script with a different perspective, perhaps cutting the Mr. Z plot entirely, maybe it would work more effectively. As it currently stands, "Flawless" is a movie in which the actors work hard to overcome a plot heavy script and they do reign victorious in a few battles, but eventually lose the war.
Flawless' is an offbeat story about Walter Koontz (Robert De Niro) an ex-cop who suffers a stroke and loses partial ability to speak. In an effort to regain some of his speech capabilities it is recommended to him that he take singing lessons. So he decides to ask his neighbor Rusty (Philip Seymour Hoffman), who is a female impersonator, to give him singing lessons. This is an unlikely pairing because Walter is a belligerent homophobe.
This film was written and directed by Joel Schumacher. His story, though peculiar, makes some powerful points. This is a story about hatred, bigotry and reconciliation. Walter learns through his disability who his friends really are, and who they are not. It seems that the people he hates treat him a lot better than the people he thought he loved. Ultimately, he is able to look past his prejudices to find the human elements that make him and Rusty not so different after all.
This was an excellent character study of both main characters, giving a lot of insight into the motivations and lives of each. Unfortunately, the story meanders too often to irrelevant characters and scenes that don't really contribute much (like the Gay Republicans). Schumacher would have been better to concentrate on the relationship between Walter and Rusty rather than digressing so frequently into Rusty's relationships with his friends.
De Niro was outstanding in this film. Not only was he excellent in the emotional portrayal of a man having to deal with a sudden debilitating stroke, but he was very realistic in his portrayal of the physical disability itself. The combination of his struggles to do the simplest of tasks and the obvious look of anguish and frustration on his face was poignant and affecting.
Hoffman brought a lot of emotional energy to his part, and his imitation of a drag queen was passable, though somewhat forced and unnatural. Wilson Jermaine Heredia, who played Cha-Cha, the winner of the Flawless contest, was a much more convincing queen.
I rated this film a 7/10. This is a good film that helps us understand that the remedy for the fear wrought of our differences is understanding, not hatred. In that respect it makes an important contribution. If cross dressing and blatantly gay themes put you off, perhaps you should defy your inclinations and see it.
This film was written and directed by Joel Schumacher. His story, though peculiar, makes some powerful points. This is a story about hatred, bigotry and reconciliation. Walter learns through his disability who his friends really are, and who they are not. It seems that the people he hates treat him a lot better than the people he thought he loved. Ultimately, he is able to look past his prejudices to find the human elements that make him and Rusty not so different after all.
This was an excellent character study of both main characters, giving a lot of insight into the motivations and lives of each. Unfortunately, the story meanders too often to irrelevant characters and scenes that don't really contribute much (like the Gay Republicans). Schumacher would have been better to concentrate on the relationship between Walter and Rusty rather than digressing so frequently into Rusty's relationships with his friends.
De Niro was outstanding in this film. Not only was he excellent in the emotional portrayal of a man having to deal with a sudden debilitating stroke, but he was very realistic in his portrayal of the physical disability itself. The combination of his struggles to do the simplest of tasks and the obvious look of anguish and frustration on his face was poignant and affecting.
Hoffman brought a lot of emotional energy to his part, and his imitation of a drag queen was passable, though somewhat forced and unnatural. Wilson Jermaine Heredia, who played Cha-Cha, the winner of the Flawless contest, was a much more convincing queen.
I rated this film a 7/10. This is a good film that helps us understand that the remedy for the fear wrought of our differences is understanding, not hatred. In that respect it makes an important contribution. If cross dressing and blatantly gay themes put you off, perhaps you should defy your inclinations and see it.
I saw this film on a plane and thoroughly enjoyed it, particularly the performance of Philip Seymour Hoffmann whom I found spectacular as a lonely, vulnerable, witty drag queen reaching out to recent stroke victim, homophobic DeNiro.
The two of them were marvelous - and the end of the film had an outtake of Hoffmann and DeNiro practicing "The Name Game" that alone was worth the entire movie.
