Shakespeare in Love

In the movie Shakespeare in Love, a young and promising William Shakespeare is finding it difficult to write a new play. He feels he has lost his gift for stringing together eloquent sentences and yearns for some sort of inspiration to rid him of his horrible writer's block. William then meets the lovely and royal Viola, who is craving to be an actress. She becomes his muse, as well as the lead `actor' in his new play Romeo and Juliet, as they weave a tangled love affair. This burning passion they feel can only end with separation when Viola is forced to marry Lord Wessex and move to America. This film is a wonderful combination of romance, comedy, and drama that attempts a new perspective of the classic Romeo and Juliet story. It employs clever dialogue, beautiful scenes, and wonderful characterization to entertain the viewer. The film's Renaissance dialogue is true to its time period. With such an excellent script, William comes across as the master of speech that he really is. Some parts of the movie are purely funny as almost to parody the seriousness of Romeo and Juliet. Other parts intertwine the actual lines from the play, such as the multiple bedroom scenes between Will and Viola, to provide a unique and obvious parallel between it and the movie. When Will quotes `Shall I compare thee to a summer's day?' to Viola, this provides not only a sentimental scene but actual words from Shakespeare to add to the historical content of this film. This film has an interesting twist on the tragic tale because Will becomes not just a writer pouring out the lines for pay, but a man pouring out his heart in true love. At the end of the movie, Romeo and Juliet is presented as though you were actually sitting on the dirt floor of the playhouse. You see the play through the eyes of a person in England during the late 1500's, except by this time the lead is not longer Romeo and Juliet but literarily and symbolically Will and Viola. The setting of this film is very well done, and the playhouses, taverns, and elegant houses convey the feeling of Renaissance England. The costumes, including Queen Elizabeth's glamorous dresses and Viola's body-shaping corset, are seemingly accurate. (I would have hated wearing those clothes!) The scenes between Will and Viola are rarely anything but love scenes, and they, like their counterpart scenes in Romeo and Juliet, mostly happen at night. This adds to the mystery and forbidden feeling of the movie. The characterization of this film was splendidly carried out. I could not help but fall in love with the beautiful emotion that gushed from Will and Viola ( Will is extremely good looking by the way). When the couple was separated in the end, I felt like a terrible wrong had been committed. The character of Queen Elizabeth, with her snide comments and all-knowing attitude, was a comical representation of a serious position that kept me completely entertained. Christopher Marlowe also provides a wonderful character that conveys `real person' qualities of competition between two famous playwrights. I found this film to be completely engaging from start to finish, but I would not recommend it to everyone. I believe it could truly be given the title of `chick flick' by some viewers despite its fight scenes and comedic devices. The viewer will gain a knowledge of the Renaissance period and its characteristics while also getting the feeling of knowing the great William Shakespeare, however inaccurate the description of Will may be. I feel that now I appreciate the play Romeo and Juliet with a new sense of understanding that can only come from looking at an old tale in a new light.

Those who are looking for a historically accurate portrayal of Shakespeare's life had better look elsewhere - but then this was never intended to be a serious look at the life of the man. Those who attack it for its' fanciful relation to history have missed the point entirely. It is a romantic comedy obsessed with nothing more than making references in storyline and plot to the plays of Shakespeare and his contemporaries, and those references are made so seamlessly it could almost be assumed that what we see on the screen actually happened to the man.

In fact the overall story we are presented with is not new. Anyone who had read or seen `Romeo and Juliet' will have a pretty shrewd idea of the path the narrative takes - the twist is that in the film, Shakespeare writes the play `Romeo and Juliet' in parallel to, and based on, his `real life' relationship with Lady Viola.

The opening sees Shakespeare (Joseph Fiennes) desperately trying to write the masterpiece `Romeo and Ethel, the Pirates Daughter', a comedy he hopes will rival anything by Christopher Marlow (Rupert Everett). Words fail him until his muse appears in the shape of Lady Viola (Gwyneth Paltrow), a noblewoman whose love for the work of Shakespeare's leads her to dress as a boy (since at the time women were not allowed on stage) and attend an audition in disguise (mistaken identity and women dressing as men are devices Shakespeare often used in his comedies). She is given the role of Romeo and begins a forbidden relationship with Shakespeare, the only one who knows her real identity, in spite of the fact that she is betrothed to the villainous Lord Wessex (Colin Firth) at Queen Elizabeth's (Judi Dench) command.

