Ein heruntergekommener Golfer versucht, sein Spiel und sein Leben mit Hilfe eines geheimnisvollen caddie zu retten.Ein heruntergekommener Golfer versucht, sein Spiel und sein Leben mit Hilfe eines geheimnisvollen caddie zu retten.Ein heruntergekommener Golfer versucht, sein Spiel und sein Leben mit Hilfe eines geheimnisvollen caddie zu retten.
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- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Gewinne & 11 Nominierungen insgesamt
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Told completely in flashback, the film's story involves Matt Damon's depressed World War One veteran Rannulph Junnuh taking part in a highly publicised golf tournament against two established (real life) professionals - Walter Hagen and Bobby Jones. At first things don't look good, Junnuh hasn't played the game since getting back from the trenches and is a slovenly drunken washout. Despite having the support of the townsfolk, nobody really expects him to win. And then he gets a new caddy in the shape of Bagger Vance (Will Smith).
At this point I imagine alarm bells are ringing in your head. Will Smith must mean wise-cracking, one-liners and the word 'damn' being stretched out so that it consists of two syllables right? Well you'll be relieved to know that Bagger is a pleasant change of direction for the normal Smith stereotype. Relaxing on his heels and working his acting muscles instead of his action hero ones, Smith is the undeniable soul of the movie. His eminently likable charm is still there, but he relies more on home spun wisdom and gentle prodding to help Damon back into his game, rather than calling him names and effecting a cocky swagger. Playing off against him, Matt Damon is suitably vulnerable and insecure but is overshadowed a bit. Thankfully, Junnuh's redemption and Vance's easy going friendship is enough to carry the film and the story, while corny, is just as charming as the title character.
Elsewhere, director Robert Redford once again shows off his knack for beautiful cinematography. As most of the film takes place on golf courses you're never too far away from some gorgeous scenery and the contrast between the vibrant green vegetation and stunning blue sky makes Bagger Vance a feast for the eyes. Given the film's somewhat slow pace, it also makes this an ideal choice for a wet Sunday afternoon where you'd like to go for a walk and appreciate the countryside but are unable to thanks to the rain.
That said, Bagger Vance still has its faults. The writing is a bit hackneyed and anyone who doesn't like cheese would do well to stay away. Junnuh's love interest sub-plot with golf promoter Adele Invergordon (Charlize Theron) meanwhile feels tacked on and unnecessary, as though somewhere along the production line someone decided that if Junnuh was to fully come to terms with himself he'd have to get it on with a sweet country belle. The positives outweigh the negatives though and if you're in the mood for a relaxing, slow paced movie with a lot of subtleties that not everyone will appreciate, you can't really go wrong with Bagger Vance. This is a film to watch with your feet up, the house clean and a big mug of hot chocolate in your hand. And refreshingly enough for a sports movie, it doesn't feature a scene where a big crowd begins cheering wildly while over-the-top power ballads play in the background, that alone should be enough to raise an eyebrow or two.
Harve Presnell one of Savannah's leading citizens has invested everything in the development of a new golf course and when stock market crashed he loses everything and takes his own life. Staving off her father's creditors Charlize Theron vows that this course will open and will feature a match between the two best of their time Bobby Jones and Walter Hagen. However for a little local rooting interest the townsfolk insist on a local player in with the big guys.
Said local player is Matt Damon who went to war in 1917 and came out bitter, disillusioned and drunk. Back in the day people in Savannah thought Damon might have a future in professional golf then really at its beginning. But he hasn't swung a club in a decade.
This entire story is seen through the eyes of young J. Michael Moncrief who in time grows up to be Jack Lemmon who appears at the beginning and end of the film in his farewell role. Lemmon also provides the narration for The Legend Of Bagger Vance.
Damon eventually accepts, but it's only when Will Smith comes along playing the title role as a most mysterious man who offers to be his caddy that Damon plays. Smith imparts some real life lessons that both Damon and young Moncrief take in.
Other than Will Smith the only time you see any black people in the film is when Damon is discovered, living reclusively, drinking heavily and in a poker game with several black people. In segregated Savannah of the Twenties while you see a genteel version of the South it still has its racist mores and only Damon and Moncrief break them. The only black face you see in the crowds at the celebrated match is Will Smith's.
Joel Gretsch as Bobby Jones and Bruce McGill as Walter Hagen exactly fit the conception I had of both Jones and Hagen. They were as different as baseball legends Babe Ruth and Lou Gehrig. Hagen was a cheerful hedonist who was quoted as saying he didn't want to be a millionaire just live like one. Jones was the epitome of clean living and good sportsmanship. Among those covering the match was Grantland Rice played here by Lane Smith in his farewell role.
How the match comes out is for you to watch the film for. But some life lessons are learned by all the players.
The role of Bagger Vance, ably played by Will Smith, was not as God like as the character described by Steven Pressfield in his book from which this film was adapted. In the movie Vance had the ability to help people think beyond the obvious and to reach back for something special. In Junuh he helps reinstill a personal belief and an appreciation of life. In the Pressfield book, Vance WAS a God.
All of the roles were well played and the young boy playing Lemmon in his youth stole the show. It was also good to see Jack Lemmon in his final movie role. I thought it was an interesting coincidence that Lemmon's final role was in a mystical movie just as Burt Lancaster's was in THE FIELD OF DREAMS. The score was also especially moving and the music fit the movie to a "T." This is a different kind of movie but still qualifies as a "feel good" movie. We don't always have an opportunity to go back and take a second stab at life and that is the beauty of this movie.
It is a wonderful thing to be able to go back and make amends for mistakes we have made in our lives and to come out on the other side as a better person. That is what Junuh was able to achieve and that made me feel very good when the credits rolled. For those of you who thought this was a golfing movie that is not the case. It is a movie about life and the chance to make a fresh start which is always important for those who struggle to overcome adversity.
Wusstest du schon
- WissenswertesJack Lemmon: [mantra] When The Narrator tees up at the beginning of the movie, he says, "It's magic time." That is the phrase Lemmon would say before every take in every movie he ever did.
- PatzerHaving the best score on the 17th, Junuh should have teed-off first on the 18th tee, not last.
- Zitate
Bagger Vance: Yep... Inside each and every one of us is one true authentic swing... Somethin' we was born with... Somethin' that's ours and ours alone... Somethin' that can't be taught to ya or learned... Somethin' that got to be remembered... Over time the world can, rob us of that swing... It get buried inside us under all our wouldas and couldas and shouldas... Some folk even forget what their swing was like...
- Crazy CreditsThe DreamWorks logo, the 20th Century Fox logo, and the opening credits are all silent when the film opens, except for the sound of the wind and crickets of the golf course.
- VerbindungenFeatured in HBO First Look: The Legend of Bagger Vance (2000)
- SoundtracksTres Jolie Op. 159
Composed by Emil Waldteufel (as Emile Waldteufel)
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Leyendas de vida
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 80.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 30.919.168 $
- Eröffnungswochenende in den USA und in Kanada
- 11.516.712 $
- 5. Nov. 2000
- Weltweiter Bruttoertrag
- 39.459.427 $
- Laufzeit
- 2 Std. 6 Min.(126 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1