Horror of the Malformed Men

Wow, this is a must have for Japanese horror fans, and can you believe it, banned for all those years. Outstanding story involving a man finding his way back to his origins, which include his Father making malformed men, and ladies. My favorite, the goat women. This is quite a gruesome horror film from 1969 or so, that got banned in Japan, and therefore restricted everywhere. Don't worry, it's available now, and you need to see it, before it disappears again. Great DVD too, as it contains a commentary from some historians that will bore you to death. It did me at least, but nothing could damage my affection for this excellent shocker for the times. You thought your Father had problems, wait until you meet this dude. I like this one, it is decadent, gruesome, and has some naked girls. And should I forget, a pretty shocking depiction of the result of malformed men. Yes, Malformed Men, you have been warned.

Horrors of Malformed Men is a quite experimental movie by veteran director Ishii Teruo that has been inspired by the tales of famous mystery and horror author Edogawa Rampo who had himself been inspired by Western authors such as Edgar Allan Poe. This experimental movie at the pulse of its time combines several of these tales. The main issue is that this fusion isn't always fluid and leads to two completely contrasting parts.

The first half of the movie is a murder mystery tale. A medical student without any recollection of his past is trapped in a sinister asylum. He manages to escape when one of the guards attempts to murder him. The fugitive discovers the photograph of a recently deceased man from a prosperous family who looks exactly like him. The medical student decides to take the dead man's identity to find out the truth about his origins and escape from the police.

The second half of the movie is a supernatural horror tale. The medical student travels to the island of a mad scientist who transforms perfectly normal humans into hideous freaks to create a better society. He gets captured, manipulated and threatened by the scientist and attempts to escape the island and prevent the scientist's megalomanic plans.

It's probably a matter of prefence whether you prefer the first or the second half of the movie but they are so different from each other that few people will equally appreciate both parts. The first half is atmospheric, mysterious and surprising as it convinces with clever storytelling and intriguing characters. It recalls numerous European murder mystery films as especially the German Edgar Wallace films and the Italian giallo genre come to mind. The second half is much more brutal, experimental and frantic and ventures into experimental cinematography with hectic camera work, numerous flashbacks and colourful locations. It's a mixture of Japan's very own pink film genre of the sixties and American pre-war science-fiction and horror cinema somewhere between King Kong and Island of Lost Souls.

In the end, Horrors of Malformed Men is certainly daring, entertaining and unconventional. However, the script is all over the place and the conclusion might even be too unconventional for most open-minded cineasts. Ishii Teruo should have created two different movies here instead of putting together two ideas that don't gel.

This infamous Japenese cult flick unfortunately doesn't live up to its lofty reputation. It has some worthy moments, but only a few in what is otherwise a painfully boring and poorly made affair. The confusing story involves a medical student searching for his origins based on the few memories he has from his childhood. He makes his way to the coast of the Japan Sea, where he discovers an obituary for a man who looks exactly like him. He then pretends to be the dead man resurrected, and eventually is brought to an island not far away where the dead man's father is purportedly conducting odd experiments on human beings. The entire story up to here is confusing, uninvolving, and honestly pretty stupid. Only when the protagonist arrives on the island with the titular malformed men does it contain a shred of interest. But only a shred. The mad scientist on the island, kind of the Japanese version of Dr. Moreau, is mutating human beings into freaks. These people, played by circus performers, are dressed in weird costumes and covered with icky makeup. Supposedly the film was meant to reflect the effects of an atomic bomb. I'm not really that sure that was meant, since I don't think any radiation poisoning resulted in a person turning silver. This seems to be where some of the film's fans find substance in the thing, but, really, that half-assed commentary isn't even close to as good as the half-assed commentary in the original Gojira, or, even more appropriate to this conversation, another Ishiro Honda film, Matango: Attack of the Mushroom People, which was made six years earlier than Horrors of Malformed Men. The malformed men are pretty cool, I must admit, but their appearance and participation in the film takes up around ten minutes of this 100 minute film, one tenth, by my estimation. I couldn't forgive the first half of the movie. And even moreso I can't forgive what comes after this, where the mad doctor tells his story in a prolonged, monochromatic flashback. I guess I should be thankful, because the stuff I couldn't understand about the plot earlier in the movie is explicated in such detail that I wanted to rip my hair out. But at least I finally got the plot. And worse, after the doctor has his ten minute flashback, another character has another ten minute flashback. The story is patently ridiculous, but that's not necessarily a bad thing. It could have been fun, but it isn't. It's a crushing bore! It does end on a hilarious bit, but nothing could have saved this movie.

Postwar Japan gave birth to probably one of the most consistently weird dance forms, Butoh. It rather hard to describe except that the processions of anguished clay caked naked bodies and rag covered transvestites makes me think of a nuclear holocaust. Since Japan is the only country with any experience with the horrors of a nuclear holocaust, it isn't surprising.

We open with a dazed man in the middle of a cage of naked crazy women in a mental institution. We soon learn that he's an inmate as well. He is haunted by an odd children's lullaby. That night a strange bald man tries to kill him but instead our hero kills the bald man and escapes. Our hero hears the unusual lullaby and finds a circus performer who seems to come from the same remote place on the coast. He makes his way to the coast and finds out that a rich man who looks exactly like him has just died. He digs up the body and switches clothing becoming the dead man mistakenly buried too soon. Our hero then attempts to discover the strange secrets of the dead man's family while trying to imitate the deceased.

After watching this production I am very interested in why this film has been banned in Japan for so long. There are plenty of films that are WAY MORE DISTURBING, disgusting or horrifying from Japan, some made the same year! The most likely part is the second half of the film when the Butoh dancers are given plenty of screen time but much of it is mystifying to me rather then disturbing. The couple of torture scenes are rough but not worse then anything I've seen from any pinku film.

Anyway the film is quite good for the first half and starts to fall apart during the second half. It seems the the director and his camera person really didn't know what to do with the Butoh dancers. We get a number of very striking Butoh scenarios, poorly filmed (compared to the excellent filming in the rest of the film), that go by with the main characters just gazing on in disbelief. No real connection to the plot.

An interesting experiment.

If you can stick this movie out till the end, you'll get a very rewarding movie. It's not the easiest movie to watch and it didn't seemed at first to me that this movie was going to be much good early one but it's definitely a movie that gets better in its second halve, when there is more story and the movie its visuals become just great to watch.

It's a quite surrealistic Japanese movie, that relies heavily on its visuals. There are some amazing visuals throughout the movie, with also the thanks of the phenomenal camera-work. It's an artistic movie above all things, so beware of what to expect.

Of course there is also a story but this one is quite hard to follow at times. It isn't until the movie reaches its halve way point that it becomes more or less more clear in which direction the story is going. The movie soon becomes a sort of a surrealistic Japanese version of the Island of Dr. Moreau. I think those that are familiar with this story, or any of the other movie versions of the story will be more able to understand and appreciate this movie.

For a Japanese movie it also features quite some good acting. It's an obviously well cast movie, in which the actors don't act in a very theatrical way, like you might expect from a Japanese movie. Especially surprising also since this movie got made back in 1969.

After finishing watching this movie I simply must say that I overall enjoyed it and found it to be an ultimately rewarding movie to watch, though it's obvious that this is not really a movie for just everyone.

8/10

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