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American Psycho

  • 2000
  • 16
  • 1 Std. 42 Min.
IMDb-BEWERTUNG
7,6/10
792.858
IHRE BEWERTUNG
BELIEBTHEIT
369
26
Christian Bale and Krista Sutton in American Psycho (2000)
text os
trailer wiedergeben0:32
3 Videos
99+ Fotos
Arbeitsplatz-DramaPsychologischer HorrorPsychologisches DramaSchwarze KomödieSerienmörderSlasher HorrorDramaHorrorKriminalität

Ein reicher New Yorker Investmentbanker verbirgt vor seinen Kollegen und Freunden sein zweites psychopathisches Ich und taucht immer tiefer in seine gewalttätigen hedonistischen Fantasien ei... Alles lesenEin reicher New Yorker Investmentbanker verbirgt vor seinen Kollegen und Freunden sein zweites psychopathisches Ich und taucht immer tiefer in seine gewalttätigen hedonistischen Fantasien ein.Ein reicher New Yorker Investmentbanker verbirgt vor seinen Kollegen und Freunden sein zweites psychopathisches Ich und taucht immer tiefer in seine gewalttätigen hedonistischen Fantasien ein.

  • Regie
    • Mary Harron
  • Drehbuch
    • Bret Easton Ellis
    • Mary Harron
    • Guinevere Turner
  • Hauptbesetzung
    • Christian Bale
    • Justin Theroux
    • Josh Lucas
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,6/10
    792.858
    IHRE BEWERTUNG
    BELIEBTHEIT
    369
    26
    • Regie
      • Mary Harron
    • Drehbuch
      • Bret Easton Ellis
      • Mary Harron
      • Guinevere Turner
    • Hauptbesetzung
      • Christian Bale
      • Justin Theroux
      • Josh Lucas
    • 1.7KBenutzerrezensionen
    • 240Kritische Rezensionen
    • 64Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 7 Gewinne & 11 Nominierungen insgesamt

    Videos3

    American Psycho
    Trailer 0:32
    American Psycho
    American Psycho: Killer Collector's Edition - Uncut Version
    Trailer 1:54
    American Psycho: Killer Collector's Edition - Uncut Version
    American Psycho: Killer Collector's Edition - Uncut Version
    Trailer 1:54
    American Psycho: Killer Collector's Edition - Uncut Version
    Which Roles Did Christian Bale Turn Down?
    Video 2:57
    Which Roles Did Christian Bale Turn Down?

    Fotos375

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    Topbesetzung52

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    Christian Bale
    Christian Bale
    • Patrick Bateman
    Justin Theroux
    Justin Theroux
    • Timothy Bryce
    Josh Lucas
    Josh Lucas
    • Craig McDermott
    Bill Sage
    Bill Sage
    • David Van Patten
    Chloë Sevigny
    Chloë Sevigny
    • Jean
    Reese Witherspoon
    Reese Witherspoon
    • Evelyn Williams
    Samantha Mathis
    Samantha Mathis
    • Courtney Rawlinson
    Matt Ross
    Matt Ross
    • Luis Carruthers
    Jared Leto
    Jared Leto
    • Paul Allen
    Willem Dafoe
    Willem Dafoe
    • Donald Kimball
    Cara Seymour
    Cara Seymour
    • Christie
    Guinevere Turner
    Guinevere Turner
    • Elizabeth
    Stephen Bogaert
    Stephen Bogaert
    • Harold Carnes
    Monika Meier
    • Daisy
    Reg E. Cathey
    Reg E. Cathey
    • Homeless Man
    Blair Williams
    Blair Williams
    • Waiter #1
    Marie Dame
    Marie Dame
    • Victoria
    Kelley Harron
    • Bargirl
    • Regie
      • Mary Harron
    • Drehbuch
      • Bret Easton Ellis
      • Mary Harron
      • Guinevere Turner
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen1.7K

    7,6792.8K
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    Zusammenfassung

