Eine Disney-Version der "Schatzinsel". Der einzige Unterschied besteht darin, dass der Film im Weltraum spielt - mit fremden Welten und anderen galaktischen Wundern.Eine Disney-Version der "Schatzinsel". Der einzige Unterschied besteht darin, dass der Film im Weltraum spielt - mit fremden Welten und anderen galaktischen Wundern.Eine Disney-Version der "Schatzinsel". Der einzige Unterschied besteht darin, dass der Film im Weltraum spielt - mit fremden Welten und anderen galaktischen Wundern.
- Für 1 Oscar nominiert
- 1 Gewinn & 14 Nominierungen insgesamt
- Jim Hawkins
- (Synchronisation)
- Captain Amelia
- (Synchronisation)
- B.E.N.
- (Synchronisation)
- Mr. Arrow
- (Synchronisation)
- Onus
- (Synchronisation)
- Morph
- (Synchronisation)
- Young Jim
- (Synchronisation)
- Billy Bones
- (Synchronisation)
- Hands
- (Synchronisation)
- (as Micheal McShane)
- Sarah Hawkins
- (Synchronisation)
- John Silver
- (Synchronisation)
- Doctor Doppler
- (Synchronisation)
- Scroop
- (Synchronisation)
- Grewnge
- (Synchronisation)
- …
- Robot on ladder
- (Synchronisation)
- …
- Turnbuckle
- (Synchronisation)
- …
- Mrs. Dunwitty
- (Synchronisation)
Empfohlene Bewertungen
The story is a futuristic adaption of the classic book Treasure Island. The animation is sublime, it blends 2D and 3D perfectly, the steampunk design is also pretty cool. It's a rreal shame it was a box office failure. At least it was nominated for an Academy Award for Best Animated Feature.
If you haven't watched it yet, do it now. It's worth your time.
The reputation of this film is bad, which is a shame since its actually quite a good film. Yes, the idea of Treasure Island in space does tend to put one off on the face of it, but the film does everything it can to change that for the viewer once you actually watch it.
This is a perfectly cast. I must single out Brian Murray's Performance as Long John Silver. It is the first time I ever thought seriously that a voice actor should be nominated for an Oscar. Its simply one of the high points in all of animated film history.
The film that looks great, all the designs are based on the classic illustrators like Pyle, Wyeth and the others of that ilk and focused through their spiritual child of Tom Kidd. The animation is amazing, a brilliant mix of traditional and computer styles that compliment each other nicely.
The story telling is of the classic swashbuckling style and draws you in instantly with a battle between ships and then never lets up, well it's fine until it hits the bump about the time that Martin Short comes in and things try to be too grand towards the end. Still the movie gets back on track and finishes off nicely.
Don't believe the negative hype, see this film and be pleasantly surprised.
It's been filmed countless times before, in many various incarnations, including one with the Muppets and an animated version starring the Monkees' Davy Jones; so what new way can be thought up to retell this hundred-year-old story for twenty-first century audiences?
Set it in space, of course; a brilliant idea that pays off handsomely.
To be fair, TREASURE PLANET is not the first film to set the story among the stars; that distinction belongs to the 1987 Italian live-action TV Mini-series TREASURE ISLAND IN OUTER SPACE. But that version has scarcely been seen outside of Europe, and I seriously doubt that it could hold a candle to the stunning visuals seen here.
And the key word here is VISUALS. This is arguably the most visually stunning animated film to come out of the powerhouse Disney animation factory, EVER. The canvas on which they paint here is wide and broad, and full of breathtaking color and beauty. Pirate ships with solar sails soar across a canopy of stars, and behemoths that look like whales trumpet along beside them. Alien beings both friendly and fierce populate the universe, and futuristic machinery stands side-by-side with nineteenth century technology. I've never seen anything quite like it.
Oh, and there is a story here as well; amazingly, it is quite faithful to the source material in both outline and details, only deviating from the text where necessary to transplant the action from the oceans of nineteenth century Earth to the planets and solar systems of the future.
It centers around Jim Hawkins, a fatherless boy constantly getting into trouble with the law for his rambunctious, extreme-sports ways, who gets the chance to prove himself when a dying pirate leaves him a treasure map with his dying breath. In short order he finds himself cabin boy on a stargoing vessel bound for the legendary Treasure of a Thousand Worlds; along the way path is blocked by pirates and collapsing stars and other perils of interstellar travel.
If I have any complaint at all with the film it would be that it sticks a little TOO close to the novel, some of the nineteenth century ideals just don't ring true in the futuristic setting; but that's easily forgivable compared to the wondrous images this magic film offers.
I'll be honest, and give it its weak points: The main character (Jim) is quite blank and not very well developed. Which is bad because an audience cannot connect to a flat, central character. Secondly, the CG (although very well stylized) I think didn't mesh as well with the 2D animation as it should have. Other than that...you might pick apart a few other things about the movie (and no, the dialouge isn't that bad. it's a G rated movie...it's not supposed to be incredibly complex).
Treasure Planet keeps pretty tight in line with the original classic, "Treasure Island", even when softening it down for a younger audience. I grew up with that story, and had no problem with the adaptation in Planet. Also, this film contains two masterfully animated characters, John Silver and Dr. Dilbert Doppler (animated by two masters, Glen Keane and Sergio Pablos, respectively). If you're an animation enthusiast, these two are gold to watch (especially the pencil tests in the special features on the DVD).
This whole review is a little long-winded, but in closing, this movie is more than what was said of it. If anything dealt the killing blow in this movie failing at the box office, it was everyone's bad word for it. Not true. Please see for yourself!
Wusstest du schon
- WissenswertesThis movie took ten years to make, having had the longest production cycle of any movie in Disney's Experimental Era, after it went through production hell, though the production mainly started after the release of Hercules (1997).
- PatzerJim sits on top of the inn, eavesdropping on Dr. Doppler and his mother. He slides off the roof to meet the turtle-like alien who crashed out on a ledge. When Jim carries the alien back to the inn from its ship, they are on a dirt road much further away.
- Zitate
John Silver: Now you listen to me, James Hawkins. You got the makings of greatness in you, but you got to take the helm and chart your own course. Stick to it, no matter the squalls! And when the time comes you get the chance to really test the cut of your sails, and show what you're made of... well, I hope I'm there, catching some of the light coming off you that day.
- VerbindungenEdited into Zenimation: Cityscapes (2020)
- SoundtracksI'm Still Here (Jim's Theme)
Written and Performed by Johnny Rzeznik (as John Rzeznik)
Produced by Rob Cavallo
Recorded by Allen Sides
Mixed by Tom Lord Alge (as Tom Lord-Alge)
John Rzeznik appears courtesy of Warner Bros. Records
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- El planeta del tesoro
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 140.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 38.176.783 $
- Eröffnungswochenende in den USA und in Kanada
- 12.083.248 $
- 1. Dez. 2002
- Weltweiter Bruttoertrag
- 110.041.363 $
- Laufzeit
- 1 Std. 35 Min.(95 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.66 : 1