Füge eine Handlung in deiner Sprache hinzuThe deeply resonant story of a boy named Simon who, despite being raised in an upper-class Manhattan household with all its privileges--and restrictions--is haunted by the mysterious circums... Alles lesenThe deeply resonant story of a boy named Simon who, despite being raised in an upper-class Manhattan household with all its privileges--and restrictions--is haunted by the mysterious circumstances surrounding his mother's death. In Simon's eyes, his high-powered businessman fathe... Alles lesenThe deeply resonant story of a boy named Simon who, despite being raised in an upper-class Manhattan household with all its privileges--and restrictions--is haunted by the mysterious circumstances surrounding his mother's death. In Simon's eyes, his high-powered businessman father Matt wasted no time in marrying his stepmother Lauren, a woman with a perfect facade who... Alles lesen
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The real shortcoming to this movie however, was not the plot. The story could have been a realistic inside look at hippie culture if it were only made to be realistic. Whoever directed this movie has obviously never been to anything more than a Kenny G concert. Throwing 15 or so extras in make-up and tie-dyed shirts in a field to recreate a Grateful Dead show is a horrifically commercialized and pathetic attempt to portray hippie culture.
Anyway, this movie did hold my attention but mostly because I was fascinated that Hollywood could make such a cheap, pitiful attempt to revitalize a beat to death plot. There were some interesting moments and hey I watched the whole thing, but there are much better movies out there. And remember kids, drugs are bad!
If this film were made in the style of a docudrama and the re-creation of the lot scene had been somewhat realistic, and by someone who, heaven forbid, has ever toured or even seen the Grateful Dead before, it could have been quite good. But instead, we get a low budget, poorly directed, horribly acted, and absolutely phony adaptation of a lot scene, which is laughable to anyone who has ever been to a show before. The film makers try to be cool and realistic by offering as many cliches about the lot scene as possible, from ganja gooballs to tye dye vendors, but it doesn't work. The problem is the actors are obvious phonies, wearing brand new tye dyes and looking way too clean. If these phonies were on a dead lot they would be instantly considered tourists, if not cops by the tour-heads. No deadheads on tour even remotely resembled the "hippies" in this film. If you don't believe me then go rent "Tye-Dyed", which is an actual documentary of life on the road with the Dead, and see for yourself. Also, the films set that is supposed to resemble a deadlot is pathetically unrealistic and cheesy.
I saw this film a month ago on late night and figured I would give it a chance, but was highly disappointed. For people that have never experienced the lot-scene of the Grateful Dead, or on a lesser note, Phish, go and rent "Tye-Dyed", at least it does some justice and you see real dead heads on a real lot. For those who are experienced, watch "Around the Fire" just so you can get a good laugh out of your system. Otherwise, stay far and away, because this film is an absolute stinker.
Although the story is heartfelt and unfolds well, it is also derivative and highly uneven. The director is careful not to use any real names of people or places in portraying the hippie/druggie sub-culture that the Sawa character falls prey to. This has a twin effect of leaving things a little vague, yet, bringing us into a real and hypnotically dazzling world.
However, the performances shine, elevating the film to a much more credible level. Sawa has grown into an actor of considerable depth and range and proves that he's at home as much here as he is in any number of his earlier, more emotionally shallow films.
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- WissenswertesThis movie was filmed on-location in Novato, California.
- VerbindungenFeatured in A Video About Devon Sawa (2007)
- SoundtracksWater of Love
Written by Mark Knopfler
Performed by Dire Straits
used by permission of 1978 Almo Music Corp. (ASCAP)
Rondor Music (London) Ltd. (PRS) administers on behalf of Chariscourt Limited.
Courtesy of Warner Bros. Records inc. / Mercury Records
by arrangement with Warner Special Products
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Details
Box Office
- Budget
- 1.200.000 $ (geschätzt)
- Laufzeit
- 1 Std. 46 Min.(106 min)
- Farbe
- Sound-Mix