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IMDbPro

Lone Wolf & Cub 5 - Der weiße Pfad der Hölle

Originaltitel: Kozure Ôkami: Meifumadô
  • 1973
  • 18
  • 1 Std. 30 Min.
IMDb-BEWERTUNG
7,5/10
4920
IHRE BEWERTUNG
Lone Wolf & Cub 5 - Der weiße Pfad der Hölle (1973)
ActionDramaKriminalitätThriller

Füge eine Handlung in deiner Sprache hinzuFive warriors challenge Ogami to duels. Each holds a part of information needed to complete the assassination of a mad clan leader.Five warriors challenge Ogami to duels. Each holds a part of information needed to complete the assassination of a mad clan leader.Five warriors challenge Ogami to duels. Each holds a part of information needed to complete the assassination of a mad clan leader.

  • Regie
    • Kenji Misumi
  • Drehbuch
    • Kazuo Koike
    • Goseki Kojima
    • Tsutomu Nakamura
  • Hauptbesetzung
    • Tomisaburô Wakayama
    • Michiyo Yasuda
    • Akihiro Tomikawa
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,5/10
    4920
    IHRE BEWERTUNG
    • Regie
      • Kenji Misumi
    • Drehbuch
      • Kazuo Koike
      • Goseki Kojima
      • Tsutomu Nakamura
    • Hauptbesetzung
      • Tomisaburô Wakayama
      • Michiyo Yasuda
      • Akihiro Tomikawa
    • 26Benutzerrezensionen
    • 53Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos142

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    Topbesetzung39

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    Tomisaburô Wakayama
    Tomisaburô Wakayama
    • Ogami Itto
    Michiyo Yasuda
    Michiyo Yasuda
    • Shiranui
    Akihiro Tomikawa
    Akihiro Tomikawa
    • Ogami Daigoro
    Shingo Yamashiro
    • Sazare Kanbei
    Tomomi Satô
    • Quick Change Oyô
    Akira Yamanouchi
    Akira Yamanouchi
    • Shinnoji Senzo
    • (as Akira Yamauchi)
    Hideji Ôtaki
    • Abbot Jikei
    Taketoshi Naitô
    Taketoshi Naitô
    • Mawatari Hachiro
    Fujio Suga
    Fujio Suga
    • Tsukude Sozaemon
    Rokkô Toura
    Rokkô Toura
    • Ayabe Ukon
    Yoshi Katô
    Yoshi Katô
    • Kuroda Naritaka
    Teruo Ishiyama
    • Mogami Shusuke
    • (as Ritsu Ishiyama)
    Hiroshi Tanaka
    • Murao Koyata
    Michima Otabe
    Kôji Fujiyama
    Kôji Fujiyama
    • Tsutsumi Rokurojiro
    Kazuyo Sumida
    • Otae no kata
    Bin Amatsu
    • Kikuchi Yamon
    Manabu Morita
    Manabu Morita
    • Dogawa Saburobei
    • (as Gakuya Morita)
    • Regie
      • Kenji Misumi
    • Drehbuch
      • Kazuo Koike
      • Goseki Kojima
      • Tsutomu Nakamura
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen26

    7,54.9K
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    8EVOL666

    Part 5 Of The Excellent BABY CART Series

    This is part 5 of the legendary BABY CART series, which deals with ronin assassin Ogami Itto and his son Daigoro. They are on a mission to destroy the Yagyu clan for their betrayal, and to avenge the death of Itto's wife.

    More beautiful battles and swordplay - this one primarily centering around 5 warriors that Itto must battle in throughout the film to earn his bounty and the clues that he needs to take on his next "hit" - to kill a crazy clan leader before the clan falls apart.

    Full of beautiful cinematography, great action and swordplay, excellent acting, and the strange yet touching relation ship between Itto and Daigoro - the BABY CART series is not to be missed for those that enjoy martial arts films. I highly recommend the whole series. 8.5/10
    SaracenReborn

    Tomisaburo Wakayama is simply without equal.

    These movies were infamous for their incredibly brutal and bloody swordplay sequences, but equally impressive IMHO was the leading actor- Tomisaburo Wakayama a.k.a. "Lone Wolf" was surely the greatest martial arts star ever. The command and authority with which he wielded a sword (and other weapons) was just phenomenal. The blade truly was an extension of himself, and his use of it was the definition of lethal, with none of the unnecessary/show-off flourishes so desperately thrown about by today's wannabes. He had incredible presence and charisma- easily on a par with the likes of say Eastwood or Bronson- with eyes that reflected pure death, and the desolation in his soul. There were moments in the "Babycart" series where you'd swear he was the personification of his namesake, the Wolf. You never doubted for one second that he WAS shogun executioner, masterless samurai, assassin for hire. One look at him in action, and you could readily understand why his enemies trembled at the mention of his name, and ran from him in sheer terror. Alas, Lone Wolf is one with void now, but his legend will live on forever in these films.