Fiennes portrays Shakespeare wonderfully and not as the infallible master of rhetoric. He takes the Bard from the pedestal and brings him down to a human level that we can all sympathise with. His relationship with Paltrow is handled sensitively, although many of the scenes that are exclusively their own did have enough a little too much `Chick-Flick' for my liking. Paltrow's R.P. accent is technically very good, and though I normally like my English to be played by the English, I was as happily surprised by her performance as I was by Ben Affleck's brief, but memorable portrayal of the self-important Ned Alleyn. Much of the credit, though, must go to Michelle Guish for the wonderful supporting cast including: Judi Dench, Simon Callow, Imelda Staunton, Jim Carter, Martin Clunes and Geoffrey Rush, to name but a few.

John Madden directs hypnotically and constantly keeps the camera on the move but most credit for the film must go to Marc Norman and Tom Stoppard for their cunning and often self-parodying script. The only comment I would make is regarding the sheer number of theatre references. Those who have worked in the theatre will be aware of many, if not all, of the in-jokes that the film is littered with. Those who have not may be left with the feeling that they have been excluded from much of the content.

In the times when Women were not allowed to act on the stage. A time when a young William Shakespeare (Joseph Fiennes) was troubled with Writers block. Viola (Gwyneth Paltrow) wanted nothing more than to perform on stage.

The Lovely Viola, is set to marry Lord Wessex, but her desire to become an actress, leads her to dress as a man and she successfully auditions for a part in Shakespeare's Romeo and Ethel the pirate's daughter. Inspired by a forbidden love for Viola, Shakespeare's writers block is lifted and his play blossoms into Romeo and Juliet.

This is a heart warming tale of forbidden love between an unlikely couple, and is delivered in a charming way, with subtle comedy undertones throughout.

A Beautiful Film 8/10

I thought this was a very sweet & cute movie with an original plot and good acting. With that being said, I have NO idea what they were smoking when they voted this movie Best Picture. It just was not that deep or great and the romance wasn't THAT electric. It's a good bit of fluff that you'd take a date to or rent for a sleepover with all your galfriends. But not Oscar material.

I went to see this movie not knowing what to expect. On the one hand, I was excited, because you see, I am an English major and here was this movie based on the life of William Shakespeare. In the realm of Shakespeare rip-offs (i.e., "Romeo & Juliet," "Macbeth," etc..)"Shakespeare in Love" clearly stood out. This is the first film I've seen based on the author, rather than his work. And it was a refreshing change from watching the pompous over-fed Hollywood egoes trying to pass themselves off as true actors. At the same time, however, the casting had me a bit nervous. I had not seen Joseph Fiennes work, but I had high hopes since his brother is, in my opinion, a brilliant actor. I liked Gwyneth Paltrow in "Emma" and "Sliding Doors," but I was wary to see how she would pull this one off. And as for Ben Affleck.. well, I was truly afraid he would flop. I saw him in "Armageddon" and immediately racked him up on the list of other such forgettable actors as .. well never mind. The point is, I was afraid he would make a laughing-stock of this movie. As for the other actors,I did not recognize any one else except Judi Dench, and I figured hers was a bit role, nothing that could affect this movie much. I was wrong on almost all counts. Gwyneth Paltrow was so radiant in this movie, she fairly set the screen ablaze. I never knew she had such range. I had not expected such fire in her, I always thought she was a rather calm actress, incapable of such passions. Joseph Fiennes amazed me far more than his brother in that he knows how to balance wit and passion, joy and sorrow gracefully, even more so than Ralph. Together, these two actors did more than carry off the film; they raised it up to levels higher than any other actors I've seen in a very long time. Judi Dench may have had a bit role, but she managed to make a lot out of it. She played Queen Elizabeth with more majesty and grace than any other Queen-playing actress I've seen. (I've yet to see Cate Blansett in the movie "Elizabeth.")But the true darkhorse of this movie is Ben Affleck. My God, he has a sense of humor! I never imagined. "Armageddon" didn't give him much space to roam in, but in this film he was all over the place. Had he not been flanked by such worthy thespians, he just might have stolen the show. The actors could not have done such marvelous work had it not been, of course, for the writing. The play flows smoothly, with nary a glitch in sight. This is note-worthy, for it is well over 100 minutes. It is written in a style that is at once clever and grave, passionate and dry. Love is one of the most abused notions on the screen today. It is rare to see a movie portray Love with as much originality and truth as this film has accomplished. Perhaps the highest compliment I can pay this movie I already did on Christmas night, when I went to go see this film. As the movie ended and the actors' names scrolled up on the screen, tears trickled down my cheeks. I must say it is not often a movie makes me cry. And don't underestimate me just because I am a girl and because I may be more sensitive because you see, my boyfriend left the theater with suspiciously bright eyes as well..