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An jedem verdammten Sonntag

Originaltitel: Any Given Sunday
  • 1999
  • 12
  • 2 Std. 42 Min.
IMDb-BEWERTUNG
6,9/10
129.000
IHRE BEWERTUNG
Cameron Diaz, Al Pacino, James Woods, Dennis Quaid, Jamie Foxx, and LL Cool J in An jedem verdammten Sonntag (1999)
Dark ComedyDramaSport

Ein Blick hinter die Kulissen zeigt die Lebens- und Todeskämpfe der modernen Gladiatoren und ihrer Führer.Ein Blick hinter die Kulissen zeigt die Lebens- und Todeskämpfe der modernen Gladiatoren und ihrer Führer.Ein Blick hinter die Kulissen zeigt die Lebens- und Todeskämpfe der modernen Gladiatoren und ihrer Führer.

  • Regie
    • Oliver Stone
  • Drehbuch
    • Daniel Pyne
    • John Logan
    • Oliver Stone
  • Hauptbesetzung
    • Al Pacino
    • Dennis Quaid
    • Cameron Diaz
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,9/10
    129.000
    IHRE BEWERTUNG
    • Regie
      • Oliver Stone
    • Drehbuch
      • Daniel Pyne
      • John Logan
      • Oliver Stone
    • Hauptbesetzung
      • Al Pacino
      • Dennis Quaid
      • Cameron Diaz
    • 499Benutzerrezensionen
    • 112Kritische Rezensionen
    • 52Metascore
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 3 Gewinne & 9 Nominierungen insgesamt

    Videos1

    Theatrical Trailer
    Trailer 2:12
    Theatrical Trailer

    Fotos69

    Poster ansehen
    Poster ansehen
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    + 63
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    Topbesetzung99+

    Ändern
    Al Pacino
    Al Pacino
    • Tony D'Amato
    Dennis Quaid
    Dennis Quaid
    • Jack 'Cap' Rooney
    Cameron Diaz
    Cameron Diaz
    • Christina Pagniacci
    James Woods
    James Woods
    • Dr. Harvey Mandrake
    Jamie Foxx
    Jamie Foxx
    • Willie Beamen
    LL Cool J
    LL Cool J
    • Julian Washington
    Matthew Modine
    Matthew Modine
    • Dr. Ollie Powers
    Jim Brown
    Jim Brown
    • Montezuma Monroe
    Lawrence Taylor
    Lawrence Taylor
    • Luther 'Shark' Lavay
    Bill Bellamy
    Bill Bellamy
    • Jimmy Sanderson
    Andrew Bryniarski
    Andrew Bryniarski
    • Patrick 'Madman' Kelly
    Lela Rochon
    Lela Rochon
    • Vanessa Struthers
    Lauren Holly
    Lauren Holly
    • Cindy Rooney
    Ann-Margret
    Ann-Margret
    • Margaret Pagniacci
    Aaron Eckhart
    Aaron Eckhart
    • Nick Crozier
    Elizabeth Berkley
    Elizabeth Berkley
    • Mandy Murphy
    Charlton Heston
    Charlton Heston
    • AFFA Football Commissioner
    John C. McGinley
    John C. McGinley
    • Jack Rose
    • Regie
      • Oliver Stone
    • Drehbuch
      • Daniel Pyne
      • John Logan
      • Oliver Stone
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen499

    6,9129K
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    Empfohlene Bewertungen

    tenbob-2

    One of the best of the year

    I don't intend to add to the many positive comments about this movie. I agree with them. But from another perspective:

    First, I have never been a football fan. However, any movie that combines Oliver Stone and Al Pacino has to get my interests. I loved it.

    One thing that did impress me more than anything else was the quality of the sound design. The 3 dimensional noises in the huddle, on the line, from the grandstands; the growls and other sounds from the players; these things made the movie live and my blood boil. I was breathless.

    Then these things interspersed with dead silences and slow motion dreamlike sequences gave the action a spiritual quality.

    I stayed for the credits to see who had done this sound work and I think Wylie Stateman will get, at the very least, an Oscar nomination for sound design. If you ever wondered what this credit meant, see this movie and you will know. This movie would have lost a great deal of its punch without that sound designer's talent.
    7Don-102

    A Dizzying, Entertaining Peek Into Pro Football...Stone Style

    Sports movies are tough to make. Creating the essence of the actual event is the toughest. Most films fall short in the editing process of the event or through sheer carelessness and lack of knowledge. ANY GIVEN SUNDAY is somewhat of an exception. It is hard-hitting and bloody like NORTH DALLAS FORTY. It is actually conventional when you think about it, like a warped RUDY. It is a hell of a lot more realistic than say, NECESSARY ROUGHNESS. These are all football films with varying degrees of success (except ROUGHNESS), but Oliver Stone, in his usual over the top way, throws a dizzying, mind-splitting film at us, much like the sport itself. This is why I liked it.