    Reviewers say 'American Psycho' is a provocative film exploring consumerism and identity. Christian Bale's chilling performance as Patrick Bateman is highly praised. The film's dark humor and social commentary effectively critique 1980s yuppie culture. Its unsettling atmosphere is enhanced by stylish visuals and a haunting score. The supporting cast, including Willem Dafoe and Reese Witherspoon, contributes effectively, though some feel underutilized. The ambiguous nature of Bateman's actions adds to the film's disturbing impact.
    KI-generiert aus den Texten der Nutzerbewertungen

    Empfohlene Bewertungen

    mermatt

    A man who never was

    This is a frightening and wildly satiric look into the mentality of the high-flying Reaganomics 1980s as the American Dream turned into the psychotic American Nightmare. The film will probably turn as many people off as are entertained by this weird journey that is a slightly more organized cousin of FEAR & LOATHING IN LAS VEGAS.

    Christian Bale is amazingly energetic and even sympathetic as the deranged, soul-less creature who values nothing but surface appearances. We are given a hauting roller-coaster ride through a comedy of terrors that is the mind of this being who seems human but isn't quite sure himself. In fact, he doesn't even know who or what he is.

    Is he insane? Are we? That's the joker in the gamble. That's the riddle of the sphinx that we are left to solve -- if there is a solution.
    8saveliydalmatov

    Great Bale and Good Movie

    "This is, so to speak, a base" :)

    But seriously, without all these jokes, then you and I have a very high-quality work directed by Mary Harron with the wonderful Christian Bale in the title role, which I consider one of the best in his career.

    The film is clearly not for the faint of heart, there are tough scenes in it, but it's no secret to anyone, even the title should already inspire) This film is not the easiest to perceive satire on our society.

    The image of the protagonist/antagonist of the film (Patrick Bateman) was taken by many as ideal. Naturally, not mentally, but externally. After all, Bale's character looks really exemplary for a man.

    The narration lasts slowly, but it is quite interesting. I think that movie lovers should definitely watch this work.
    darth_sidious

    Interesting, always interesting!

    By the end, I didn't know what to make of it, but now I understand the film much better. This film is must viewing, it brings out the truth about today's world - Nothing but material values matter, we live empty lives, we think empty thoughts, we are empty people, life is boring.

    Christian Bale is awesome, quality acting! Willem Dafoe was underused, I didn't think the support cast had the same quality material as Bale.

    The photography is stylish, very 80s gloss!

    The direction is terrific, wonderful camera work.

    Overall, see it, it's satire, black comedy, social commentary and more!
    10atzimo

    You can always look thinner

    'American Psycho' is NOT a slasher movie. It is a depiction, a fantasy if you will, of the life of modern man and his place in society.

    Nothing is enough. Money, sex, social stature, there is always someone else who has more and everyone else expect from you to try harder for even more.

    This movie is about eliminating competition the easy way. By killing your opponents. By eating your sexual partners. By destroying everyone around you.

    'American Psycho' retains the balance between this psychotic state, a chilling thriller and a very funny movie.

    The scenes that show Patrick playing music for his guests are absolutely hilarious, as he comments very seriously on records by artists such as Whitney Houston, Phil Collins and Huey Lewis & the News. The funny thing is that he chooses the most commercial or sold out records of these artists, to explain how much better they are compared to their previous, more artistic work. Another message of the state of the receivers of commercial art.

    You can analyze 'American Psycho' for hours. It can be perceived both as a deep and a fun movie. Even if you don't like the story, you will love Christian Bale's excellent performance.

    Enjoy.

    10/10
    9DanielStephens1988

    American Psycho is not a story about murder

    The film looks to examine our own distorted points of view or detachments from reality. Like Patrick Bateman, we may be trapped craving the approval of others and denying ourselves the ability to distinguish fantasies from our reality. People are obsessed with how the others perceive them likewise in American Psycho Bateman achieves no catharsis, he's trapped in his own personal hell because he requires the recognition of the other yuppies to confirm his identity as a murderer. The irony is that Feynman's real crimes may as well be fantasy. The lack of acknowledging his reality drives Bateman further into madness and existential despair

    It's about yuppie culture, the melding of identity, and the craving to stand out from a superficial homogenized society. Bateman's interpretation of the world is skewed by his inflated ego and his evident psychosis as well as presumably multiple mental illnesses. Bateman is a killer, but still, he's not the killer he thinks he is, as he goes insane he can't distinguish reality from fantasy. His over the top chainsaw massacre style killings may be an aestheticized elaboration on partial truths, ultimately the film doesn't care. The more significant point of the movies absurdity is that within his society Batemans not the psycho at all he's just one more normal guy amidst a horde of uncaring detached from reality, secretly discontented American psychos. Bateman is surrounded by like-minded superficial people obsessed with all the wrong things like making impossible reservations at Dorsia and the tasteful thickness of their business cards. Within the homogenized upper-class elite identities blur as everyone strives after a generic yet highly specific image of success.

