Ein hübsche Goldgräberin trifft auf einen klugen Scheidungsanwalt aus Beverly Hills, der sich zunehmend zu ihr hingezogen fühlt.Ein hübsche Goldgräberin trifft auf einen klugen Scheidungsanwalt aus Beverly Hills, der sich zunehmend zu ihr hingezogen fühlt.Ein hübsche Goldgräberin trifft auf einen klugen Scheidungsanwalt aus Beverly Hills, der sich zunehmend zu ihr hingezogen fühlt.
- Auszeichnungen
- 3 Nominierungen insgesamt
Cedric The Entertainer
- Gus Petch
- (as Cedric the Entertainer)
Empfohlene Bewertungen
Underrated gem for fans of film history. If you liked Hudsucker Proxy then you will like this. A fun farce with an old school romantic foundation.
Miles Massey (George Clooney) is a divorce attorney whose clientele consists primarily of the rich and powerful in the Los Angeles area. He's well known for an "ironclad" prenuptial agreement named after him and also known for taking his clients' spouses to the cleaners. But when he works his magic against Marilyn Rexroth (Catherine Zeta-Jones), he may have picked on the wrong person.
I didn't find Intolerable Cruelty very funny. I might have chuckled a couple times. The dialogue was mostly affected and pretentious to my ears. The story wasn't very interesting to me. I really couldn't get myself to care what happened to Miles or Marilyn. I've liked most of writers/directors Joel and Ethan Coen's previous films, but Intolerable Cruelty seemed to me to have little of the inventiveness and cleverness of their past efforts. I have also liked most of the past films that George Clooney, Billy Bob Thornton and Geoffrey Rush have been in, but here they seemed to be turning in just okay performances for bad material. Heck, I even loved Clooney's turn at Batman (1997's Batman & Robin), Thornton's portrayal of a rocket scientist in Armageddon (1998), and Geoffrey Rush's eccentric millionaire in House on Haunted Hill (1999), but Intolerable Cruelty just didn't work for me.
Still, I can't say the film was a complete failure. I'm giving it a 6 out of 10, which is equivalent to a "D" in my way of looking at ratings. The performances might have been just okay, but they were okay, not awful. The Coens managed some interesting shots, such as Rush through the windshield of his car, where we mostly see a reflection of trees. That was unusual, and effectively conveyed the heat and brightness of a summer day the way a more traditional shot wouldn't have. The opening scene had promise to me. The Wheezy Joe subplot was fun. The slight suggestions of surrealism in Miles' boss were very enjoyable, although on the other hand, I found myself lamenting that surrealism wasn't the focus of the whole film.
Glancing at other reviews, obviously the film worked for some people. Maybe if you're more in the market for a realist drama cum light farce about divorce lawyers, you'd appreciate it more than I did. But for me, it has me rethinking my desire to collect all of the Coen brothers' films on DVD.
I didn't find Intolerable Cruelty very funny. I might have chuckled a couple times. The dialogue was mostly affected and pretentious to my ears. The story wasn't very interesting to me. I really couldn't get myself to care what happened to Miles or Marilyn. I've liked most of writers/directors Joel and Ethan Coen's previous films, but Intolerable Cruelty seemed to me to have little of the inventiveness and cleverness of their past efforts. I have also liked most of the past films that George Clooney, Billy Bob Thornton and Geoffrey Rush have been in, but here they seemed to be turning in just okay performances for bad material. Heck, I even loved Clooney's turn at Batman (1997's Batman & Robin), Thornton's portrayal of a rocket scientist in Armageddon (1998), and Geoffrey Rush's eccentric millionaire in House on Haunted Hill (1999), but Intolerable Cruelty just didn't work for me.
Still, I can't say the film was a complete failure. I'm giving it a 6 out of 10, which is equivalent to a "D" in my way of looking at ratings. The performances might have been just okay, but they were okay, not awful. The Coens managed some interesting shots, such as Rush through the windshield of his car, where we mostly see a reflection of trees. That was unusual, and effectively conveyed the heat and brightness of a summer day the way a more traditional shot wouldn't have. The opening scene had promise to me. The Wheezy Joe subplot was fun. The slight suggestions of surrealism in Miles' boss were very enjoyable, although on the other hand, I found myself lamenting that surrealism wasn't the focus of the whole film.
Glancing at other reviews, obviously the film worked for some people. Maybe if you're more in the market for a realist drama cum light farce about divorce lawyers, you'd appreciate it more than I did. But for me, it has me rethinking my desire to collect all of the Coen brothers' films on DVD.
I wouldn't have commented, except that I read too many reviews that mislead potential movie watchers.
This movie is exactly what it portents to be. A good comedy.
It's not a classic, but well worth your time. You'll enjoy it.
Clooney is excellent, and CZJ is the perfect counterpart. Plenty of recognizable names that seem to enjoy being involved, without the need to have huge billings...
Too bad these other reviewers can't just appreciate a fun movie. Don't pass on this movie, you'll be missing some good entertainment.
This movie is exactly what it portents to be. A good comedy.
It's not a classic, but well worth your time. You'll enjoy it.
Clooney is excellent, and CZJ is the perfect counterpart. Plenty of recognizable names that seem to enjoy being involved, without the need to have huge billings...
Too bad these other reviewers can't just appreciate a fun movie. Don't pass on this movie, you'll be missing some good entertainment.
Miles Massey is an amazing divorce lawyer who has a well-earned reputation. When he takes on the case of Rex Rexroth, who was caught on video cheating with another woman, he successfully wins the case and leaves the wronged wife, Marylin, with nothing. However he also falls for her, but she is planning his downfall in return for her losing everything she had.