    Oliver Stone began a wicked spell of filmmaking with JFK, evident in its editing style. Fast-paced, black and white mixed with color, documentary-like methods ensued in NATURAL BORN KILLERS, NIXON, and the ghastly U-TURN. Nothing is new here with ANY GIVEN SUNDAY. Football is a battlefield Stone chooses to depict and depict it he does. Even the most ardent fans of the sport do not really know what it is like for a quarterback to drop back and get rid of a piece of pigskin before 11 players maul him. You certainly get the idea watching this.

    Al Pacino is the dried up head coach of the fictional Miami Sharks and he barks out the usual coaching cliches you hear in press conferences after real games. Pacino also seems to be sleep-walking through the picture. At times, he appears drunk even when he is not supposed to be. Cameron Diaz's character, a young chick owner, (yeah right) destroys any credibility the film may have had going in (Even the NFL would have nothing to do with this movie). Her constant bickering is so over-done, you almost feel like hurling much the way Jamie Foxx does every time he enters a game as the team's 3rd string quarterback. Realisticly speaking, this is not a very sane film about football. It is a maniacal celebration of the game. The scenes on the field are the ones I cherished. Beware of the locker room or domestic sequences.

    No one has ever put such energy into football scenes in a film before. He definitely had some good consultants. There are some comical cameos - Johnny Unitas and Dick Butkus play opposing coaches. Lawrence Taylor can actually act a teeny bit and Jim Brown shares the film's best off the field scene with Pacino in a bar. Stone tries to show us how the game has changed. He resonates past glory with quotes from Lombardi, dissolves showing Red "the Galloping Ghost" Grange, and even Unitas handing off to Ameche. TV has changed everything, says the coach, and he is right. It seems to be all about the money nowadays.

    That is the message, but you'll find yourself losing that idea in the lunacy of ANY GIVEN SUNDAY and the bone-crushing, ear-damaging football scenes. They are filmed and cut with such raw intensity, you feel like playing afterwards. This is definitely a film for football fans only unless you like big, sweaty men. Is there a big game at the end that needs to be won? Yes, and this surprised me considering how unconventional Stone usually is. Basically, surrender your senses and thought process to Stone's most entertaining film in quite some time.

    RATING: ***
    7Agent10

    Sports in its most brutal moments

    Wild and outrageous, Any Given Sunday gives the viewer a glimpse into an athletic world not too far from the real thing. While some of the scenes were a little too over the top, it proved to be a very enjoyable experience. As a major football fan, I was disappointed in the fact the NFL did not allow Stone to use their logos and stadiums. Oh well, I seemed to enjoy the fictional league even better, even if some of the team uniforms were a dreadful. Jamie Fox portrayed Willie Beamon perfectly, epitomizing the selfish athlete with a cultured ease. While the speed of Beamon's rise proved to be a little too quick, the message in the rise and fall of stardom was more poignant than anything.
    8SeminolePhenom

    What professional football is really like...

    Tony D'Amato(Al Pacino) is the head coach of the Miami Sharks who are owned by the Christina Pagniacci(Cameron Diaz) who is using the Miami Franchise only for profit. Trouble stirs up after long time star quarterback Cap Rooney(Dennis Quaid)is injured along with his back up bringing in third string quarterback Willie Beamen(Jamie Foxx) who becomes the face of the franchise after having great game after great game. The only problem is that he plays only with his head and not with his heart, with an aging team that needs an emotional leader to guide them to victory. Also Starring: James Woods, Matthew Modine, LL Cool J, Bill Bellemy, Lawrence Taylor, Charelton Heston, Aaron Eckhart, and John C. McGinley.

    In a cinema that rarely produces pro football movies, this is the cream of the crop. It captures the reality along with the heroic story of a nobody rising to the top. The movie is humorous, dramatic, and a thriller for all sports fans.

    This is not only one of Oliver Stone's best films but this is also the start of Jamie Foxx's "good" acting career. Forget what the critics said about Collateral or Ray being the beginning for Jamie Foxx. It was Any Given Sunday. Willie Beaman is a complex character and Foxx nailed the part. He was magnificent. He played the part to perfection and out shined the great Al Pacino. The supporting cast was also incredible with great performances from Cameron Diaz, LL Cool J, James Woods, and surprisingly John C. McGinley. It is very rare to find a great dramatic football movie but this is definitely one those small few.

