Mord ist ihr Hobby - Eine Zeugin verschwindet
Originaltitel: Murder, She Wrote: South by Southwest
IMDb-BEWERTUNG
7,2/10
1164
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuJessica Fletcher (Dame Angela Lansbury) is attacked on a train when she investigates the case of a missing passenger.Jessica Fletcher (Dame Angela Lansbury) is attacked on a train when she investigates the case of a missing passenger.Jessica Fletcher (Dame Angela Lansbury) is attacked on a train when she investigates the case of a missing passenger.
- Auszeichnungen
- 3 Nominierungen insgesamt
Michael Krawic
- Radley
- (as Michael A. Krawic)
Stuart Proud Eagle Grant
- Jim Sunrise
- (as Stuart Grant)
Empfohlene Bewertungen
Without a doubt the best! of the 4 spin-off TV movies from the 'Murder, She Wrote' TV series.
Superb styling. A great story that pans out well, with a couple of surprising plot twists at the end. More worthy of Lansbury's dramatic scope than, sadly, the rest of the TV spin-offs, this is one film that is well worth setting the set-top box to record.
With wonderful subtle references to other 'train crime' movies: the film noir 'Double Indemnity'; 'The 39 Steps' (the rural train station at which Jessica Fletcher disembarks is amusingly named 'Hannay' after that film's lead character Richard Hannay); and of course another famous Hitchcock train movie: 'North by Northwest'. Plus there are elements of 'The Lady Vanishes' when one of the lead characters disappears; all the more poignant, of course, as Angela Lansbury herself starred as 'the lady' in the 1978 film version of the 'TLV'!
Indubitably a fun film for die-hard fans of the TV series. And the most watchable of the spin-offs. Maybe this is because it was the first (made in 1997) of the 4 movies. But in any case the other 3 spin-offs in this TV franchise are little more than self-indulgent, rambling & soporific TV 'dross'. This initial TV movie, however, is a more 3-dimensional film.
A well-scripted story in which the plot gives Lansbury the chance to really act. Enjoy. It offers a fun couple of hours' viewing.
Superb styling. A great story that pans out well, with a couple of surprising plot twists at the end. More worthy of Lansbury's dramatic scope than, sadly, the rest of the TV spin-offs, this is one film that is well worth setting the set-top box to record.
With wonderful subtle references to other 'train crime' movies: the film noir 'Double Indemnity'; 'The 39 Steps' (the rural train station at which Jessica Fletcher disembarks is amusingly named 'Hannay' after that film's lead character Richard Hannay); and of course another famous Hitchcock train movie: 'North by Northwest'. Plus there are elements of 'The Lady Vanishes' when one of the lead characters disappears; all the more poignant, of course, as Angela Lansbury herself starred as 'the lady' in the 1978 film version of the 'TLV'!
Indubitably a fun film for die-hard fans of the TV series. And the most watchable of the spin-offs. Maybe this is because it was the first (made in 1997) of the 4 movies. But in any case the other 3 spin-offs in this TV franchise are little more than self-indulgent, rambling & soporific TV 'dross'. This initial TV movie, however, is a more 3-dimensional film.
A well-scripted story in which the plot gives Lansbury the chance to really act. Enjoy. It offers a fun couple of hours' viewing.
Headed to a lecture by train, Jessica is sent on a mysterious journey after she has a brief encounter in the dining car with a woman -who witnessed the murder of a man trying to expose a serious flaw in a top-secret government satellite code - who later vanishes.
This feature length MSW is a well-plotted and enjoyable mystery with Jessica doing what she does best - putting her nose where it doesn't belong and solving a case of murder, witnesses and codes. Loved the train setting, though halfway in the setting changes to Arizona and rugged landscapes and long winding roads. The plot can be over convoluted and it's not always clear how Jessica comes to her conclusion, but it's still fun with its twist and turns.
This feature length MSW is a well-plotted and enjoyable mystery with Jessica doing what she does best - putting her nose where it doesn't belong and solving a case of murder, witnesses and codes. Loved the train setting, though halfway in the setting changes to Arizona and rugged landscapes and long winding roads. The plot can be over convoluted and it's not always clear how Jessica comes to her conclusion, but it's still fun with its twist and turns.
This was the first TV-movie that continued the mysteries of crime novelist and amateur sleuth Jessica Fletcher, a role that Angela Lansbury made loved around the world in the popular TV series, Murder She Wrote.
On the outside it may seem like just a feature length episode of that show, but if you look at it closely you'll see that it has some wonderful moments that make it a superior TV-movie. I suppose having said that you really do need to have an interest in this sort of TV mystery formula and if you have a love for the show then you will adore this.
There are some wonderful moments of mystery and intrigue built up and towards the end you are gagging to find out the truth as you always are in these mysteries. Also,as usual with a good mystery, there are some wonderful twists and turns which I'm obviously not going to talk about. I would recommend this to die hard fans of the series and anyone who enjoys a good mystery.
On the outside it may seem like just a feature length episode of that show, but if you look at it closely you'll see that it has some wonderful moments that make it a superior TV-movie. I suppose having said that you really do need to have an interest in this sort of TV mystery formula and if you have a love for the show then you will adore this.
There are some wonderful moments of mystery and intrigue built up and towards the end you are gagging to find out the truth as you always are in these mysteries. Also,as usual with a good mystery, there are some wonderful twists and turns which I'm obviously not going to talk about. I would recommend this to die hard fans of the series and anyone who enjoys a good mystery.
Anyone who has viewed more than two or three of Jessica's 40-minute TV episodes can set their watch by the little scene where she stops and says "Now let me see if I've got this right" - her chance to help all the dumbos to keep up with the plot.