    Everyone we see in Bateman's company appears to be the same person. It's no wonder that identity is mistaken continuously and swapped throughout the film. The lawyer has mistaken Paul Allen or perhaps Batman has killed the wrong person becomes not only plausible but also an expression of the general confusion resulting from the loss of individual identity.

    Meanwhile, although Batman tries like the rest to fit in, the emptiness of his lifestyle also fuels a craving to stand out. To escape the conformity that he on some level despises Batman leads a second life as a killer, where he's unfettered from the bounds of society. Although he actually wants to be seen as a murderer as someone different from the rest of society Bateman is denied even the satisfaction by every self-absorbed yuppie he meets. When he's seen stuffing a body into the trunk of a car, the witness is only interested in the bag.

    This is a great movie. Look for the subtext under the dialogue.

    Handlung

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    Wusstest du schon

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    • Wissenswertes
      Looking for a way to create the character of Patrick Bateman, Christian Bale stumbled onto a Tom Cruise appearance on the Late Show with David Letterman (1993). According to co-writer and director Mary Harron, Bale saw in Cruise "this very intense friendliness with nothing behind the eyes," and Bale subsequently based the character of Bateman on that. Interestingly, Tom Cruise is actually featured in the novel. He lives in the same apartment complex as Bateman, who meets him in an elevator and gets the name of Cocktail (1988) wrong, calling it "Bartender."
    • Patzer
      (at around 1h 21 mins) During Patrick's killing spree towards the end of the movie, when he is running between the two nearly-identical buildings, a Canadian flag is intermittently visible flapping out from behind the building on the left, revealing that this scene was shot in the Toronto-Dominion Plaza, not in New York.
    • Zitate

      [Recurring line]

      Patrick Bateman: I have to return some videotapes.

    • Crazy Credits
      The opening credits are accompanied by what appear to be drops of blood, but these become portions of sauce.
    • Alternative Versionen
      For the US theatrical release, director Mary Harron had to edit the following two scenes (which are available on the unrated edition) in order to receive an R-rating from the MPAA:
      • The word "asshole" in the line, "Christy, get down on your knees so Sabrina can see your asshole" was changed to just "ass".
      • The threesome during the same scene was trimmed several seconds.
      The uncut version played theatrically in Canada and Europe and was later released unrated on home media in the United States.
    • Verbindungen
      Featured in Siskel & Ebert & the Movies: The Beach/Snow Day/Holy Smoke (2000)
    • Soundtracks
      True Faith
      Written by Peter Hook, Stephen Hague, Gillian Gilbert, Bernard Sumner & Stephen Morris

      Performed by New Order

      Courtesy of Warner Music U.K. Ltd.

      By Arrangement with Warner Special Products, Universal Music Publishing and Warner/Chappell Music,

      Inc.

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    Details

    Ändern
    • Erscheinungsdatum
      • 7. September 2000 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizielle Standorte
      • Filmymen
      • Official Facebook
    • Sprachen
      • Englisch
      • Spanisch
      • Kantonesisch
    • Auch bekannt als
      • Psicópata americano
    • Drehorte
      • Phoenix Concert Theater - 410 Sherbourne Street, Toronto, Ontario, Kanada
    • Produktionsfirmen
      • Am Psycho Productions
      • Lionsgate
      • Muse Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 7.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 15.070.285 $
    • Eröffnungswochenende in den USA und in Kanada
      • 4.961.015 $
      • 16. Apr. 2000
    • Weltweiter Bruttoertrag
      • 34.266.679 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 42 Min.(102 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
      • Dolby Atmos
    • Seitenverhältnis
      • 2.35 : 1

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