Molly

Molly McKay (Elizabeth Shue, very wonderful) has been living in a nursing home for years, after her parents' deaths. She has severe autism and generally answers every question with the word "no". One senses, however, that locked inside her being is a woman as bright as she is beautiful. Her older brother, Buck (Aaron Eckhart) has only visited her on rare occasions, as he was going through college and starting his career in advertising. Word comes, however, that the nursing home is closing and that Buck will have to make new arrangements for Molly. Very apprehensive, Buck brings Molly back to his Venice, California apartment, where the chaos soon begins. When a daycare situation goes sour, Buck has to bring Molly to work, where her erratic behavior soon causes the firm to lose a major account. Buck is promptly fired, causing resentment between the siblings. However, a clinic worker, Sam (Thomas Jane) has been a friend to Molly for years and he encourages Buck to be patient and caring. Also, a doctor at the clinic (Jill Hennessey) convinces Buck to let them try a new surgical technique on Molly, one that will allow her to lead a more normal life. Amazingly, after the procedure, Molly does become more verbal and starts to catch up on some of life's moments that have eluded her. But, can it last? This is a very nice film about an important topic, autism. However, instead of focusing on children, this one shines a light on the experiences of an adult with the condition. As such, Shue is wonderful as the brave and bright Molly while Eckhart is equally fine as her confused but goodhearted brother. One must also congratulate Hennessey and especially Jane for giving great turns as well. The setting in Venice is beautiful and the other cinema niceties, such as costumes and photography, are more than adequate. The script is both lightly humorous and tear generating, at the same time, and gives the audience a good look at the autistic individual, trapped inside his or her own body. Even so, one suspects that the film, made in 1999, might be a bit dated as to current discoveries and treatments. But, that matters little, indeed, to the overall enjoyment of the flick. If you are a fan of sweet, thought-provoking stories, told with care and humor, you should make time for Molly. Good golly, you will be entertained and enlightened at the same wonderful time.

Loosely cribbed from Daniel Keyes' novel "Flowers for Algernon" this moist tale follows experimental surgery subject, Molly who overcomes autism only to regress as the procedure's effects fade. We're supposed to realize that, the mentally disabled are people to - and have something to teach us. But this ham fisted tale ends up communicating a less profound message more along the lines of - some of them like to obsessively line up shoes.

This is a touching, bittersweet and wonderful film about an autistic woman who gains full use of her cognitive reasoning through an experimental procedure. Molly (Elizabeth Shue) is a 28 year old autistic who has been institutionalized much of her life. When the institution closes, she is left in the care of her self absorbed brother Buck (Aaron Eckhart). She is recommended for a new experimental procedure which transforms her into a normal young woman. As the story unfolds we see her grow from a child into a woman with many sweet and funny moments resulting from Molly's view of the world through childlike eyes. As her relationship with her brother grows, his transformation is as dramatic as hers.

The film was charmingly done with a coming of age quality about it. There were numerous comical and heart warming moments resulting from Molly's misperception of a world she is trying to make sense of.

The only thing working against this film is the fact that this ground has been retraced in so many ways that it suffers from the tendency to compare it to other films. It has elements of ‘Flowers for Algernon', ‘Rainman', ‘At First Sight' and ‘Awakenings'. It is difficult for a film to be fully appreciated when the viewer is mentally comparing it to all these other stories. That is a pity in this case because this really is a lovable story in its own right.

Elizabeth Shue gives us marvelous performance as Molly. Her portrayal of autism is realistic and endearing. She is so childlike that you really sense that she has the mind of a 3 year old. Later, as she transitions to the mind of an adult, she retains that childlike naiveté that gives the character a purity and wisdom that is fresh and free from cynicism. It was a wonderful performance that regrettably will not be seen by many since this film lives in obscurity as a single facing on the rental shelves.

I rated Molly an 8/10. On an emotional level, I really enjoyed it more than that, but I felt compelled to subtract a couple of points for lack of originality. However, if you enjoy human interest stories this one will certainly touch your heart.

There are few great ideas in the world, so to claim that everything is a repeat of something else isn't too far off. Still, this movie takes the idea "Let's make a heartwarming story of a handicapped woman" and mushes it into crap. There are a lot of "Awakenings" factors in this movie, but the difference is Awakenings was worth watching. Awakenings was loosly based on fact. Molly seems to be a cheap rip off of all the better movies meant to make us better understand those around us who don't seem "normal". I find movies like this one, "The Other Sister", "I Am Sam", for more examples, to be an insult to mentally handicaped people. Take a big name star and watch them try to act less than normal. Bobby D and Dustin Hoffman are the only ones who have pulled it off for the newer generation. Everyone else is trying to play catch-up. Shue's performance is lame, weak, and a joke. While this movie does nothing more than try to manipulate the human emotions, magnify the human condition, it doesn't succeed on either front.

"Molly" is a movie of epic inspiration. I was so amazed by the story it presented to the viewers. It not only has star power of Elisabeth Shue and Aaron Eckhart, but it also had a great supporting cast in Thomas Jane and Jill Hennessey.

One of the best things about "Molly" was the intelligent dialogue between everyone. This is a movie that delivers the message that it doesn't matter who the person is or what is wrong with them, they are still a human being and are deserving of respect and love.

I can relate with the title character and was glad to see that somebody made a film of this nature and succeeded in making the point in which it was trying to send viewers.

I was impressed with this flawless film from start to finish. Not only is "Molly" one of the most moving films I've seen but it will literally bring tears to viewers eyes because it is that special. I highly recommend this film. Viewers will not be disappointed by this film since it is that good.