Well 80 minutes is very different from 40 minutes, and I personally would have welcomed at least one of these idiot-board updates in the course of this bigger and busier version of 'Murder, She Wrote'. No fewer than 37 characters are listed, and their names flung about like confetti, so we only dimly understand who's who in the zoo. But don't let that put you off; the masterly ending will make the same impact anyhow.
The story takes us by rail into the baking sands of Arizona, about as far as you can get from Cabot Cove, both geographically and spiritually. Trains are always good for murder mysteries, with plenty of enigmatic strangers and chance meetings. And with Jessica on board, it's a safe bet that one or two passengers won't quite make it to their destination.
By about the midpoint, we've learned to mistrust every snarling male, but not, of course, certain gracious females who are so keen to confide in Jessica. (This view takes a bit of a knock in the closing stages.)
We can't reveal much more without giving away some key twists that are vastly superior to anything seen in the standard episodes. As for the murder-motive, this relates to a hi-tech agenda that manages to look just as fresh and topical now as it would have done in 1997 - a singular achievement. There are some pleasing touches, like a wacky hotel receptionist (Susan Blommaert) who turns out to be one of Jessica's most devoted fans. And only the inaudible dialogue at a key moment in the dining-car scene lets down the production values.
At the end, Jessica is pointing out the murderer's careless mistakes in her best schoolmarm style. (But regular viewers may like to know that we're spared the usual spluttering "But that's ridiculous..." protest from the other party this time round!)
Well 80 minutes is very different from 40 minutes, and I personally would have welcomed at least one of these idiot-board updates in the course of this bigger and busier version of 'Murder, She Wrote'. No fewer than 37 characters are listed, and their names flung about like confetti, so we only dimly understand who's who in the zoo. But don't let that put you off; the masterly ending will make the same impact anyhow.
The story takes us by rail into the baking sands of Arizona, about as far as you can get from Cabot Cove, both geographically and spiritually. Trains are always good for murder mysteries, with plenty of enigmatic strangers and chance meetings. And with Jessica on board, it's a safe bet that one or two passengers won't quite make it to their destination.
By about the midpoint, we've learned to mistrust every snarling male, but not, of course, certain gracious females who are so keen to confide in Jessica. (This view takes a bit of a knock in the closing stages.)
We can't reveal much more without giving away some key twists that are vastly superior to anything seen in the standard episodes. As for the murder-motive, this relates to a hi-tech agenda that manages to look just as fresh and topical now as it would have done in 1997 - a singular achievement. There are some pleasing touches, like a wacky hotel receptionist (Susan Blommaert) who turns out to be one of Jessica's most devoted fans. And only the inaudible dialogue at a key moment in the dining-car scene lets down the production values.
At the end, Jessica is pointing out the murderer's careless mistakes in her best schoolmarm style. (But regular viewers may like to know that we're spared the usual spluttering "But that's ridiculous..." protest from the other party this time round!)
Okay . . . . the four "Murder She Wrote" movies are currently on Amazon Prime. It can be confusing how to find them, however. You must do a search for "Murder She Wrote" (New). It will show 4 seasons. Seasons 2, 3 & 4 are all showing the description of Season 2, even though they are actually the remaining two movies. Hopefully, Amazon will correct this eventually.
I never watched many of the TV episodes until the last few years, when I saw them all on Peacock. You do get really attached to Jessica, and are sad when all the episodes are watched. Seeing these movies instantly brings back that attachment. Jessica is the same, at least in this first movie.
It's an interersting story, although I guessed who the killers were before the ending, even though I wasn't trying to do so. Jessica ends up in Arizona after a train ride that ended up with one passenger missing and one murdered. Both the FBI and higher government powers are involved, which I found dull; but Jessica herself is never dull, and it was great to see the late, great Angela Lansbury in action again.
I never watched many of the TV episodes until the last few years, when I saw them all on Peacock. You do get really attached to Jessica, and are sad when all the episodes are watched. Seeing these movies instantly brings back that attachment. Jessica is the same, at least in this first movie.
It's an interersting story, although I guessed who the killers were before the ending, even though I wasn't trying to do so. Jessica ends up in Arizona after a train ride that ended up with one passenger missing and one murdered. Both the FBI and higher government powers are involved, which I found dull; but Jessica herself is never dull, and it was great to see the late, great Angela Lansbury in action again.
Wusstest du schon
- WissenswertesThe dusty bus stop town location was Piru, California, adjacent to Fillmore. The Piru town's short Main Street commercial buildings were completely vacant, boarded up, and unoccupied. Art Director Mary Dodson created all of the shops, selecting a market, a Southwest Indian tourist shop, a barber shop, gas station, with necessary window and sign decoration. Mary and the decorator made the town come to life for the filming sequence. Several other exterior buildings and sidewalk locations were utilized filling out the filming schedule's use of the town site.
- PatzerWhen the train journey is interrupted by someone pulling the emergency brake because they claim someone fell from the train, they get out and search the area immediately around the train. In reality, at an average speed of 50mph, as later stated, it would take the train a mile or more to stop after the emergency brake was pulled, plus the distance from the time someone saw someone "fall" and the time it took to locate and pull the emergency brake. They would've needed to be searching at least a mile behind where the train stopped.
- Zitate
[last lines]
Jessica Fletcher: ...It starts with a simple electronic game and an eastbound train.
- VerbindungenFollowed by Mord ist ihr Hobby - Eine zum Sterben schöne Geschichte (2000)
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By what name was Mord ist ihr Hobby - Eine Zeugin verschwindet (1997) officially released in Canada in English?
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