Ausnahmezustand

At first glance, The Siege looks to be a jingoistic, typically heroic American patriot film. But upon further review, and if you honestly give this movie a chance and listen to what it has to say, you'll see that it wants us to listen, it wants us to learn and it wants us to just look at the possibilities of " what if? ".

This is one of the best movies that I have seen in recent years and what kind of stumps me is the negative criticism surrounding the film, not just the complaint of racism ( I'll get into that later ) but about the film in general. And I have come to a conclusion that not everybody will agree with and certainly many will dislike.

The positive reviews that have been in the IMDb have been, at least a great many of them, from people that are nationalities other than American. And perhaps the reason for that is that we can sit back and look at the U.S. from afar and it may be easier for us ( as non Americans ) to understand more clearly what this movie is trying to say. And it may be easier for us ( whatever nationality we happen to be ) to understand what is wrong with America and why a film like this is just trying to give one possible reason for the decay of American society. That is not to say that our own countries don't have problems, because they do, but we can just see what is wrong with America a little easier, we are not blinded by our own patriotism. It may be easier still for perhaps Europeans to appreciate the movie even more than others because maybe their own countries have been under siege at one point or another. And maybe the relevance is that much more prevalent when you have been that close to something.

And what this movie has to say perhaps should not be taken lightly.

Steve Martin's character in " The Grand Canyon " uttered the line " watch the movies, they have all of life's answers. " Perhaps that has never been more true than what this film's message is. And I believe that message is that sooner or later if there is always going to be that one watch dog, that one Big Brother that is known as the United States, then something like this may happen. What if....

I truly believe this movie has been unfairly criticized about it's apparent racist tones. Every time there is a bombing by terrorists that are Arab in heritage, there is always a scene that follows where the Arab leagues lend their support and let the FBI know that they want these criminals brought to justice just as much as anyone does. " They love this country just as much as we do. " Denzel says in one of his speeches to the people in charge. Is it really racism when a movie tries to explore what could happen when one body of government takes matters in their own hands and breaks international law? To me every effort was made to show Arabs as normal, family loving, law abiding, peaceful citizens that they are. A bunch of Arab terrorists does not mean that all Arabs are fanatics that are bent on destroying America. That perception is like believing that all we as Canadians do is play hockey, drink beer and play in the snow.

The movie itself is so well acted and it is so well written that I really can't understand why Washington did not get a nod for best actor. He is mesmerizing. And I think his final confrontation with the general is tense, and brilliant.

Washington plays Hub, a very patriotic, by the book FBI agent that is personally affected by all the chaos that has ensued in his city, and he plays him brilliantly. Bening and Shaloub are also wonderful in their roles and the music in the film is haunting. Willis is a little weak in the film but that is minor in comparison to the rest of the movie.

If you haven't seen this film because of what you have heard, give it a chance, it is well worth it. And try to watch it and listen to what it has to say. You may be surprised. I'm not sure if something like this could ever happen to the US, but it is not out of the realm of possibility.

I still can't see why this film was looked down upon objectively by the Arab-Americans living in the USA. Granted, this was before all of the Sept. 11 bombings, but the way the people were depicted in the film was objective. You had the extremists, capable of destroying building with no remorse from life, and you then had the other side. The innocents, the legal Arabs who love this country as much as the next person, blindly being lumped into one group without any provocation. This film isn't about anti-Arab sentiment, its more about paranoia and hasty decision making brought about by reactionary leadership. Interesting and enthralling, this film is better than what most people give it credit for.

I remember hearing about this film before its release. It had caught a great deal of flack for its use of Arabs and Muslims in particular as violent extremists. Even at that time I knew that the protests against this film were nothing more than politically correct nonsense, as even then the only trans-oceanic terrorists that existed were of the fake-Muslim variety that today we hear about every hour.

When I saw the film, I was impressed by the fair nature of the film, in that it portrayed the truth: these extremists exist in the overwhelming minority of Muslims, and that it is unwise and unfair to paint them all with the same brush. With a very good script, excellent performances and exciting action pieces, I was impressed.

Jump ahead a few years, and we see what we have learned. This film was not just an intelligent story. It was a warning sign. It examined things that people did not want to talk about. It examined things that people thought it more politically correct to ignore. It portrayed events realistically and in fact far less devastating than what was possible. If there is one thing that can be learned by examining a film such as this in retrospective of recent events, it is that our species chooses to ignore that which it does not want to accept.

Those who do not learn from their history are doomed to repeat it. Perhaps there are other subjects we should stop being so PC about and actually talk about instead of worrying about "how it will look."

Watching the 1998 THE SIEGE in 2007 and then rolling through all the reviews of this film from the time of release to the present is a lesson in the power of the cinema. The obvious initial response was less about the film as a film than about the manner in which the FBI, CIA, Military, Terrorists, and public responded to the unimaginable: shouts of protests about 'glorification of occult terrorists', the Hollywood idea of the impossible happening, and the criticism of the fine cast of actors who steeped into roles 'beyond swallowing' are all here in these reviews.

Now, six years after 9/11 reviewers are taking a different view, though most still find the film pompous and obnoxious. Offensive versus defensive. And after viewing the movie as a movie it is gratifying to know that people feel strongly and are vocal about the depiction of the 'war against terrorism' we continue to lose. Movies that make people think and talk are valuable, and in that light the film is more successful than initially considered.

Yes, there are gaping holes in the script and the plot and the concept, but as a little thriller it maintains our attention throughout and offers some fine moments from actors such as Denzel Washington, Annette Bening, Tony Shalhoub, Bruce Willis, Sami Bouajila, Ahmed Ben Larby, Aasif Mandvi among others. And then there are the panoramas of New York City under siege with the Twin Towers standing mightily in the cityscape... It begs the question: if scriptwriter Lawrence Wright and director Edward Zwick (Blood Diamond, The Last Samurai, Courage Under Fire, Glory, Leaving Normal, Legends of the Fall, etc) were thinking along these lines and finding flaws in our intelligence forces, why weren't the leaders in Washington, DC in tune with 'absurd possibilities'? It makes one think - and that is the best thing about this film. Grady Harp

I seem to remember that this film was looked down upon by the Arab Americans. I don't understand that considering the bombing of the World Trade Center in 1993 and some of the perpetrators who were eventually apprehended. My husband and I found The Siege frighteningly entertaining. Once more Denzel Washington gave a tour-de-force performance. The rest of the cast was excellent. The script was prophetic. The writer understood what might happen if the war on terror resided in New York City. Where is Lawrence Wright now?