Füge eine Handlung in deiner Sprache hinzuIn 1950s Massachusetts, a wealthy black woman engaged to a poor white beatnik learns about her family history. The stories revolve around the racial and class complexities of interracial and... Alles lesenIn 1950s Massachusetts, a wealthy black woman engaged to a poor white beatnik learns about her family history. The stories revolve around the racial and class complexities of interracial and class-based marriages.In 1950s Massachusetts, a wealthy black woman engaged to a poor white beatnik learns about her family history. The stories revolve around the racial and class complexities of interracial and class-based marriages.
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Although I think this cast did a wonderful job, I can't help but be bothered by the blatant disregard for a major plot point in Dorothy West's novel. That being said, if the viewer is aware beforehand, I think this movie is worth seeing simply because there are so few factual representations of African-Americans in the media. I know many African-American families that live and act as the Coles family does; I have yet to meet an African-American family that lives or acts the way the Parkers do.
Again, if you read the book, you see that Shelby's hair is blonde, and her eyes are blue, and her skin is very fair. There was a flashback (in the book) to when she got lost as a little girl. She was lost for so long because no one knew to look for her specifically-they were expecting to find a child with traditionally black features.
With regard to Lute McNeil: Dorothy West paints a picture of a man who, because of his upbringing, generally hates women (ironically, not his daughters, though); he sees them as possessions and breeders, and moves on when the next lady strikes his fancy. If he stuck to his pattern, Shelby would have gone the way of the all the other women. In the end, I think she saw that. The movie painted him far too sympathetically-you wanted to cheer for him as Shelby's salvation. But Lute was a dangerous man.
The chemistry between Meade and Shelby on screen was sooooooooooo weak-thus making Lute that much more attractive. That's not the way West meant it. And why the screenwriters chose to change his name from Wyler (in the book) to Howell (In the movie) made no sense to me.
And in the book, the little girl died from her injuries after being struck by the car. Hearing Gram say at the end "oh thank heavens, that little girl is gonna be alright" was just plain cheesy.
This was one of the most beautifully written books this century, and as much as I love Oprah, I found her vision of it for TV completely out of step with the spirit of what Dorothy West wrote. If you can, you owe it to yourself to get a copy of West's final masterpiece.
There are certainly some good moments but most of the time, I forced myself to watch so I could finally see how it ended. I'm sorry to say, it wasn't worth the wait. The best part of the film is of course the gorgeous Halle Berry, who doesn't have to do much to be spectacular, and the portrayal of upper class black society. That was as much a revelation as Spielberg's film in which we learned the little known fact that slavery was begun in Africa and there were Black free men in the North during slavery--something of which many people are completely unaware.
Additionally, I don't see bias towards interracial marriage here. I see bias against building enough character development to have us care about the people.
First of all, let me set the record straight for all those who do not know. This movie was based on "The Wedding," a book by the renowned Harlem Rennaissance writer Dorothy West. It is NOT based on a true story in any way, shape or form.
I have read other works by Dorothy West and found them to be very interesting. She set herself apart from the other Harlem Rennaissance writers at the time by writing about black upper middle-class, a social hierarchy that has gone virtually unexplored throughout African-American Literature. However, when I read "The Wedding," I was deeply resentful. The underlying tone of racism against interracial relationships staggers me, as I am a multiracial person. I found the characters detestable and the fact that there is virtually no plot progression throughout the novel is a huge problem. Ninety percent of the novel is backstory.
Many of these same elements are portrayed in the movie version of this book to the nth degree. First of all, Shelby Coles is supposed to be white. She is not light-skinned like Halle Berry. She is WHITE. She has blond hair and blue-eyes. She is the product of so many blends of black and white that her blackness has been genetically wiped out on the surface. The fact that they cast Halle Berry to play Shelby Coles destroys the only redeeming quality I found in the book. This is the scene where Shelby gets lost as a little girl and no one can find her because the police report says that she is black, but she looks white. Using this scene to establish the unequal treatment society puts on whites and blacks was the only redeeming quality I found in this book.
There are several other elements that I found so offensive from this movie (mostly character-wise) that it would be impossible to mention them all.
This is a deeply resentful movie about interracial relations, and should not have been made into a movie. This was the last book that Dorothy West wrote before she died, and I'm wondering if that has something to do with its irregular quality. All I know is that if you are multiracial or biracial, do not, under any circumstances, watch this movie or read West's book. Read some of the other books by West. They are so much better.
Halle Berry - fresh, beautiful, talented, what a lovely smile... the environment, the sets, the costumes (colors, styles, characterization), the lights and the colors of the scenes... the pear, the shore line, the woods, Marta's Vineyard sure must be a beautiful place. The beautiful white houses, the make-up displayed, the hairdos, the lines, the fact that it doesn't show violence, the fact that it deals with individual choice and the effect our choices have in others life. It suites the purpose of a TV movie, it has a message, it is clean, and healthy subject to watch and to think about. It's nice.
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- WissenswertesAs of 2025, this television miniseries is the only on-screen adaptation of any of Dorothy West's novels.
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Meade Howell: I need to talk to you, Shel.
Shelby Coles: No, it's not a good time.
Meade Howell: No, I need to talk to you now. Listen, I thought that music came first, and I was wrong. You come before that. I love you. And I am not going to let you just walk away with no good reason.
Shelby Coles: I think I've given you very good reasons, Meade.
Meade Howell: Why, Shel? Because we can't stay in the same hotel in Georgia? We'll make them let us stay in the same hotel!
Shelby Coles: No, it's because I don't think I want to spend my whole life fighting, defending who we are. Proving to the whole world that we have a right to be together!
- VerbindungenReferences Später Frühling (1949)