Matrix

'The Matrix' may not be one of the very greatest examples of its genre (like '2001', 'Metropolis', 'Blade Runner', 'Back to the Future', 'Star Wars Original Trilogy', 'Alien' and 'Aliens'), but that it is revolutionary in how its visuals and use of sound broke boundaries like had never been done before cannot be denied.

It is not a film to be seen if people want character depth or relationship depth, with the forced and underdeveloped love subplot between Neo and Trinity being 'The Matrix's' sole weak spot. This ended up not being that huge a problem for me because everything else is so well executed.

Particularly striking about 'The Matrix' is its production values. Simply put, the film looks amazing in its audacious production design, dazzling special effects that are some of the most ultra-cool and imaginative to exist, super slick editing and often jaw dropping cinematography. So much more than a film with ground-breaking special effects and use of camera work that broke boundaries.

Use of sound was also striking, and how the pulsating and hypnotic music score was used. Andy and Larry Wachowski direct adeptly, while the script is an intelligent mix of complex and well-explored themes, mysticism, philosophy and even Lewis Carroll and the story is often invigorating and intensely taut with a smart concept brilliantly done.

Action is superbly shot and edited, and the way it is choreographed is relentlessly intense and breathless in its energy, Kung Fu has rarely been more vertigo-inducing (despite how this sounds, this is not a bad thing as it added hugely to the intensity and paranoia of the story's atmosphere) on film.

Keanu Reeves is in one of his best and most iconic roles and has never looked cooler, certainly has not looked this comfortable for a while before then. Carrie Anne Moss is strong. Even better are an imposingly charismatic Laurence Fishburne (also in one of his best roles), an amusing Joe Pantoliano and a deliciously wicked Hugo Weaving.

Summing up, not one of the best of the genre but a mile-stone nonetheless and a great one. Followed by two sequels, both nowhere near in the same ball-park. 9/10 Bethany Cox

The first 45 minutes of this film had me very excited. It is so rare that I will go to the theater and be presented with something which is both original and intelligent. It managed to hang in there throughout, though the ending was too formulaic. In addition, the voice-over at the very end reminded me of the final scene in Saving Private Ryan. It almost ruins a fantastic film.

The only other objection I can come up with is that the you must know, you must be type philosophy being handed out was just a tad hokey. I must pleasantly admit though, since I don't get to admit this very often, that The Matrix is worth seeing despite these things.

The visuals are extremely impressive, particularly the "white room," the baby harvester, the training scene with the "red woman," the Reeves interrogation scene... I have to agree with some of the previous comments that the plot idea won't seem overly original to a fan of Philip K Dick, but then what is original after you've read him? The Matrix has more original things to say than two months worth of standard Hollywood fare. I have a great deal of respect for a film which will have someone say "they're turning humans into this" and hold up a battery. A plot which looks at man as machine will get a thumbs up from me just for trying.

I feel some hope for the future of movie-making in America to be able to recommend this film.

At first, I wasn't interested in seeing the Matrix. But after hardly hearing any bad reviews for it (and believe me, I hear bad reviews for every movie I enjoy) I decided to give it a try. At first, although I really loved the fights, graphics and characters, the plot confused me. (Anyone confused by the plot at all should go to www.knowthematrix.com and you'll find out everything you could want to know) By the second time I watched it, I really understood it, which made the movie even more enjoyable.

I really loved this movie. Just about every character, good or bad, is very interesting and cool. The acting was excellent. Even though I think this was Keanu Reeves at his best, the best acting jobs were done by Laurence Fishburne (Morpheus) and Carrie-Anne Moss (Trinity). Hugo Weaving did an excellent job as Agent Smith and Joe Pantoliano was great as Cypher as well.

The plot is one of the best movie plots I've seen in a movie. An accountant by day, computer hacker by night guy suddenly finds out that reality as we know it is fake and that we are actually in a giant computer program run by robots (that we created, of course) in order for them to get power. Not only that, but he finds out that he is one who is, according to prophecy, going to put an end to it. The greatest thing is that you learn things just as Neo does, so you can really relate to his character.

My favorite thing about this movie is that no matter how many times you watch it, you will learn more about it. I guarantee this. Some may not like this movie because the plot is too complicated, but I recommend that anyone who enjoys movies should go buy this one right away.

The story of a reluctant Christ-like protagonist set against a baroque, MTV backdrop, The Matrix is the definitive hybrid of technical wizardry and contextual excellence that should be the benchmark for all sci-fi films to come.

Hollywood has had some problems combining form and matter in the sci-fi genre. There have been a lot of visually stunning works but nobody cared about the hero. (Or nobody simply cared about anything.) There a few, though, which aroused interest and intellect but nobody 'ooh'-ed or 'aah'-ed at the special effects. With The Matrix, both elements are perfectly en sync. Not only did we want to cheer on the heroes to victory, we wanted them to bludgeon the opposition. Not only did we sit in awe as Neo evaded those bullets in limbo-rock fashion, we salivated.

But what makes The Matrix several cuts above the rest of the films in its genre is that there are simply no loopholes. The script, written by the Wachowski brothers is intelligent but carefully not geeky. The kung-fu sequences were deftly shot -- something even Bruce Lee would've been proud of. The photography was breathtaking. (I bet if you had to cut every frame on the reel and had it developed and printed, every single frame would stand on its own.) And the acting? Maybe not the best Keanu Reeves but name me an actor who has box-office appeal but could portray the uneasy and vulnerable protagonist, Neo, to a T the way Reeves did. But, come to think of it, if you pit any actor beside Laurence Fishburne, you're bound to confuse that actor for bad acting. As Morpheus, Mr. Fishburne is simply wicked! Shades of his mentor-role in Higher Learning, nobody exudes that aura of quiet intensity than Mr. Fishburne. His character, battle-scarred but always composed Morpheus, is given an extra dose of mortality (He loves Neo to a fault.) only Mr. Fishburne can flesh out.

People will say what they want to say about how good The Matrix is but the bottomline is this: finally there's a philosophical film that has cut through this generation. My generation. The Wachowski brothers probably scribbled a little P.S. note when they finished the script saying: THINK FOR A MOMENT ABOUT YOUR EXISTENCE. What is the Matrix, you ask? Something that's closer to reality than you think.

Either that or it's my personal choice for best film of all-time.

The Matrix - 1999

This was a real change in filmmaking. Like watching it again in 2020, i.e. after 21 years and it still feels fresh. Iconic scenes are still having benchmarks setting up.

If we say it sci-fi at its best, it won't be wrong. The hype was real, it is still not easy to match the level of Matrix where we experience the connection of humans and science, that too with amazing action fight and chase scenes, not just normal scenes they were, multiple exposures, slow motion 3D moves, Oh My God, and it's understandable as well like what are the characters up to and what storyline they are entering into. The script was very well written and executed otherwise it could have been a mess. A special appreciation in managing the theme with those black color costumes and a scientific zone with unimaginable equipment and props doing unbelievable things in the two worlds created. No spoilers, but the action scenes in the climax where the protagonist goes to save someone from agents are really breathtaking. The technology used at its best.

A salute to Wachowski Brothers and the team for creating this masterpiece. It will be a great competition and motivation as well for many films coming in the future.