A Murder of Crows - Diabolische Versuchung

I liked Rowdy Herrington's movie for several reasons. There's a clever plot which has noirish and occult overtones, but which ultimately settles into the mystery genre (if it has to be allocated any). The scenario adopts a critical, post-OJ attitude towards criminal lawyers; but then there's a nice ironic twist at the end. There's good use of atmospheric (if a little hackneyed) New Orleans and Florida Keys locations. And for once there's an African-American in a leading role (Cuba Gooding Jr), with hardly any comment on it in the movie - apart from Eric Stoltz's unpleasant Southern rich guy referring to him as "boy".

To discuss the plot at all would reduce the fun for anyone who hasn't seen the movie. Yes, it's contrived and implausible, but only as much as you would expect in a movie of this kind. To those IMDb commenters, who didn't like the movie because Gooding's character does some dumb things, I would simply ask - where's the rule that says the main character has to be smart and have good judgment? Someone else has pointed out that the moral of the film is the simple "Honesty is the best policy"; but I think it adds the cynical words "except when you're on a murder rap"!

The premise was really interesting, and overall I enjoyed it, with some major reservations. The good: Cuba Gooding, who's always good; the use of New Orleans, which was quite well done; and the art direction, which was terrific. I wanted almost every painting I saw on every wall. The bad: I had a hard time believing our hero didn't notice the AWFUL AND OBVIOUS stage makeup on his fishing customer and the keywest detective, who sported the fakest mustache ever put on film! I also couldn't believe that an escaped murder suspect--whose face would not only have been on the news every night, but also prominently displayed on the back cover of a book we are told is a runaway bestseller nationwide-- would just blithely roam the streets of the two places he's known to reside in without fear of recognition by anyone but the police. Please. Finally the HORRID southern drawls affected by Eric Stoltz and Mark Pelligrino were among the most egregious I've heard yet... and that's saying something.

But for all that, I liked it. Big 'ol plot holes and all. So if you're up to suspending a hell of a lot of disbelief, it's a fun movie. If you insist your movies make sense, don't bother.

1st watched 4/27/2002 - 7 out of 10(Dir-Rowdy Herrington): Effective murder mystery with many convoluted plot-twists that are almost too much to believe, but good performances by Gooding, Berenger, and even Eric Stolz, in a somewhat minor role as far as the plot, does a good job. Without giving too much away this is basically about a lawyer who gets disbard for doing the right thing(turning in his guilty client) and then publishes a novel, which he really didn't write, about a lawyer-murderer and then is accused of the actual crimes that were mimicked from the book. That is quite enough in itself, but the story involved even more than that and is told at times from Cuba's characters perspective(which means of course that he isn't dead when it's over, but that‘s okay he‘s the star). The ending seemed a little too long and it worked too hard to make it happy for the viewer but besides that this was a well-done picture that is carried by the stars involved.

I love legal thriller/mystery movies, and Murder of Crows was one of the best ones I've seen. Cuba Gooding plays a lawyer down on his luck who decides to write a book. His character in the movie mentioned John Grisham, which I thought was funny because I had just been comparing the movie plot to the way John Grisham writes. I was surprised and intrigued by Tom Berenger - he made quiet a convincing investigator. I think he would have been better cast as the main character.

This is one of those gimmicky plotted,elegantly produced movies that can be fun to watch if you go with the flow and don't dwell too much on the implausibilities.

Cuba Gooding is a lawyer who has a fit of conscientiousness and promptly gets disbarred. He travels to Key West and becomes friends with a retired Englishman who gives him the manuscript of a novel and asks for an opinion. The Englishman is found dead. Gooding decides to publish the novel as his own and then the fun begins.

Gooding has an engaging personality but his acting leaves something to be desired, his name is on the credits as producer (which in Hollywood can either mean a lot or nothing at all) so we would assume that he had read the script, but it doesn't always seem that way. He sometimes seems to be acting from off stage cues with his mannerisms at variance with the mood of the scene. In one scene, for no reason at all, he looks down at floor then shuffles his feet to another position as though he has just been told he is standing in the wrong spot.

The plot takes some not always credible twists and turns and we get that hackneyed scene where for no plausible reason the protagonist makes a run for it. In this case Gooding makes a surprisingly easy escape from a house swarming with cops, then of course we get the chance to visit some nicely photographed locations and to meet some quirky characters.

Tom Berenger does best in the acting department as a surly cop. He also has some of the best lines. He refuses a drink at one point with a terse "I never drink. It makes me feel happy."

Mainly for Berenger's performance and some nifty locations I give it 7 out of 10.