    Forget Toshiro Mifune. Forget Takakura Ken. Forget Sonny Chiba. Forget Bruce Lee, Jackie Chan, Jet Li, Donnie Yen, and any of those wire-reliant ballet dancers from Crouching Tiger Hidden Dragon. And CERTAINLY forget any American martial artists that you could care to name. Tomisaburo Wakayama was, is, and forever shall be, THE MAN!
    7kosmasp

    More (?)

    There might come a time, where some might get fed up or at least might not be as excited about something that is going on for seemingly forever. Then again, who can say no to nudity and blood mayhem all over the place? Well maybe quite a few can, but bare with me on this. Or with the movie for that matter, because that is more important of course.

    Apart from the main actor, the cub might be the same one too. Since they made them back to back, it is possible. And while especially part 2 and 3 had some innovations gadget and gimmick wise, those are being now repeated or re-used I reckon. That's not overall a bad thing, but just so you know. Not sure where the anime went, but it is obvious that this had something to rely back on. Those who loved the previous entries (though you can watch them however you like almost - except from the evolution of the "weapons"), will like this too - or even love it. Dependng on your taste of course.
    6drqshadow-reviews

    Pressure Mounts for Both the Lone Wolf and His Growing Cub

    Where the Lone Wolf and Cub adventure has been delightfully frenetic up to this point, the fifth film is a decided change of pace. Much more deliberate and pensive, Baby Cart in the Land of Demons spends an unusual amount of time in one place, toying with a more nuanced (at times even confusing) story, while also fleshing out an important supporting character. Young Daigoro, stone-faced son of the wandering master at the center of this great storm, finally gets his close-up and proves to be every bit as determined, soft-spoken and unflappable as his father. His scenes are the ones that stuck with me afterward, resonating in a way that felt fresh while also remaining loyal to the saga's identity. Daddy, meanwhile, has his hands full with a difficult five-pronged onslaught and a pair of complex, intertwined kill contracts. His actions at the film's climax once more cast the character in dark grey fabric, a recurring theme for the series, and prove that (where duty is concerned) he hasn't changed all that much from the very first time we met. Less visceral and rubber-tendoned than any of the earlier entries, and perhaps overly ambitious with that tangled primary storyline, it's good stuff if a touch below the standard its brethren have thus far maintained. An outlier in many ways.
    9Boba_Fett1138

    Don't they know not to mess with Ogami Itto by now?

    I was interested in seeing how director Kenji Misumi would pick up the series again. He directed the first three movies but the previous one, "Kozure Ôkami: Oya no kokoro ko no kokoro", got directed by Buichi Saito. would Kenji Misumi continue on the same trend he had started the series in, or would he go with the successful more western style of approach Buichi Saito brought to the series.

    The answer would be the first. Kenji Misumi pretty much continues what he had started. This is not a bad thing of course, since all of the first three movies were great and entertaining ones but it just makes it a little bit less accessible as a movie for the western audience. This style was however also more appreciated in Japan itself, so the switch back is quite understandable.

    The movie starts off kind of slow and uninteresting and I wasn't too fond about its storytelling but it soon finds its old form. It actually turns into one of the more stronger movies out of the series, also story-wise. The movie does feature some great memorable moments in it, perhaps even more so than was the case with any of the previous movies. It's a very entertaining movie and its fight sequences are a pleasure to watch. It's being highly original and creative with some of its moments.

    It's awesome to see how Ogami Itto is taking on whole armies again. You would think that by now his reputation would had exceeded him and people would know better to cross swords with him. The Japanese are however too noble and proud to just runaway at his sight or perform harakiri right away. Luckilly for use though, since it means that the movie gets action packed and features plenty of fountains of blood again, especially toward the ending when the movie becomes really more and more action filled and spectacular.

    Such an awesome and entertaining movie.

    9/10

    http://bobafett1138.blogspot.com/

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    Handlung

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    • Wissenswertes
      This film is part of the Criterion Collection, spine #841.
    • Patzer
      In the fight scene in the sand dunes, the conditions change randomly between overcast (dull light, no shadows) and sunny (bright light, distinct shadows).
    • Zitate

      Ogami Itto: [slowly pulling his sword partially out of its sheath] I have come for your life.

      Abbot Jikei: [Unperturbed] You cannot kill that which is naught. I have brought subjective and objective into one. I have forgotten myself and merged with nothingness. I am but a piece of totality of inside and outside. Thus, you cannot kill my body.

      Abbot Jikei: [Turns to look at Ogami] When you meet Buddha, you'll kill Buddha. When you meet your parents, you'll kill them. It's all for nothing, however. You only have the way of the assassin. When you are able to kill me, you will have achieved the gateless barrier on the way of the assassin.

      [looks away; Ogami slowly re-sheathes his sword]

    • Verbindungen
      Featured in Lame d'un père, l'âme d'un sabre (2005)

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    FAQ14

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    Details

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    • Erscheinungsdatum
      • 11. August 1973 (Japan)
    • Herkunftsland
      • Japan
    • Sprache
      • Japanisch
    • Auch bekannt als
      • Okami - Der weiße Pfad der Hölle
    • Produktionsfirma
      • Toho
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

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    • Laufzeit
      • 1 Std. 30 Min.(90 min)
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 2.35 : 1

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