Ingrid Irvin
- Mona
- (as Monique Faber)
Lesllie Bovee
- Laura
- (as Leslie Bovee)
William Margold
- Harry Baulls
- (as Bill Margold)
Uschi Digard
- Anna
- (as Ushi Digard)
Robert Bullock
- Inspector's Man with Mustache
- (as Richard Parnes)
Pat Manning
- Salome
- (as Pat Benco)
Sandy Pinney
- Army Girl
- (as Sandra Reagan)
- …
Irene Best
- Black Party Girl
- (Nicht genannt)
Jan Claude
- Raven-Haired Party Girl
- (Nicht genannt)
Bert Davis
- Psychiatrist
- (Nicht genannt)
Tracy Fonte
- Black Party Guy
- (Nicht genannt)
Empfohlene Bewertungen
How does one rate a "movie" like this? It's not sexy, the acting is terrible and the writing/direction are non-existent. The plot is impossible to follow, and the only attractive woman in the film spends most of her time making it with the ugliest dude.
There's exactly one funny joke, which the "filmmakers" know because they keep repeating it over and over again, until it stops being funny, then becomes funny again.
AND, even though John Homes is listed in the credits, he's only in the movie for one scene and he doesn't even talk (though he does grunt a bit).
On the other hand... this is an adult film in 3-D.
And that's funny.
5/10.
There's exactly one funny joke, which the "filmmakers" know because they keep repeating it over and over again, until it stops being funny, then becomes funny again.
AND, even though John Homes is listed in the credits, he's only in the movie for one scene and he doesn't even talk (though he does grunt a bit).
On the other hand... this is an adult film in 3-D.
And that's funny.
5/10.
I find it hard to believe that I am the only person in Denver to comment on this movie, considering it's three week run at the mayan. I found it altogether hilarious (with the exception of "hairy balls who?"). Maybe if it wasn't two hours long, I would of been more amused afterwards.
Aw, yes just one of the many eye straining "Deep Vision" 3-D skin flicks from the mid to late Seventies. Hot Skin is the hard version and Disco Dolls In Hot Skin is the medium version and Blonde Emanuel is the soft core re-release. The 3-D was produced through a special (as in Olympics) lens that was supposed to create an anaglyphic (that cost effective old red and blue type) stereo image by using a prism beam splitter built into the lens attachment. What you get in effect is pretty much non-3-D because there is no way to control the separation of the two images. So you get a right image in one color and a left image in another color and another slightly right image in yet another color and so forth an so on. I'm not even sure if one could even turn a print into a watchable 2-D version (in some sequences there's as many as six images in varies colors on top of the normal color!) let alone fix the 3-D. There really isn't any plot to get in the way of the action - in fact mid way through the bit of vague plot is just dropped altogether. A product of its time, worth only a watch in a theater at midnight or with a lot of friends while drinking.
Like many others, I saw this as a midnight art house rescreening. Naturally, one is hesitant to sit through two hours of bad 70s porn without being able to fast-forward, and with the potential lack of good scenes to fast-forward to.
But as it turns out, Hot Skin in 3D deserves more credit than that. I suppose this is the one pornographic film I've ever noticed playing at art houses for a reason. Rightfully, it's not a really fantastic movie-going experience. Too bad, there goes my dream of yuppies and soccer moms at the Angelika suddenly realizing pornography is suitable as mainstream entertainment.
The film has more campy plot than even most 70's porn. In fact, it's much closer to a real plot than any other porn film I've ever seen, although I'm not much of an expert. But compared to Behind the Green Door, Deep Throat, and Debbie Does Dallas, you can actually watch this movie without forgetting where the story's going. I'd really rather see this on the big screen than even The Devil in Miss Jones. As an often amusing campy B-flick and hardcore porno rolled into one, it's a good introduction to 70's porn. This film is actually an average campy B-movie even if you ignore the sex, although the sex itself is integral to the hilarity of the feature.
The film has some cool scenes designed for 3-D amusement, although not a great many of them. Unfortunately, it seems 3-D technology in 1977 was pitiful, and was hardly really 3-D at all. If you really try to pretend it's 3-D, you can get a little effect out of it, but it's more akin to watching a 3-D movie without the glasses.
Also, beware that this really isn't a John Holmes film. This was at the start of his career, so he's just a sex-extra in the movie for about a minute or two, in one group scene. His name does appears on the beginning credits [JOHN "THE WAD" HOLMES, which got quite a laugh], which may indicate he had achieved some fame shortly after the making of this film that the producers thought to take advantage of. Also, the film is often promoted as if he's the star. That's very misleading.
But as it turns out, Hot Skin in 3D deserves more credit than that. I suppose this is the one pornographic film I've ever noticed playing at art houses for a reason. Rightfully, it's not a really fantastic movie-going experience. Too bad, there goes my dream of yuppies and soccer moms at the Angelika suddenly realizing pornography is suitable as mainstream entertainment.
The film has more campy plot than even most 70's porn. In fact, it's much closer to a real plot than any other porn film I've ever seen, although I'm not much of an expert. But compared to Behind the Green Door, Deep Throat, and Debbie Does Dallas, you can actually watch this movie without forgetting where the story's going. I'd really rather see this on the big screen than even The Devil in Miss Jones. As an often amusing campy B-flick and hardcore porno rolled into one, it's a good introduction to 70's porn. This film is actually an average campy B-movie even if you ignore the sex, although the sex itself is integral to the hilarity of the feature.
The film has some cool scenes designed for 3-D amusement, although not a great many of them. Unfortunately, it seems 3-D technology in 1977 was pitiful, and was hardly really 3-D at all. If you really try to pretend it's 3-D, you can get a little effect out of it, but it's more akin to watching a 3-D movie without the glasses.
Also, beware that this really isn't a John Holmes film. This was at the start of his career, so he's just a sex-extra in the movie for about a minute or two, in one group scene. His name does appears on the beginning credits [JOHN "THE WAD" HOLMES, which got quite a laugh], which may indicate he had achieved some fame shortly after the making of this film that the producers thought to take advantage of. Also, the film is often promoted as if he's the star. That's very misleading.
I saw this as a reissued film at a midnite showing in NYC and the full house was laughing hysterically. As a campy film this is worthwhile, but sexually there is not much to recommend, except Lesllie Bovee, who was always hot.
Wusstest du schon
- WissenswertesWas shown as a Midnight Classic at The Kentucky Theater in 1999.
- Alternative VersionenThe US 2003 DVD Print by ASTERIX is heavily censored and is missing all of the hard core footage. It has been cut down to 71 minutes
- VerbindungenFeatured in Twisted Sex Vol. 14 (1996)
- SoundtracksYonge Boogie
Published by Parry Music Library
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Blond Emanuelle
- Drehorte
- Palos Verdes, Kalifornien, USA(beach scene with Serena and Mike Ranger)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 12 Minuten
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen