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Lone Wolf & Cub 4 - Die tätowierte Killerin

Originaltitel: Kozure Ôkami: Oya no kokoro ko no kokoro
  • 1972
  • 18
  • 1 Std. 21 Min.
IMDb-BEWERTUNG
7,5/10
5272
IHRE BEWERTUNG
Lone Wolf & Cub 4 - Die tätowierte Killerin (1972)
With more spoilers than you can shake a gaffi stick at, this IMDbrief breaks down the wild western premiere of "The Mandalorian" on Disney+.
clip wiedergeben4:02
"The Mandalorian" Takes Star Wars to Wild West of Space ansehen
1 Video
99+ Fotos
ActionThriller

Füge eine Handlung in deiner Sprache hinzuOgami is hired to kill a tattooed female assassin. Gunbei Yagyu, an enemy samurai, happens upon Ogami's son, and sees his chance for revenge.Ogami is hired to kill a tattooed female assassin. Gunbei Yagyu, an enemy samurai, happens upon Ogami's son, and sees his chance for revenge.Ogami is hired to kill a tattooed female assassin. Gunbei Yagyu, an enemy samurai, happens upon Ogami's son, and sees his chance for revenge.

  • Regie
    • Buichi Saitô
  • Drehbuch
    • Kazuo Koike
    • Goseki Kojima
  • Hauptbesetzung
    • Tomisaburô Wakayama
    • Yoichi Hayashi
    • Michi Azuma
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,5/10
    5272
    IHRE BEWERTUNG
    • Regie
      • Buichi Saitô
    • Drehbuch
      • Kazuo Koike
      • Goseki Kojima
    • Hauptbesetzung
      • Tomisaburô Wakayama
      • Yoichi Hayashi
      • Michi Azuma
    • 25Benutzerrezensionen
    • 51Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    "The Mandalorian" Takes Star Wars to Wild West of Space
    Clip 4:02
    "The Mandalorian" Takes Star Wars to Wild West of Space

    Fotos100

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    Topbesetzung32

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    Tomisaburô Wakayama
    Tomisaburô Wakayama
    • Ogami Itto
    Yoichi Hayashi
    • Yagyu Gunbei
    Michi Azuma
    Michi Azuma
    • Oyuki
    Akihiro Tomikawa
    Akihiro Tomikawa
    • Daigoro
    Asao Koike
    Asao Koike
    • Tokugawa Yoshinao
    Hiroshi Tanaka
    • Jûzaemon Kashiwagi
    Tatsuo Endô
    Tatsuo Endô
    • Yagyu Retsudo
    Shin Kishida
    Shin Kishida
    • Kozuka Enki
    Kôji Sekiyama
    Manabu Morita
    Manabu Morita
      Hiroshi Hasegawa
      Tsutomu Harada
        Michima Otabe
        Seishirô Hara
        Yûsaku Terashima
        Yûsaku Terashima
        Yukio Horikita
        Tokio Oki
        • Lord Owari
        Katsutoshi Akiyama
        • Regie
          • Buichi Saitô
        • Drehbuch
          • Kazuo Koike
          • Goseki Kojima
        • Komplette Besetzung und alle Crew-Mitglieder
        • Produktion, Einspielergebnisse & mehr bei IMDbPro

        Benutzerrezensionen25

        7,55.2K
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        Empfohlene Bewertungen

        7gbill-74877

        Satisfying popcorn flick

        Installment #4 in the series comes in at a taut 81 minutes, and while a little undeveloped, it's satisfying nonetheless. Like the other films, unfortunately rape is yet again an element of the plot, and it's cringeworthy how "out of shame" the young woman (Michie Azuma) runs away afterwards and becomes an assassin. She's shown topless at every possible opportunity, with the giant tattoos providing an excuse to do so. It would have been nice had the film expanded her character a little more and made her the final battle, because you see, the lone wolf (Tomisaburo Wakayama) has been tasked with hunting her down. The film has its moments, including all sorts of dismemberment, a man with an improbable ability to mold his face into the shape of another's asked to commit hara-kiri for someone else, and a battle scene with guys who were camouflaged as statues (probably the film's best). The baby is now three years old and capable of wielding the cart's hidden machine guns, which comes in handy, as you'd hate to bring just a sword to a gun fight. The lone wolf has some sense of honor but is still just a mercenary, and moreover, one who isn't invulnerable, which makes him an interesting character, and Wakayama plays the part reasonably well. It's good, campy fun, and a film you wouldn't have had to see the first three to enjoy.
        9nkingstown3