There were certainly stereotypes among the minor characters but the plot was good and so was the acting.
My acting teacher used to describe plays/films like "Virginia Wolff" as love stories. Using his criteria of two people coming together, sharing experiences and touching each other's hearts - Flawless certainly qualifies as an atypical love story.
The two of them were marvelous - and the end of the film had an outtake of Hoffmann and DeNiro practicing "The Name Game" that alone was worth the entire movie.
There were certainly stereotypes among the minor characters but the plot was good and so was the acting.
My acting teacher used to describe plays/films like "Virginia Wolff" as love stories. Using his criteria of two people coming together, sharing experiences and touching each other's hearts - Flawless certainly qualifies as an atypical love story.
I will start by saying RIP Phillip Seymour Hoffman - his acting talents were magnificent and we truly lost a special person.
Every one of his films is acted with passion and dedication and "Flawless" is no different.
He is special in this and his portrayal of the fierce drag queen is tender and heartfelt whilst also being fierce and powerful.
Robert De Niro is of course brilliant in his role and really did an incredible job playing a stroke survivor - that is no easy feat and he has put his all in to every movement and every word spoken.
This film should be watched for the acting talent and energy of these two actors alone as well as the character study of two very interesting people who find themselves with unique challenges to face in life. The cinematography is not top notch (the film was made in '99 so it does have a rustic quality) but it's perfectly fine. The focus here is on the characters, colourful and frantically trying to find connections in a difficult world.
They are flawed in some ways through sheer stubborness or quick tempers but they aren't all that different when it comes down to it - they are both flawed in similar ways and maybe that's why their friendship works. It doesn't feel forced - it grows naturally and their chemistry is on fire.
I loved this film - it depicts the world of drag queens wonderfully and the difficulties members of the LGBT community faced in the 90's. For the time it was made I applaud it - it hasn't tried to sugar coat anything and it has thrust us in to a layered and colourful and magical environment.
Loved it loved it loved it .
It's on Netflix UK right now so watch it.
Loved it loved it loved it .
It's on Netflix UK right now so watch it.
I am sorry to say that I saw this movie for the first time today. You know they say hind sight is 20/20. I remember when the previews for the movie were out and I thought that looks like a really great movie. It was an incredible movie.
De Niro is exceptional as the homophobic former hero cop with a speech impediment due to a stroke. Hoffman is wonderful as the singing drag queen. The chemistry between the characters is true to life and heartfelt. When they come together, we see that their dissimilar lives are not so dissimilar at all. They are both overcoming some of the same trials and tribulations just over different things. They develop an amazing bond that will help them through the tough times.
A Flawlessly Beautiful Movie.
De Niro is exceptional as the homophobic former hero cop with a speech impediment due to a stroke. Hoffman is wonderful as the singing drag queen. The chemistry between the characters is true to life and heartfelt. When they come together, we see that their dissimilar lives are not so dissimilar at all. They are both overcoming some of the same trials and tribulations just over different things. They develop an amazing bond that will help them through the tough times.
A Flawlessly Beautiful Movie.
Wusstest du schon
- WissenswertesRobert De Niro's face would sometimes ache for days after tensing his jaw to speak in his post-stroke scenes.
- Zitate
Walt Koontz: I'm not as stupid as you think I am.
Rusty Zimmerman: Honey, you could never be as stupid as I think you are.
- Crazy CreditsDuring the credits, DeNiro and Hoffman sing the "Name Song" together while staying in character.
- SoundtracksLady Marmalade
Written by Bob Crewe & Kenny Nolan
Performed by the cast, with additional vocals by Bruce Roberts
Top-Auswahl
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Details
Box Office
- Budget
- 15.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 4.488.529 $
- Eröffnungswochenende in den USA und in Kanada
- 1.590.155 $
- 28. Nov. 1999
- Weltweiter Bruttoertrag
- 4.488.529 $
- Laufzeit
- 1 Std. 52 Min.(112 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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