Ein hübsche Goldgräberin trifft auf einen klugen Scheidungsanwalt aus Beverly Hills, der sich zunehmend zu ihr hingezogen fühlt.Ein hübsche Goldgräberin trifft auf einen klugen Scheidungsanwalt aus Beverly Hills, der sich zunehmend zu ihr hingezogen fühlt.Ein hübsche Goldgräberin trifft auf einen klugen Scheidungsanwalt aus Beverly Hills, der sich zunehmend zu ihr hingezogen fühlt.
- Auszeichnungen
- 3 Nominierungen insgesamt
Cedric The Entertainer
- Gus Petch
- (as Cedric the Entertainer)
Empfohlene Bewertungen
I wouldn't have commented, except that I read too many reviews that mislead potential movie watchers.
This movie is exactly what it portents to be. A good comedy.
It's not a classic, but well worth your time. You'll enjoy it.
Clooney is excellent, and CZJ is the perfect counterpart. Plenty of recognizable names that seem to enjoy being involved, without the need to have huge billings...
Too bad these other reviewers can't just appreciate a fun movie. Don't pass on this movie, you'll be missing some good entertainment.
This movie is exactly what it portents to be. A good comedy.
It's not a classic, but well worth your time. You'll enjoy it.
Clooney is excellent, and CZJ is the perfect counterpart. Plenty of recognizable names that seem to enjoy being involved, without the need to have huge billings...
Too bad these other reviewers can't just appreciate a fun movie. Don't pass on this movie, you'll be missing some good entertainment.
George Clooney stars as a self-loving whiter than white toothed lawyer who is becoming bored with his never-ending success. A challenge comes in the shapely form of Marilyn Rexroth (Catherine Zeta Jones) who wants to marry (or preferably divorce) her way to riches. With Clooney hired to represent her soon to be ex husband, he inevitably falls for the gold diggers charms.
Directed by the Coen brothers, a directorial team who have helmed oddball comedies such as 'Fargo' and 'O Brother, Where Art Thou?' this is the team's first branch in to a high profile Hollywood film. Clooney, as the sharp suited lawyer, is excellent. Like Cary Grant or David Niven, Clooney is able to mock himself without compensating his screen appeal. Catherine Zeta Jones as the money hungry Marilyn is as sexy as her character demands from the scripted page. However, despite the quick fire dialogue, Intolerable Cruelty is simply not as funny as it thinks, it's cynical message of love and money taking away the romantic push it needs to place it in the league of the Tracy/Hepburn films the movie aspires to. Clooney's character also suffers from an over enthusiastic plot that later drives his character to attempt to commit a crime that totally contradicts the audiences perception of him. A battle of the sexes comedy that has sex appeal but no romance, Intolerable Cruelty is a film that reaches for the golden age of Hollywood but only touches the bronze.
Directed by the Coen brothers, a directorial team who have helmed oddball comedies such as 'Fargo' and 'O Brother, Where Art Thou?' this is the team's first branch in to a high profile Hollywood film. Clooney, as the sharp suited lawyer, is excellent. Like Cary Grant or David Niven, Clooney is able to mock himself without compensating his screen appeal. Catherine Zeta Jones as the money hungry Marilyn is as sexy as her character demands from the scripted page. However, despite the quick fire dialogue, Intolerable Cruelty is simply not as funny as it thinks, it's cynical message of love and money taking away the romantic push it needs to place it in the league of the Tracy/Hepburn films the movie aspires to. Clooney's character also suffers from an over enthusiastic plot that later drives his character to attempt to commit a crime that totally contradicts the audiences perception of him. A battle of the sexes comedy that has sex appeal but no romance, Intolerable Cruelty is a film that reaches for the golden age of Hollywood but only touches the bronze.
'Intolerable Cruelty' has panache. Clooney delivers an impressive performance, one of his best that I have seen him in. When a bad movie comes out, it's easy to eat it alive and point out every dumb thing about it. Since this movie had something going, it's hard to point out the good points and why I liked it. Let's just say that 'Intolerable Cruelty' has a story, one that holds up until the movie sells out near the very end. But the acting and the story for one thing, I give credit for, held up quite well.
Miles Massey, successful divorce lawyer, meets his match (and maker), in Marilyn Rexroth a man-eater when, after her failure to win the ex-husband's fortune, goes for the Massey pre-nup in another marriage, to intrigue her opponent.
Two thirds through the movie, everything holds up so nicely. There is wit, charisma, character on the part of Clooney and Mrs. Douglas. The story is perfect and anyone should easily pick up on. The movie is near-perfect ... until towards the end, where wit turns to cheese, charisma goes to blandness, and character goes way to the Hollywood sell-out. I hate movies that don't stay true to themselves, but I can't blame most of this movie or the Coens. It was probably in their best interest all along.
Miles Massey, successful divorce lawyer, meets his match (and maker), in Marilyn Rexroth a man-eater when, after her failure to win the ex-husband's fortune, goes for the Massey pre-nup in another marriage, to intrigue her opponent.
Two thirds through the movie, everything holds up so nicely. There is wit, charisma, character on the part of Clooney and Mrs. Douglas. The story is perfect and anyone should easily pick up on. The movie is near-perfect ... until towards the end, where wit turns to cheese, charisma goes to blandness, and character goes way to the Hollywood sell-out. I hate movies that don't stay true to themselves, but I can't blame most of this movie or the Coens. It was probably in their best interest all along.
