Füge eine Handlung in deiner Sprache hinzuKeith is a Japanese twenty-something who is followed by Death in various disguises. When he finally faces her, Death tells him that he has only 12 hours to live and he needs to make the most... Alles lesenKeith is a Japanese twenty-something who is followed by Death in various disguises. When he finally faces her, Death tells him that he has only 12 hours to live and he needs to make the most of it.Keith is a Japanese twenty-something who is followed by Death in various disguises. When he finally faces her, Death tells him that he has only 12 hours to live and he needs to make the most of it.
- Chinese Man #1
- (as Jimmy Pui Wong)
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The film plays with classic themes, related to this topic - such as the chess game with the reaper in Bergman's 'Seventh Seal'. Bergman's knight loses the game, but wins the lives of those he has learned to hold dear. In this movie, nothing is gained, and so one wonders: is anything at all lost?
There's an interesting atmosphere in the film, sort of an arty New York setting through an immigrant's eyes, but neither that nor anything else is really followed through. What must be meant to have some profound undercurrent, remains just surface - and a quickly sketched surface, at that. It would have been better to make this film a pure comedy.
This is an experimental indie. There is some surrealism but it struck me as fake unreality. One thing that doesn't help is the guy's heavy accent. It actually grew to annoy me. The acting ranges from amateurish to some recognizable veterans like Jeffrey Wright, Michael Imperioli, and Ben Gazzara. This is strictly indie time. It would help to have some better cinematic style. Newbie director Wonsuk Chin tries a few moves but they come off looking amateurish.
it wasn't quite the hour and a half of hijinx and hilarity that i'd expected.
not to say that it wasn't good. it was. i just --- it was one of those movies that ends and i'm not quite sure just what i'm feeling. one of those movies without an actual crescendo or climax or resolution, or anything. not your typical movie vehicle. and so, now that it's over, i have no idea what to feel. i mean, it basically followed his 12 hours, and the surreal, bizarre events that take place. i can't even discuss it or how i feel about it or talk about what happened, because i don't want to spoil it for whomever might be reading this. it was just one of those movies that leaves you hanging and yet, at the same time, doesn't. it was a little confusing, and a little ... i don't even know.
i can't help but feel that i missed out on something in the movie. like it was some art piece that somehow escapes me. that i can't quite understand. which is funny, because that exact premise came up in the movie, where kenji (the main character) is looking at a piece of abstract art and asks the artist if it's possible to like something without understanding it. i guess that's how i feel about the movie. i liked it, and i know it was a good movie, but i can't understand it. and i can't help but wonder if i'm missing out on something bigger because i can't understand it. for maybe it wasn't even meant to be understood. after all, isn't the purpose of art to create different meanings in different people? each person who views it, who experiences it, creates their own interpretation of it. maybe it wasn't intended to be understood. just watched, enjoyed (and i don't even know if i enjoyed it. if that makes any sense. i know i liked it, but did i enjoy it?), and appreciated.
maybe this is what the director had in mind. maybe this is what he wanted? for the audience, after watching it, to just sit and not know what they feel. whether or not they enjoyed it, or understood it, or even knew what the hell just happened.
i know i want a copy of it, though. i know that i want to be able to share it with people, and --
i just called a friend on his cell phone. told him to remember the name of the movie, and try to catch it on cinemax, or watch it. i need someone to share it with. discuss it with. someone to help me understand it, maybe, i don't even know. it's just too --- god. it's a mind f*ck, and emotion f*ck, a head f*ck. i couldn't even form coherent sentences on the phone, while trying to explain the movie to phil. i feel like i'm some sort of messed up, bizarre drug, that's how messed this movie has me. i don't get it. it was such a ... non-movie movie ... and yet it's got me so affected. it just WHAM hit me. maybe it's just me. just some weird emotional state i'm in that was triggered or enhanced by the movie, but i can't remember being this -- shaken, moved, affected, bewildered -- by a movie. i keep rambling on, spewing words onto the computer, hoping one of them will help describe what i feel, but so far none of them are even close to it.
The best part of the film is by far the character of Death played by Mira Sorvino.
I just rented this flick among 6 others (saw Wall Street before this one, really good movie) simply because Mira Sorvino is a hottie and the premise of the film (guy gets 12 hours to do whatever he wants) sounded intriguing.
It turned out to be something a hell of a lot different.
From the opening credits I was impressed with the set-design, the actor and the way it was being filmed. Fantastic opening scene gave me the feeling I was going to watch something really unique. And I did.
Unfortunately, I cant quite find the words to describe what I saw. It seemed almost like an improvisation. Characters that didnt quite seem to fit in the story, conversations that didnt seem to hold any relevance, plot-twists that were inconceivable. This isnt your typical hollywood film.
Again, I was taken aback by the style of the movie, and I recommend this for those seeking something "different" to comment on along with their friends. Just like "Lost Highway" had an important message locked somewhere in it's tangled skein.
Oh well. That pretty much sums up my opinion of the movie, sorry I couldn't have done a better job. peace out.
Wusstest du schon
- WissenswertesLaura Kirk's debut.
- Zitate
Death: He said that you stopped him for no reason.
Kenji: No reason? No, I saw him in my dreams. And you... Who are you?
Death: I... I am...
Young Arab: Chukhram.
Death: He also wants to thank you.
Kenji: Thank me? For what?
Death: He's been running all his life. He must have been tired. We must go.
Kenji: Wait! Wait! Wait! I don't get it, OK?
Death: [smirking] How do you want me to disappear?
Kenji: What?
Death: Never mind. I'll see you.
[gives Kenji a kiss on the cheek]
- VerbindungenReferences Der Bankdetektiv (1940)
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Der Tod kann nicht warten
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 1.200.000 $ (geschätzt)
- Laufzeit
- 1 Std. 37 Min.(97 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.78 : 1