With a big name pair of leads, it does look very much like the Coen's were looking for a big screen hit that would support their work to a greater extent than the loyal fan base does. As that sort of film, it seems to be doing OK, but, I wondered, at what cost to the product? The film starts well enough with an interesting case which we actually see little of, however the character of Miles is enough to hold the film together. The film contains the usual mix of larger than life characters and quirky humour, but the central romancing doesn't always hold true and there are stretches where the humour dips away to find that there is very little left without it.
Having said that, this doesn't occur often enough to be a problem and the film is still pretty good fun. The characters are it's making and there are enough of those to make it work. Clooney excels in the lead with a strange sort of humour - the same sort of character he played in "O Brother" if you ask me, but he does seem to have a touch for the comic stuff. Jones is less assured and her character has less of the humour I expect from the Coens and is more of a straight role. The support cast is all good as they provide small snippets of humour, whether it be Wheezy Joe or the rude waitress.
Overall it is not the cleverest film the Coen's have done, nor the funniest or most satisfying but, as a multiplex pleasing romance with quirky humour, it does work and should be enjoyed as that.
With a big name pair of leads, it does look very much like the Coen's were looking for a big screen hit that would support their work to a greater extent than the loyal fan base does. As that sort of film, it seems to be doing OK, but, I wondered, at what cost to the product? The film starts well enough with an interesting case which we actually see little of, however the character of Miles is enough to hold the film together. The film contains the usual mix of larger than life characters and quirky humour, but the central romancing doesn't always hold true and there are stretches where the humour dips away to find that there is very little left without it.
Having said that, this doesn't occur often enough to be a problem and the film is still pretty good fun. The characters are it's making and there are enough of those to make it work. Clooney excels in the lead with a strange sort of humour - the same sort of character he played in "O Brother" if you ask me, but he does seem to have a touch for the comic stuff. Jones is less assured and her character has less of the humour I expect from the Coens and is more of a straight role. The support cast is all good as they provide small snippets of humour, whether it be Wheezy Joe or the rude waitress.
Overall it is not the cleverest film the Coen's have done, nor the funniest or most satisfying but, as a multiplex pleasing romance with quirky humour, it does work and should be enjoyed as that.
George Clooney stars as a self-loving whiter than white toothed lawyer who is becoming bored with his never-ending success. A challenge comes in the shapely form of Marilyn Rexroth (Catherine Zeta Jones) who wants to marry (or preferably divorce) her way to riches. With Clooney hired to represent her soon to be ex husband, he inevitably falls for the gold diggers charms.
Directed by the Coen brothers, a directorial team who have helmed oddball comedies such as 'Fargo' and 'O Brother, Where Art Thou?' this is the team's first branch in to a high profile Hollywood film. Clooney, as the sharp suited lawyer, is excellent. Like Cary Grant or David Niven, Clooney is able to mock himself without compensating his screen appeal. Catherine Zeta Jones as the money hungry Marilyn is as sexy as her character demands from the scripted page. However, despite the quick fire dialogue, Intolerable Cruelty is simply not as funny as it thinks, it's cynical message of love and money taking away the romantic push it needs to place it in the league of the Tracy/Hepburn films the movie aspires to. Clooney's character also suffers from an over enthusiastic plot that later drives his character to attempt to commit a crime that totally contradicts the audiences perception of him. A battle of the sexes comedy that has sex appeal but no romance, Intolerable Cruelty is a film that reaches for the golden age of Hollywood but only touches the bronze.
Directed by the Coen brothers, a directorial team who have helmed oddball comedies such as 'Fargo' and 'O Brother, Where Art Thou?' this is the team's first branch in to a high profile Hollywood film. Clooney, as the sharp suited lawyer, is excellent. Like Cary Grant or David Niven, Clooney is able to mock himself without compensating his screen appeal. Catherine Zeta Jones as the money hungry Marilyn is as sexy as her character demands from the scripted page. However, despite the quick fire dialogue, Intolerable Cruelty is simply not as funny as it thinks, it's cynical message of love and money taking away the romantic push it needs to place it in the league of the Tracy/Hepburn films the movie aspires to. Clooney's character also suffers from an over enthusiastic plot that later drives his character to attempt to commit a crime that totally contradicts the audiences perception of him. A battle of the sexes comedy that has sex appeal but no romance, Intolerable Cruelty is a film that reaches for the golden age of Hollywood but only touches the bronze.
Wusstest du schon
- WissenswertesCatherine Zeta-Jones' style of acting in this movie was modeled upon Katharine Hepburn's romantic roles.
- PatzerMuch of the film's plot is driven by inaccurate representations of California divorce law. Under the community property theory, factors like infidelity are virtually irrelevant to the distribution of property upon divorce.
- Zitate
Freddy Bender: Objection, Your Honor: strangling the witness.
Judge Marva Munson: I'm going to allow it.
- VerbindungenEdited into A Look Inside 'Intolerable Cruelty' (2004)
- SoundtracksThe Boxer
Written by Paul Simon
Performed by Simon & Garfunkel (as Simon and Garfunkel)
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
End Credit Performance by Colin Linden
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- El amor cuesta caro
- Drehorte
- Norm's Restaurant - 470 N La Cienega Blvd, West Hollywood, Kalifornien, USA(lunch scene: as "Nero's")
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 60.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 35.327.628 $
- Eröffnungswochenende in den USA und in Kanada
- 12.525.075 $
- 12. Okt. 2003
- Weltweiter Bruttoertrag
- 120.802.239 $
- Laufzeit
- 1 Std. 40 Min.(100 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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