Kleine Engel, kleine Haie

This movie kind of fits into this unofficial French genre which might be called the "French-jailbait-on-the-beach" film. This loose genre could include classy Eric Rohmer films like "Claire's Knee" and "Pauline at the Beach", the good but very depressing female coming-of-age films of Catherine Breillat like "36 Fillete" and "A moi souer", as well as enjoyable trash like "L'anne des medusas" (you could even throw "Swimming Pool" in here maybe). This movie is about a homeless teenage French girl who hangs around an American military base as kind of an amateur prostitute (it occurred to me watching this that one reason so many people hate America might be because our military uses the whole world as their whorehouse). She meets up with a psychotic French boy her own age and helps him steal a gun from the base, at which point the plot takes a rather implausible turn into serial murder.

This movie is not as sophisticated as a Rohmer film nor is it as squirm-inducingly realistic as a Breillat film. It kind of resembles "L'annee des medusas", but where that movie was exploitative trash from the get-go (featuring a somewhat older and very naked Valerie Kaprisky), this movie tries to be a realistic teenage slice-of-life for awhile but goes seriously off the rails with the serial murder plot. Like a lot of French movies it also suffers from a terminal case of pretentiousness. As with other films of its type, however, it does have some great cinematography of the beautiful Baie des Anges (where is that anyway?). These films would all make great advertisements for France's tourism board--if not for all the scary teenage French girls.

Marie Baie Des Anges, is quite simply, a highly under-rated French art picture. It is one of my favorite films, because of Maneul Pradal's unique way of storytelling, using visuals to convey the piece.

No, the plot doesn't really go anywhere. In the last 20 minutes or so, it doesn't even make any sense. But that's the whole point. It's symbolic. It isn't going anywhere because the lives of Marie and Orso aren't going anywhere. They are lost, troubled youth; who's only refuge is each other, and a deserted island off the coast of France.

After seeing this movie, I want to view other French movies. They have a unique style of production that is more visual art than plot. Mixing up the time lines detracted from the story. Some characters didn't fit into the story very well. Marie (Vahina Gioconte) oozed sensuality and moodiness. Without her, the story would have been meaningless. Do young people really live like this? Ignore my spelling errors please.

The chaos of children running the world is a disturbing and possibly accurate portrayal of these characters' view of the world. Each is stealing, cheating and manipulating to survive, except that they don't know they're not surviving, just wild animals. The American sailors are punks, and it's a crime that they are the closest thing to authority figures in the story. Some characters are just brutal, or maybe a bit flat.

Marie is living for the moment, oblivious of her aimlessness. Desperate for love, she knows only sex. Orso, also desperate for love, doesn't know how to get anything without just taking it. Because he equates love with giving things, he returns to his violent nature eventually. Neither of the ill-fated couple are not prepared to succeed. These lead characters are undesirable, but I still loved them with all of their failings. I found the story unsettling and thought provoking.

Striking scenery and soulful, well-crafted acting drew me into the film completely. The clear beauty of the land and sea is visually stunning. It makes you want to go and experience it. Marie's gentle, natural beauty and wide eyed innocence (or calm?) are validation of Vahina Giocante as a star. She's the beautiful girl next door, the one you understand and don't understand at the same time, but love to be around. Orso's brooding and watching from a distance absolutely demonstrate Frederic Malgras' understanding of an outcast who finds the one thing he wants most of all. A part of me relates to him. If these two stars have that much range, why aren't they in more films?

This film was similar to Harmony Korine's Gummo which takes place in a small Ohioan town where the minors live the same incredibly screwy lives. But this French film was utterly boring, pointless, and just drags on and on and on and goes absolutely nowhere! Don't bother unless you're a foreign film freak (I am - but this was one of the worst foreign film to come into the USA!)