Joe Marshall und Frank Washington sind zwei hartnäckige Polizisten, die um jeden Preis versuchen, die Katana aufzuhalten, eine abtrünnige Yakuza-Bande, die sich aus gewalttätigen und sadisti... Alles lesenJoe Marshall und Frank Washington sind zwei hartnäckige Polizisten, die um jeden Preis versuchen, die Katana aufzuhalten, eine abtrünnige Yakuza-Bande, die sich aus gewalttätigen und sadistischen Mördern besteht.Joe Marshall und Frank Washington sind zwei hartnäckige Polizisten, die um jeden Preis versuchen, die Katana aufzuhalten, eine abtrünnige Yakuza-Bande, die sich aus gewalttätigen und sadistischen Mördern besteht.
- Joe Marshall
- (as Matt Hannon)
- Jennifer
- (as Jannis Farley)
- Peggy Lee Thomas
- (as Melisa Moore)
- Female Henchwoman
- (as Cameron)
- Costa Rican Waiter
- (as Joselito C. Rescober)
- Burning Van Driver
- (as Ali Teymury)
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Enter police officer Joe Marshall (Matt Hannon), who starts off wearing my mom's old 1970's wig, before miraculously sprouting hair of his own! A cocaine deal "goes down", leading to a chase, with the cops driving the MYSTERY MACHINE from Scooby Doo! Bad guys are slaughtered like the nameless extras they are, followed by imitation sex between Marshall and his cop / Barbie girlfriend.
Meanwhile, the Asian gangsters scream at each other again, making Yamashita appear sedate by contrast. Marshall and his partner, Frank Washington (Mark Frazer) question a bloody guy in a sheet, while near-mannequins chatter mindless dialogue. Yamashita executes sheet man. Can Marshall catch Yamashita, before the streets run reddish with dayglo blood?
More dimwit dialogue is spoken by semi-sentient fungi posing as "actors", while Hannon teeters between his hippie-haired, toilet cleaner-snorting, Clint Westwood persona, and his goggle-eyed, Rambo / hamster with rotting of the brain. Oh yeah, and does he ever score with the ladies!
The "action" in this bust-a-gut symphony of ineptitude is a schlock addicts dream! Every scene is a priceless, irredeemable collection of nonsense! Not even the full frontal, female nudity can detract or distract from the beautiful, cluster-galaxy of rubbish unfolding before us!
Every fight scene is a ballet of buffoonery! Parts that are supposed to induce tension, only produce uncontrollable laugh spasms! The all-too-frequent sex scenes are like watching trees rubbing against each other in a heavy wind!
Thankfully, Marshall's wig returns, becoming a sort of character in itself. Actually the wig, in addition to being the best actor in the film, adds suspense, since we never know just when it might show up next! The Yamashita beard is a close second, taking our attention away from the boom mic shadow, during a crucial scene. The finale pits the wig against the beard, in a knock down, drag out, sword-swinging grimace fest, featuring wet sandbag punches and more grunting than at a corporate pig farm!
Yes! This is cinema!...
Smaurai Cop spares no expense. It gives you what you really want: Boobs, Racial Comments, Excessive Groping of Handgun by a Lacky, Fight scene with obvious continuity issues, Pimp Van in fast motion chase scene, Disturbingly Effeminate Waiter, 4 different samurai wigs, Matt Hannon acting, and too many other priceless moments to recount.
I am not sure how Amir got Robert Z'Dar and Gerald Okamura on this film (considering their "star power"), but thank God he did. This movie does not get the credit it deserves. It is one of cinema's greatest gems and should be recognized as such. Please, if you have watched this movie, and loved it, comment now!
Words might fail while trying to adequately describe this phantasmagorical piece of cinematic perfection. You could write a lengthy article criticizing a terrible acting, editing or utterly ridiculous dialogues. Or the fact that the story is so much saturated with every cliche of 90s action cinema that it cannot be considered as an independent script but rather as an amalgamation of a dozen scrips borrowed from other films. Severe objectification of women and excessive voyeuristic nudity serving no purpose whatsoever might just leave you entirely speechless. And lets not dwell too much on the fact that the main character, supposedly expert in Japanese martial arts, couldn't even throw a decent round house kick, while ridiculous hand gestures he performs during various fights, make American Ninja look like a documentary quality depiction of Ninjutsu. Shot inconsistency, the main character switching from a wig to a real haircut multiple times throughout the film is just an icing on a cake.