    Overall, this is one of the greatest sports movies of all time and it is highly enjoyable for adult audiences.

    I highly recommend this movie.
    tiffybop

    Loved It!

    I think the movie as a whole was excellent. Oliver Stone did a great job, I felt as though I was inside the screen. The almost 3 hours didn't even feel like it, it felt like watching a Football game on Any Given Sunday. Jamie Foxx did a great job, you loved him at times and hated him at times, and he gave you great reason to do either. And of course Al Pacino was the man as always, playing a coach with heart and blowing you away at the end. Cameron Diaz was the best wicked witch, just a hard-core display of a woman of the millenium. All in all, anyone who thinks this movie had no plot, wasn't paying attention. All you have to do is see the change in the characters throughout the movie, and what the game meant to each one of them: from the owner, to the coach, to the players, to the doctors, to the families. Perfect example is the characters of both Ann Margaret and Lauren Holly. There is a lot of meaning in this movie. Kudos!

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    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      Dennis Quaid's character Cap Rooney's house is really Miami Dolphin quarterback Dan Marino's house.
    • Patzer
      During the playoff game which was played in Dallas, the on-screen scoreboard shows the Miami Sharks on the bottom of the scoreboard which, in American sport, is the usual place for the home team.
    • Zitate

      Tony D'Amato: I don't know what to say, really. Three minutes to the biggest battle of our professional lives. All comes down to today, and either, we heal as a team, or we're gonna crumble. Inch by inch, play by play. Until we're finished. We're in hell right now, gentlemen. Believe me. And, we can stay here, get the shit kicked out of us, or we can fight our way back into the light. We can climb outta hell... one inch at a time. Now I can't do it for ya, I'm too old. I look around, I see these young faces and I think, I mean, I've made every wrong choice a middle-aged man can make. I, uh, I've pissed away all my money, believe it or not. I chased off anyone who's ever loved me. And lately, I can't even stand the face I see in the mirror. You know, when you get old, in life, things get taken from you. I mean, that's... that's... that's a part of life. But, you only learn that when you start losin' stuff. You find out life's this game of inches, so is football. Because in either game - life or football - the margin for error is so small. I mean, one half a step too late or too early and you don't quite make it. One half second too slow, too fast and you don't quite catch it. The inches we need are everywhere around us. They're in every break of the game, every minute, every second. On this team we fight for that inch. On this team we tear ourselves and everyone else around us to pieces for that inch. We claw with our fingernails for that inch. Because we know when add up all those inches, that's gonna make the fucking difference between winning and losing! Between living and dying! I'll tell you this, in any fight it's the guy whose willing to die whose gonna win that inch. And I know, if I'm gonna have any life anymore it's because I'm still willing to fight and die for that inch, because that's what living is, the six inches in front of your face. Now I can't make you do it. You've got to look at the guy next to you, look into his eyes. Now I think ya going to see a guy who will go that inch with you. Your gonna see a guy who will sacrifice himself for this team, because he knows when it comes down to it your gonna do the same for him. That's a team, gentlemen, and either, we heal, now, as a team, or we will die as individuals. That's football guys, that's all it is. Now, what are you gonna do?

    • Crazy Credits
      During the end credits, D'Amato accepts an award and tells of his future plans with the league.
    • Alternative Versionen
      Alternate television versions of several scenes were filmed.
    • Verbindungen
      Edited into Ann-Margret: Från Valsjöbyn till Hollywood (2014)
    • Soundtracks
      Ghost Dance
      Written by Robbie Robertson and Jim Wilson

      Performed by Robbie Robertson

      Courtesy of Capitol Records

      Under license from EMI-Capitol Music Special Markets

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 9. März 2000 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Un domingo cualquiera
    • Drehorte
      • Texas Stadium - 2401 E. Airport Freeway, Irving, Texas, USA(Dalla Knights Home Ground and Climactic Game)
    • Produktionsfirmen
      • Warner Bros.
      • Ixtlan
      • Donners' Company
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 55.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 75.530.832 $
    • Eröffnungswochenende in den USA und in Kanada
      • 13.584.625 $
      • 26. Dez. 1999
    • Weltweiter Bruttoertrag
      • 100.230.832 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      2 Stunden 42 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • DTS
      • Dolby Digital
      • SDDS
    • Seitenverhältnis
      • 2.39 : 1

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