Füge eine Handlung in deiner Sprache hinzuAlex and Elliot an unlikely pair connect to write a film about a New York cop working undercover as a fashion model.Alex and Elliot an unlikely pair connect to write a film about a New York cop working undercover as a fashion model.Alex and Elliot an unlikely pair connect to write a film about a New York cop working undercover as a fashion model.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Gewinne & 1 Nominierung insgesamt
Teresa DePriest
- Lana
- (as Therese De Priest)
Empfohlene Bewertungen
I liked the fact that most of the people in this movie were pretty much unknowns to me. This eliminated the "superstar" factor; where I get so distracted by the person playing the character that the character doesn't develop. I loved the idea for their screenplay; the premise was so funny, the scenes they showed were hilarious. The scenes with the family at the restaurant were very realistic. Even the gay Christmas party was good. Elliott reminded me of a gay Woody Allen (which, if you think about it, would have saved Mia a lot of trouble). Alex, I couldn't quite pigeonhole that easily. Didn't seem very ethnic, ethereal; he seemed more like a jock than a writer. All in all, I think this was a really good movie. I came across it by accident and I hope you do too.
Hit and Runway has the same spirit of Good Will Hunting, and is done equally as well. Geez, movies where you come to know the characters, like them and care what happens to them -- individually and their relationship. What a concept! Sure, the urban setting of NYC is an easy mark for a story like this, but at least the main characters aren't yuppies and this movie shows real people living like real people. I thought this was going to be an indie film shot on a miniscule budget, but I never saw a shot that looked it. Everything seemed as well done as with a big budget throwaway (of which there are so many these days). I thought I might like this movie but didn't expect to love it. I loved it. Everyone involved should feel proud.
I liked Hit and Runway. I went into it with just a vague idea of what it was about, and wound up being thoroughly charmed by it. It made me laugh and it kept me interested all the way. Sure, it looks a bit low-budget at times, but that's not necessarily a bad thing.
Sometimes, and particularly with this film, it can make the characters more accessible. My idea of a successful movie is one that makes me feel sad when it ends, because I'd like to spend a little more time with the people it's introduced me to. That's how I felt at the end of this film. (By the way, I also liked the music.)
Sometimes, and particularly with this film, it can make the characters more accessible. My idea of a successful movie is one that makes me feel sad when it ends, because I'd like to spend a little more time with the people it's introduced me to. That's how I felt at the end of this film. (By the way, I also liked the music.)
The main purpose of this comment is because I was so disappointed by the other review on this site. It completely misses the point of the movie and I would hate for someone to only read that one and then not see the movie. The story is very well put together. It begins with rough, thumbnail (almost stereotypical) characters and you are ready to be put off. Then the story gradually develops and we get to know the two main characters in a full, three dimensional way. Each comes forward through the story line as complete, reasonable, and likable. The message of the movie is presented in a systematic and approachable way, without being in any way obvious or predictable. I can highly recommend this movie to anyone who is halfway sensitive and open to seeing gay people beyond the usual four corners often found in gay pride parades. By the way, if you like this movie, you will really like The Big Eden, probably opening near you soon, if not already.
Hit and Runway may at first glance appear to be another one of those movies about struggling screenwriters trying to write a movie. But unlike most of their blockbuster counterparts, this movie is not about the movie that Alex and Elliot are writing, but it is about the friendship that they forge throughout the experiment. Although the screenplay they are writing is not particulary good, the broader movie is able to focus on human nature, and the inexperienced actors are good in delivering timely humor. On the whole, a strong movie and a good career start for up-and-coming director Christopher Livingston. Well Done.
Wusstest du schon
- WissenswertesWinner - Best screenplay at the 1999 Los Angeles Film Festival.
- PatzerWhen Alex confronts Eliot at the restaurant, he takes his spoon away so he cannot finish his ice cream drink. After a few seconds Eliot jumps up to reveal that the half-full glass has suddenly become empty.
- Zitate
Elliot Springer: It's Hopeless.
Alex Andero: Hopeless is not a word in my vocabulary.
Elliot Springer: I suspect that there are a lot of words that aren't in your vocabulary.
- Crazy CreditsRecorded at Audio Paint, NYC If it can be imagined, it can be recorded www.audiopaint.com
- VerbindungenReferenced in Essen gehen (2004)
- SoundtracksAmerican Dream
Written by Lance McVickar
Performed by Slow Poke - Lance McVickar, Joel Finn & Mark Frankel
Engineered and Arranged by Lance McVickar
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Éxito y pasarela
- Drehorte
- Manhattan, New York City, New York, USA(various exterior shots)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 1.200.000 $ (geschätzt)
- Laufzeit1 Stunde 48 Minuten
- Farbe
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