Die Rache des Paten

WOW! Another false ad campaign by Joseph Brenner! He mis-advertises this film at the theatres as some kind of a woman beating movie, as the poster shows a woman's face all bruised up, with the caption "for a lousy 50 bucks he could do whatever he wanted with her", when it is another Italian Mafia film with Henry Silva! Even the video box hints it is some kind of a motel sex film, when it isn't! And it isn't a good mafia movie either! This is one of the mafia films that is so bad it probably ENDED the mafia film craze! The opening credit isn't even the original, as it is a tacked in credit with music from DELTA FOX! UGH! To be avoided!

I saw this movie, the 97 mins uncut version for the first time recently after reading a glowing review by Coventry which is spot on.

This movie is indeed brutal n very misogynistic.

After drugs are found inside the dead body of a kid, mafia bosses get angry at this despicable act and a senior Don Coscemi hires Tony (Silva), a misogynist n cold-blooded psychopath to wreak havoc on the perpetrators of the heinous act.

After arriving in Italy, Tony who has his own agenda, gets himself in the middle of a feud between two mafia families. He manipulates both families into believing he is on their side but is seduced by Margie, a former prostitute now married to one of the mob bosses. A shocking relationship between Tony and Margie wreaks havoc on both of them.

Silva's character Tony is the epitome of misogyny. His character whips a woman, punches her eye, sodomizes her while pushing her face in the carcass of a butchered pig and even bites off her cheeks.

And inspite of all the nastiness Tony is capable of, we still root for him.

His character even bulldozes two fellas by an asphalt bulldozer.

The circular saw machine scene is shocking.

Cry of a Prostitute (1974)

** (out of 4)

Ultra-sleazy and incredibly violent Euro Crime picture starts off with a couple adults and a child being killed in a car crash. It turns out that the child had been dead for some time and his body was sewn-up with drugs hidden in it. Pretty soon two Mafia families are battling with each other when a hit man (Henry Silva) gets in the middle of things.

Andrea Bianchi will always be remembered for the insane BURIAL GROUND as well as the sleazy STRIP NUDE FOR YOUR KILLER and if you're a fan of those films then you'll certainly want to check this one out even if the end result isn't nearly as good or as entertaining as those two pictures. What CRY OF A PROSTITUTE lacks in regards to any sort of story it more than makes up with its violence, which at times is rather shocking.

Not only do we get countless shootings and stabbings but there's also a bizarre mix of sex and violence, which I'm sure would have outraged more people had the film been better known back in the day. There's some bizarre sexuality at play here including one woman being beaten before sexually pleased and another sequence involving a dead pig! The violence in the film is very much over-the-top and especially with the various shoot outs, which often lead people pouring blood all over the place.

As I said, the sleaze and violence are top-notch and it's bound to please fans of the genre. Henry Silva also turns in good, strong performance like only he can and the supporting players are fun as well. The biggest problem I had with the film was the screenplay, which wasn't all that interesting and it certainly didn't add anything new to the genre. The characters weren't the most interesting either and the Mafia folks just seem like the ones we've seen countless times before.

Director Andrea Bianchi is probably best known for the nauseatingly brutal Zombie Gore flick "Le Notti Del Terrore" (aka. "Burial Ground", 1981) and the super-sleazy Giallo "Nude Per L'Assassino" ("Strip Nude For Your Killer", 1975), so it is not surprising that his contribution to the Italian Crime genre, "Quelli Che Contano" aka. "Cry of a Prostitute" of 1974, (which he co-directed with his brother) is one of the most brutal and misogynist films in a genre that generally isn't for the squeamish. This might be seen as a warning for the sensitive, faint-hearted and politically correct, but it definitely serves as a word of recommendation for my fellow fans of Italian Exploitation cinema from the 70s.

Genre icon Henry Silva stars as Tony Aniante, a super-tough mob hit-man (who is sort of a more exaggerated double of Silva's absolute greatest role of hit-man Lanzetta in Fernando Di Leo's masterpiece "Il Boss" of 1973). The film already starts out intensely brutal when an apparent family has a fatal car crash in gory detail. The autopsy makes it clear that the kid was already dead before the crash, and just transported by mob-related drug-dealers who use children's corpses (!) as means for heroin production. Since such depraved methods are even despicable by organized crime standards, and furthermore bad for business, the dons of the Sicilian mafia assign Tony Aniante to clean up among the dirtiest of their own...

The violence in this film is very intense, even by brutal Italian 70s crime standards, and the degree of political incorrectness is as high as it gets. The great Henry Silva is super-tough, super-cool and cold as ice as always; whenever he offs someone in this flick he whistles a cool tune. The man simply is the best guy ever to play mafia hit men. Period. Cult-goddess Barbara Bouchet is ravishing as always in the role of a nymphomaniac ex-prostitute turned mob-boss' wife, who enjoys getting raped and severely beaten. Fausto Tozzi plays her perverted mafia don husband, who gets off on hearing his wife talk about her extramarital activities. Between macho talk, revenge-vows and mafia conspiracies, the film features brutalities such as rape, people being beaten to a bloody pulp, decapitation and autopsies and dozens of bloody gunfights. The storyline isn't the most intriguing in Italian crime cinema, and the film has some minor logical flaws, but these are secondary to the tons of gritty and hard-boiled entertainment that it provides. Definitely one to watch for my fellow Italian Crime / Poliziotteschi fans.

It would seem that this film is more of a godfather rip-off than anything else, but it's clear that the film takes its fair share of influence from the western genre. Many Italian films lift plots from other successful films, and in this case it's A Fistful of Dollars that provides the influence (though in fairness to this film, Leone's first masterpiece did take its plot from Yojimbo...). The film also takes influence from the crime films that were rising in popularity in 1974, and could be described as an urban western. The plot focuses on Tony Aniante, a loner who arrives in a Sicilian town with a pair of warring families. He decides to be friends with both of them, until the moment to strike presents itself and he can have both families implode on themselves. The prostitute of the title refers to Barbara Bouchet's character Margie; one of the mob's whores who takes a liking to Tony and ends up getting embroiled in his little war with the rival mafia families.

The film features all the things that make the Italian crime films popular, including fist fights, gun fights and car chases and none are in short supply. Andrea Bianchi never got himself a reputation for making high quality films, and that really isn't surprising considering how much Cry of a Prostitute borrows from other, more esteemed, sources. However, he does at least manage to keep things entertaining and that is of course the most important thing about a film like this. Of course, the fact that the plot has been seen many times before means that it is not difficult to guess what is going to happen by the end, which kind of spoils it a bit. The lead actor is Henry Silva and he does a good job in the central role. My main reason for seeing this film is the fact that it stars the lovely Barbara Bouchet. Barbara has never come across as being shy, and she doesn't here either! Overall, I wont say that Cry of a Prostitute is a must see Italian film; it adds very little for the experienced Italian film viewer; but it's not bad and is worth a watch.