Füge eine Handlung in deiner Sprache hinzuGrace tries to be the perfect mother and TV producer but finds trouble in juggling both.Grace tries to be the perfect mother and TV producer but finds trouble in juggling both.Grace tries to be the perfect mother and TV producer but finds trouble in juggling both.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Nominierungen insgesamt
Empfohlene Bewertungen
Yes, this is a "woman's film." One of the other male reviewers condescendingly said that this is woman's film that women should watch. Excuse me, but I don't think women, especially working moms, or anyone raised by a working mom, would need to watch it, except for vindication. This IS their life. On the other hand, I think men would benefit from watching this film. It might generate some empathy for the demands put on working mothers that are never put on men, no matter how enlightened we may regard ourselves. Rosie Perez is perfectly cast, and she is marvelous.
I found THE 24 HOUR WOMAN to be very funny. The lack of structure was deliberate. I have a feeling that the author of the above review was a man; certainly he/she has no children. The movie is about the total chaos that the baby brings into the lives of extremely controlled and stressed people who actually think they can 'manage' the situation while not changing their lives in the least. Nancy Savoca mentioned in an interview that 'when others went to the right, we went to the left' she deliberately avoided cliches like the 'contrast between the working class black woman and middle class Latina.' The ethnicities are there, but are never shoved in your face, and the situations apply to all races. This was not a movie about 'class differences' but about the troubles one has in trying to 'have it all', whether by choice or necessity. The problem applies to the male characters as well as the women. This movie is very entertaining and far more honest than the Hollywood versions of the 'working mom/dad/take care of baby' that I have seen. Recommended.
It squanders an opportunity to be about the class differences between a working-class Black woman (Jean-Baptiste) and her boss (Rosie Perez, who despite the cast list above, is the focus of the entire film) and settles for all the cliches about juggling work and family duty. It's directed incompetently, worst than most television programs, with an inbalanced story structure and lazy, imprecise screenplay.
Rosie Perez has been in great films: "Fearless" (Oscar nominations), "It Could Happen to You," and "The Twenty-Four Hour Woman." In this film, Perez is wonderful as a producer who juggles a man, a job, and pregnancy in her 30s. With a competent supporting cast including Marianne Jean-Baptiste, Karen Duffy, and Aida Turturro, this film, with a delightful screenplay and a highly-overlooked and exceptional leading lady, is one not to miss. (7/10)
Somehow I missed this when it came out at the movies, I don't think it was publicized enough! This was a fast-paced, funny and uplifting story. I found the behind the scenes world of television production reminiscent of Broadcast News, with the hectic pace and career-driven personalities. Patti Lupone's "do anything for ratings" character was outrageous! Rosie Perez was excellent as a television producer juggling career and a new baby, set in the NY media market. The movie's pace was quick and it was over before I knew it. If you liked Baby Boom, Working Girl or Broadcast News this is a good movie for you.
Wusstest du schon
- WissenswertesThe cast includes two Academy Award nominees (Rosie Perez and Marianne Jean-Baptiste), two Academy Award winners (Melissa Leo and Chris Cooper), and two Tony Award winners (Patti LuPone and Wendell Pierce).
- Zitate
[Grace has pointed a gun at Eddie live on air during the Sex-Switcheroo dress up day on the talk show]
Joan Marshall: [on the phone with police] We have been taken hostage by a lone gunman. Gun person. She is a disgruntled employee. Set off by a case of postpartum depression. No, the drag outfits aren't part of her demand.
Top-Auswahl
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Details
Box Office
- Budget
- 2.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 109.535 $
- Eröffnungswochenende in den USA und in Kanada
- 21.399 $
- 31. Jan. 1999
- Weltweiter Bruttoertrag
- 109.535 $
- Laufzeit
- 1 Std. 33 Min.(93 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1
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