Somehow all the critique you could master up about 'Samurai Cop' doesn't seem to make it justice. The overall result is so much worse than the sum of its negative parts that your brains just cannot rationally explain or perceive it. One thing couldn't be denied though, the film is entertaining as hell. And that's, after all, the main point of action cinema - to entertain. In that regard 'Samurai Cop' is truly a film in the class of its own.
That's about it for plot in this knowingly cheesy, sloppy, and silly martial arts action movie mess, written and directed by Amir Shervan. Obviously he knew exactly what kind of movie he was making, and just had fun with it. Often, "Samurai Cop" offers plenty of bad movie charm, as it clunks along from one inept sequence to another. The acting is hilariously, endearingly dumb across the board, with Hannon as one majorly wooden hero. Frazer has many great facial reactions. The ladies present are delicious eye candy: Melissa Moore as horny cop Peggy, Jannis Farley as leading lady Jennifer, and Krista Lane as a henchwoman. Robert Z'Dar is great fun as Yamashita, the primary henchman.
Marshall dispenses with inept bad guys left, right and centre; ultimately, the movie isn't always terribly funny, and gets a little tiresome, but it's still amusing enough to make it pleasant if not uproarious fare. It could have used some better pacing, but still delivers enough laughs for those B cinema enthusiasts looking to have a night of bad movies and beers.
Six out of 10.
You might wonder why this film still deserved a generous five out of ten points. The answer is quite obvious. This film is so bad that it's almost good again. It's quite amusing to catch all the obvious mistakes. The film is unpredictable in its goofy weirdness. A nice drinking game invented by two German comedians specifically for this movie consists of drinking a shot of alcohol each time the main character's wig is visible.
To be fair though, it's a quite entertaining movie with a lot of car chases and fight scenes with bare hands, pistols, swords and improvised weapons. The movie also includes several soft porn scenes and a shallow love story that gives us a break from all the action. I was never bored by this movie because of its vivid flow. Most action movies these days either bore with complicated background stories, endless dialogues and take themselves way too serious or are filled with exchangeable CGI effects and enormous plot holes in unnecessary sequels. From that point of view, Samurai Cop is almost refreshingly grounded and unpretentious.
Fans of old-school action b-movies could be very well entertained by Samurai Cop and can give this film a shot if they are open to have some fun. My advice would be to invite some friends over while watching this film. Despite its numerous obvious flaws, Samurai Cop is still overall an average movie and not among the worst films I have ever watched like so many other people claim.
Wusstest du schon
- WissenswertesLead actor Mathew Karedas (credited as Matt Hannon) cut his long hair very short seven months after filming wrapped. While he was looking for more acting work, director and screenwriter Amir Shervan called him back for some re-shoots. Shervan was furious that Karedas had cut his hair and immediately went out to look for a wig. Unfortunately, Shervan was only able to find a woman's wig that looked nothing like Karedas's long hair. Karedas agreed to wear it, assuming Shervan was going to do some long-shots and pick-ups. Shervan still had half of the movie to shoot, completely out of chronological order. As a result, Karedas' character's hair alternates between his natural long hair and an obvious wig. The wig even comes off a few times, revealing Karedas's real short hair.
- PatzerAt numerous points in the film, Mathew Karedas is clearly wearing a wig. During one fight scene it even begins to slip off, revealing his short hair underneath.
- Zitate
Joe Marshall, the samurai cop: Now I'm telling these son-of-a-bitches that we respect the Japanese of this country, who are honest businessmen. And yeah, this is the land of opportunity for legitimate business, not for death merchants who distribute drugs to our children through schools and on the streets. Now I'm telling these motherfuckers that if they continue killing our children to make their precious millions that they deposit in their secret Swiss bank accounts, counselor, before your last suit even gets off the court clerk's desk, I'll have their stinking bodies in garbage bags and ship them back to Japan for fertilizer. Got it?
- Alternative VersionenReleased in three versions in Germany. An unrated yet uncut (via SPIO/JK approval) version released on DVD, a cut FSK-18 rated version on VHS by Scala Video which was edited by 5 minutes (yet still BPjM indexed from 1992 up until its deletion in 2017), and a further cut FSK-16 rated version which has all violent scenes shortened or removed entirely. Only in 2024 starting with the upcoming German Blu-ray release by Vision Video was the uncut version granted a FSK-18 rating.
- VerbindungenFeatured in Half in the Bag: Your Highness and Samurai Cop (2011)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Коп-самурай
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 7.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 384.756 $
- Weltweiter Bruttoertrag
- 386.821 $
- Laufzeit1 Stunde 36 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1