        Phenomenal

        This is a beautifully made movie, the cinematography is to die for. In this installment of LW&C, Lone Wolf is hired to kill a rogue defector of a powerful clan, a formidable martial artist who happens to be a woman on a killing spree. Her body has been heavily tattooed to distract & shock her enemies. Itto's son Daigoro gets lost (this kid gets into more trouble) and is confronted by the only man ever to defeat Itto in a sword fight, Yagyu Gunbei, played by Yoichi Hayashi. He's a stone-cold & ruthless Ronin with a serious grudge against Itto. Needless to say there's a showdown between the two, and this is the highlight of the movie. In this scene it is twilight, and the cinematography is simply breathtaking. This movie is exceptionally clean, and is a real pleasure to watch. This movie and "Hades" are the top two LW&C films IMHO. Rent it or buy it, you will not be disappointed.
        8kosmasp

        Hit em hard

        Another Lone Wolf and Cub film, another movie that does not take any prisoners. The story of our main character continues, but we start with a different character alltogether. And this woman is quite the killer ... literally. And she also is naked ... well from the waist up! But just to show her ... tattoos of course.

        Kidding aside, if you are easily offended this and the amount of blood will quite do the job for you. Better not watch is what I'd say. Of course after that furious beginning there is some story and character things we have to go through. You can't have mayhem after mayhem ... well you could, but it works better that way. Some flashbacks too and all that coincides with that. Enjoyable if you can dig it
        9Boba_Fett1138

        I love what Buichi Saito added to the series.

        I don't know the history behind it but it seems quite odd that for this movie they picked a new director, Buichi Saito, while the first till third movie got all directed by Kenji Misumi, as did the following fifth movie. Perhaps it had something to do with his health, since Kenji Misumi died quite young, in 1975.

        But whatever the reasons were, it's a choice that worked out great for this particular movie. Its definitely a change of style. It's a more snappy a fast going movie than any of its predecessors. It's edited greatly and also has some nice little tricks in it. The movie is more Hollywood like and less Japanese like, if you will. This is not always a good thing but for this particular movie, its concept and story, it does work out well.

        Its fight sequences are often spectacular, though they are also certainly less bloody than was still the case in the previous movies. Its faster editing and camera-work and fresh style of directing keeps it all great to watch. It also all helps to make the movie incredibly entertaining to watch.

        I also liked how this movie handled the lone wolf and cub relationship. The whole father son relationship plays quite an essential role within this movie, more so than ever had been the case in the previous movies. It makes the movie quite 'cute' and also emotionally stronger. It also seems like Tomisaburo Wakayama's acting is stronger than ever before. In all of the previous movies he was mostly exchanging hard long looks with his foes but in this movie he seems to have more lines and also shows more emotions and expressions in his face.

        Another thing that keeps playing an essential role within this movie are its wonderful looking environments. The natural environments are great and this movie takes us to some wonderful places, to all add to the movie its adventurous feeling.

        Such perfect fun to watch!

        9/10

        http://bobafett1138.blogspot.com/
        arthur.mcgready

        Whirling death with amazing cinematography

        This movie is the four in the series and continues the exploits of Ogami Itto and son as they continue there quest for vengeance against Lord Retsudo. Hired to kill Oyuki (deadly female martial artist) for his standard 500 gold pieces, this movie follows the by now normal storyline of flying ninjas, one on one sword duels and mass army destruction that would put a John Woo movie to shame, throw in the vast amount of blood and this movie is a classic within the series. These things in themselves do add to the overall plot and character development within the movie and that the cinematography helps to places with in the action right from the start (although some slight lighting problems do occur). The similarities between this movie and certain spaghetti westerns (Fist Full Of Dollars) is unmistakable. Overall a must see for both fans of martial arts and western movies.

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        Handlung

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        • Wissenswertes
          Kozure Ôkami's tattoos are examples of Japanese Irezumi - her particular tattoos are both of different types of yokai (spirits or monsters).
        • Patzer
          When the men are passing by Daigoro ringing bells, the sound doesn't match with the rhythm of their strikes.
        • Zitate

          Yagyu Gunbei: [about young Daigoro] It's his eyes. His eyes belong only to those who have killed hundreds of men, and withstood the splatter of their blood. His Death Life Eyes. It's incomprehensible.

        • Verbindungen
          Featured in Lame d'un père, l'âme d'un sabre (2005)

        Top-Auswahl

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        Details

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        • Erscheinungsdatum
          • 30. Dezember 1972 (Japan)
        • Herkunftsland
          • Japan
        • Sprache
          • Japanisch
        • Auch bekannt als
          • Okami - Die tätowierte Killerin
        • Produktionsfirma
          • Toho
        • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

        Technische Daten

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        • Laufzeit
          • 1 Std. 21 Min.(81 min)
        • Sound-Mix
          • Mono
        • Seitenverhältnis
          • 2.35 : 1

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