IMDb-BEWERTUNG
6,4/10
2200
IHRE BEWERTUNG
Psychologischer Noir-Thriller um einen französischen Privatdetektiv, der in die Kinderporno-Szene stolpert.Psychologischer Noir-Thriller um einen französischen Privatdetektiv, der in die Kinderporno-Szene stolpert.Psychologischer Noir-Thriller um einen französischen Privatdetektiv, der in die Kinderporno-Szene stolpert.
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- 1 Nominierung insgesamt
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Saw this film late night on cable. The story really draws you in. Enjoyable tense drama with a disturbing subject matter. Daniel Auteuil does a very believable job as the private investigator caught up in a case deeper and darker than he expected. A tad predictable at the end but over all a good film.
It is interesting that "8MM," with a plot so similar, came out the same year. I found this film more interesting and believable and far less dark and stomach-turning. It is well-filmed and acted with some interesting locations. The tension is well-metered. I enjoyed the colorfulness of the filming. The cosmopolitan/European flavor lends a great deal. I enjoyed the music as well. I would see this film again with a friend.
Auteuil is magnificent as the French loner who has somehow become a lost soul among the shadows of London's West End. The private detective, who discovers the cracks in his own life though an investigation that leads him through the seedy underworld of the child prostitution trade, takes us through the shoking stages of his discovery with much suspense. One of the best modern detective stories to have been filmed in London for many years and a film that deserves much better attention than it got when first released.
Daniel Auteil gives a commanding performance as a French private investigator working in London following self imposed exile from Paris following the murder of his family. Making ends meet through a combination of blackmail of those involved in extra marital affairs and fees from their partners, Auteil is a weary character with little joy or passion in life, with the exception of football, and his friendship with a fellow French exile, Nathalie a high class prostitute. However when he takes on a case looking for the missing son of a wealthy industrialist, he finds himself embroiled in the sordid world of the child sex trade. A gripping story with good performances all round, especially from Auteil, this film tackles a taboo subject in a sensitive yet realistic fashion. Auteil's unorthodox methods to secure information should fill an audience with revulsion, yet in this situation, they seem entirely appropriate. Excellent if at times uncomfortable viewing.
Firstly, I quite enjoyed The Lost Son. I have never seen any of the films that Daniel Auteuil had been in before, so I did not go in with any preconceptions.
He was pretty good, despite his English being a bit hard to understand on occasion. It was nice to have a mix between his English and his native French when he spoke to friends from his homeland.
The story itself is a bit convoluted, but that really doesnt matter. It changes focus half way through and really is not about finding "The Lost Son", but really about his own personal revenge against the vile people who deal in the child sex industry.
I enjoyed the music by Goran Bregovic a lot, and am going to track down more of his work.
A solid 8 out of 10.
He was pretty good, despite his English being a bit hard to understand on occasion. It was nice to have a mix between his English and his native French when he spoke to friends from his homeland.
The story itself is a bit convoluted, but that really doesnt matter. It changes focus half way through and really is not about finding "The Lost Son", but really about his own personal revenge against the vile people who deal in the child sex industry.
I enjoyed the music by Goran Bregovic a lot, and am going to track down more of his work.
A solid 8 out of 10.
Wusstest du schon
- WissenswertesAfter 45 features in his native language, this is Daniel Auteuil's first English speaking role.
- PatzerLombard picks up a Walther PPK pistol with the magazine removed. He cycles the slide and then inserts the magazine. Although it appears he was charging the weapon, all he has done is ensure the gun is not loaded (there may be rounds in the mag, but there is no round in the chamber).
- VerbindungenFeatures Dornröschen (1922)
- Soundtracks100% Pure Love
Written by Teddy Douglas, Jay Steinhour, Tommy Davis, Crystal Waters
Performed by Crystal Waters
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- Budget
- 2.000.000 $ (geschätzt)
- Laufzeit
- 1 Std. 42 Min.(102 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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