I saw it recently for the second time, and even though the huge holes in the plot are still there, I liked it much more than the first time. Thinking of the holes, Coens are very talented artists - perhaps we, the audiences are supposed to be smarter than Miles Massey (George Clooney - perfectly cast) - the very successful, always victorious divorce attorney for the rich and famous? Massey is the author of unbreakable "Massey's Pre - Nup" but he is so bored and restless than maybe he is waiting for someone who would be able to break it? Enters cool and sensual Marylin Rexroth (who looks exactly like Catherine Zeta-Jones), the woman who is after "wealth, independence, and freedom" and who "eats the men like Massey for breakfast" with the glass of French red wine Château Margot, 1954. Thus starts the game of wills, wits and desires with twists in every turn. Some of them are surprising and clever, some - predictable. "Intolerable Cruelty" may not be the best Coens' film but it is enjoyable, stylish, and funny. At least two scenes closer to the end of the movie are absolutely hilarious.
Miles Massey (George Clooney) is a divorce attorney whose clientele consists primarily of the rich and powerful in the Los Angeles area. He's well known for an "ironclad" prenuptial agreement named after him and also known for taking his clients' spouses to the cleaners. But when he works his magic against Marilyn Rexroth (Catherine Zeta-Jones), he may have picked on the wrong person.
I didn't find Intolerable Cruelty very funny. I might have chuckled a couple times. The dialogue was mostly affected and pretentious to my ears. The story wasn't very interesting to me. I really couldn't get myself to care what happened to Miles or Marilyn. I've liked most of writers/directors Joel and Ethan Coen's previous films, but Intolerable Cruelty seemed to me to have little of the inventiveness and cleverness of their past efforts. I have also liked most of the past films that George Clooney, Billy Bob Thornton and Geoffrey Rush have been in, but here they seemed to be turning in just okay performances for bad material. Heck, I even loved Clooney's turn at Batman (1997's Batman & Robin), Thornton's portrayal of a rocket scientist in Armageddon (1998), and Geoffrey Rush's eccentric millionaire in House on Haunted Hill (1999), but Intolerable Cruelty just didn't work for me.
Still, I can't say the film was a complete failure. I'm giving it a 6 out of 10, which is equivalent to a "D" in my way of looking at ratings. The performances might have been just okay, but they were okay, not awful. The Coens managed some interesting shots, such as Rush through the windshield of his car, where we mostly see a reflection of trees. That was unusual, and effectively conveyed the heat and brightness of a summer day the way a more traditional shot wouldn't have. The opening scene had promise to me. The Wheezy Joe subplot was fun. The slight suggestions of surrealism in Miles' boss were very enjoyable, although on the other hand, I found myself lamenting that surrealism wasn't the focus of the whole film.
Glancing at other reviews, obviously the film worked for some people. Maybe if you're more in the market for a realist drama cum light farce about divorce lawyers, you'd appreciate it more than I did. But for me, it has me rethinking my desire to collect all of the Coen brothers' films on DVD.
I didn't find Intolerable Cruelty very funny. I might have chuckled a couple times. The dialogue was mostly affected and pretentious to my ears. The story wasn't very interesting to me. I really couldn't get myself to care what happened to Miles or Marilyn. I've liked most of writers/directors Joel and Ethan Coen's previous films, but Intolerable Cruelty seemed to me to have little of the inventiveness and cleverness of their past efforts. I have also liked most of the past films that George Clooney, Billy Bob Thornton and Geoffrey Rush have been in, but here they seemed to be turning in just okay performances for bad material. Heck, I even loved Clooney's turn at Batman (1997's Batman & Robin), Thornton's portrayal of a rocket scientist in Armageddon (1998), and Geoffrey Rush's eccentric millionaire in House on Haunted Hill (1999), but Intolerable Cruelty just didn't work for me.
Still, I can't say the film was a complete failure. I'm giving it a 6 out of 10, which is equivalent to a "D" in my way of looking at ratings. The performances might have been just okay, but they were okay, not awful. The Coens managed some interesting shots, such as Rush through the windshield of his car, where we mostly see a reflection of trees. That was unusual, and effectively conveyed the heat and brightness of a summer day the way a more traditional shot wouldn't have. The opening scene had promise to me. The Wheezy Joe subplot was fun. The slight suggestions of surrealism in Miles' boss were very enjoyable, although on the other hand, I found myself lamenting that surrealism wasn't the focus of the whole film.
Glancing at other reviews, obviously the film worked for some people. Maybe if you're more in the market for a realist drama cum light farce about divorce lawyers, you'd appreciate it more than I did. But for me, it has me rethinking my desire to collect all of the Coen brothers' films on DVD.
Wusstest du schon
- WissenswertesCatherine Zeta-Jones' style of acting in this movie was modeled upon Katharine Hepburn's romantic roles.
- PatzerMuch of the film's plot is driven by inaccurate representations of California divorce law. Under the community property theory, factors like infidelity are virtually irrelevant to the distribution of property upon divorce.
- Zitate
Freddy Bender: Objection, Your Honor: strangling the witness.
Judge Marva Munson: I'm going to allow it.
- VerbindungenEdited into A Look Inside 'Intolerable Cruelty' (2004)
- SoundtracksThe Boxer
Written by Paul Simon
Performed by Simon & Garfunkel (as Simon and Garfunkel)
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
End Credit Performance by Colin Linden
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- El amor cuesta caro
- Drehorte
- Norm's Restaurant - 470 N La Cienega Blvd, West Hollywood, Kalifornien, USA(lunch scene: as "Nero's")
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 60.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 35.327.628 $
- Eröffnungswochenende in den USA und in Kanada
- 12.525.075 $
- 12. Okt. 2003
- Weltweiter Bruttoertrag
- 120.802.239 $
- Laufzeit
- 1 Std. 40 Min.(100 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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