Aashiqui

For a six year old child it is very difficult to remember about movies and songs. However there are movies, their music and there was Aashiqui. It was not just another movie with hit music. It was a phenomenon. The sale of music players was increased dramatically in those days. Practically every home in India had a audio cassette(today's CD/DVD wielding kids would probably never know of them!!) of Aashiqui in their home. It is not very common to come across albums with almost all the songs being awesome. However in this case, the word "almost" can be easily dropped. Each and every song of this movie is timeless. Nadeem-Shravan may not be creative and experimental like A. R. Rehman, but it is true that if "melody" had a second name it would be Nadeem-Shravan. "Aashiqui", "Dil Hai Ki Manta Nahin","Sadak", "Saajan", "Deewana", "Dil Ka Kya Qusoor", "Salami", "Damini", "Dil Wale", "Raja Hindustani", "Jeet", "Pardes" are examples of this genius combination. Mahesh Bhatt is one of the finest filmmakers we had, but it is sad that his biggest commercial success is probably his weakest work as a director, or probably got overshadowed by the lovable music. The acting in this movie is anything but good. Rahul Roy caught the fancy of many young girls in those days and his hair style was an instant rage, however the guy just couldn't act and sadly it was clearly visible in the movie too. Recently in a TV show, Kareena Kapoor admitted, she has a poster of Salman in her room, which she replaced with Rahul's when Aqshiqui released. However anybody who had seen this movie can easily predict that Rahul lacked the charisma to be a major star. Anu Agarwal showed the signs of things to come. Apart from acting in B-Grade Hollywood soft porn, the girl couldn't achieve anything. It is common for an actor to pull off a movie single handedly despite of shoddy script and bad music. In some cases even some directors have pulled off a movie by tight narration despite unconvincing performance. Aqshiqui is one of the rare cases, where Music alone pulled off a movie.

The upsides of being well-fed are so inimical to beholders of poetic flair what was not eaten for privileges unattached can be shown as digested to shine just for the liquor that goes by in the name of poetry unappraised for poets in the courtyard of courtesans ruling organisations of networks with iron hands of discards discarding every miniscule of cultivated culture personal miles apart from the next endeavor subsuming collaterals of empires as bigots of classisism on high seats of untenable risks buttressed by licenses of contraband unsustainable by laities with gifts of gabs. Jabs of attitude become rehabs of nurture dispensing nurture in installments of various bravado for ministers dithering as authority in the frolicking of eternal nappies by the rollicking spots of coloured frocks.

I love Bollywood romances, and I absolutely loved this! The songs are beautiful (especially Dheere dheere). What I found just as moving as the songs is the depiction of a fantastically pure, innocent and passionate romance between the couple. It's so beautiful in its earnestness and intensity (which the less romantic among us will find very silly) that it's almost haunting.

A sensitive but impetuous young man falls in love with a withdrawn and shy orphan girl. Their love comes across all sorts of obstacles and, of course, overcomes them all. There are good themes about women empowerment, valuing love and relationships, and good winning over evil.

What I found really attractive throughout the movie is the haunting, yearning, love-filled gaze the couple has for each other. There are several scenes where they just gaze into each others eyes with such longing and tenderness that anyone who has ever loved will feel their passion themselves. Anu Aggarwal has these beautiful eyes that communicate both the ecstasy and pain of her love, and Rahul Roy has a soft-hearted passion in his tone.

Yes, there are mannnnyyyy deux-ex-machinas. The tears are always rolling. The bad guys are really bad, and the good guys are really good. But the movie recognizes and even indulges in its silly passion. Towards the end there is a line spoken to one who doesn't understand, perhaps also spoken to those who have groaned and winced and rolled their eyes through the whole movie -- "Yeh tu nahi samjhega. Yeh love story hai. Aashiqui." (You won't understand -- it's a love story. It's passion). It's a fantasy, and for that it's really beautiful -- a fantasy where goodness and badness exist only in purity; where love is good, and good conquers all.

I give it 6 out of 10, because the movie portrays two young, innocent characters, capturing their romance, strengths and weaknesses in their budding relationship. While watching this movie since 1990 and up till today, Bollywood movies today are incomparable to Aashiqui. This movie captures the romance of two innocent, young lovers...Which is why I gave additional bonus points for this classic movie. You can't find a good quality, innocent romantic movies in this generation without sex.

The music definitely makes up the flaws of this movie. It's flawless. Even to this date, there is no other music that is elegant and timeless such as the music featured in this movie. The soundtrack is what made this movie famous and a success. It had garnered bonus points, because of the soundtrack. It ranked fourth place on Planet Bollywood's Top 100 list for a reason: It's worth listening to.

On the other hand, the acting is very "bland"...I also have no words to describing the characters' enthusiasm to their skills in dancing. It was very tasteless and there was no "oomph" in their moves. It's very upsetting to see two reasonable looking actors, that fit the image of the decent characters very well, but yet their acting was below average. A disappointment on both Rahul Roy and Anu Agarwal. I could only compliment on Dipak Tijori and Reema Lagoo for their acting skills. They deserve bonus points on their supporting roles.

In addition to the disadvantages, the movie was set up in a chronological order: Boy meets girl, they fall in love, there are obstacles where they can't meet each other and they finally live happily ever after. Very traditional. Very Bollywood...With a few twists and turns. You just know what was going to happen next.

In conclusion, the high verdict is mostly based on the timeless soundtrack and the innocent romance of two young lovers that are deeply in love. If you're looking to pass time with your loved one and curling up to watch this movie or feel like falling in love all over again, watch it...But I wouldn't say it's a must-see. Skip it if you feel like it...You're not missing out on too much. But the music is very much worth listening to.

A very nostalgic romantic movie, Aashiqui may seem too simple nowadays, but it definitely did well over 20 years ago.

Free lance musician Rahul, coming from a broken family, meets orphan Anu at a most unexpected rendezvous, and love blooms in. The couple battle against all odds to be together, in a harsh world with harsh realities,but ultimately they do come together, which is when their egos clash. Will the two be able to maintain their Aashiqui? This is what the film is all about.

The best part is the music, which is what this film is famous for. I still remember how my mother loved the songs of this film those days....soooo nostalgic. Rahul Roy does a good job for a debut lead role. i am surprised he did not get better offers after this film.

Like an other bolly film of the 90s, editing is little weak.

Want something vintage and romantic? Then Aashiqui is for you!