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Herbstgeschichte

Originaltitel: Conte d'automne
  • 1998
  • 0
  • 1 Std. 52 Min.
IMDb-BEWERTUNG
7,4/10
6702
IHRE BEWERTUNG
Marie Rivière and Béatrice Romand in Herbstgeschichte (1998)
ComedyDramaRomance

Die beste Freundin einer Witwe versucht, einen neuen Ehemann für sie zu finden, aber die Zeitungsannonce zieht mehr als nur eine Möglichkeit an.Die beste Freundin einer Witwe versucht, einen neuen Ehemann für sie zu finden, aber die Zeitungsannonce zieht mehr als nur eine Möglichkeit an.Die beste Freundin einer Witwe versucht, einen neuen Ehemann für sie zu finden, aber die Zeitungsannonce zieht mehr als nur eine Möglichkeit an.

  • Regie
    • Éric Rohmer
  • Drehbuch
    • Éric Rohmer
  • Hauptbesetzung
    • Marie Rivière
    • Béatrice Romand
    • Alain Libolt
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,4/10
    6702
    IHRE BEWERTUNG
    • Regie
      • Éric Rohmer
    • Drehbuch
      • Éric Rohmer
    • Hauptbesetzung
      • Marie Rivière
      • Béatrice Romand
      • Alain Libolt
    • 41Benutzerrezensionen
    • 68Kritische Rezensionen
    • 81Metascore
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 5 Gewinne & 3 Nominierungen insgesamt

    Fotos36

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    Topbesetzung9

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    Marie Rivière
    Marie Rivière
    • Isabelle
    Béatrice Romand
    Béatrice Romand
    • Magali
    Alain Libolt
    • Gérald
    Didier Sandre
    • Étienne
    Alexia Portal
    • Rosine
    Stéphane Darmon
    • Léo
    Aurélia Alcaïs
    • Émilia
    Matthieu Davette
    • Grégoire
    Yves Alcaïs
    • Jean-Jacques
    • Regie
      • Éric Rohmer
    • Drehbuch
      • Éric Rohmer
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen41

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    Empfohlene Bewertungen

    9DennisLittrell

    Rohmer knows relationships

    (Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon.)

    And he knows how to write dialogue that is revealing, engaging and realistic, no small feat; and it is perhaps this talent more than anything else that has made Eric Rohmer the great director that he is. Here uses France's Cotes du Rhone wine country as a backdrop and symbol to help him explore not only autumn love, but the enduring friendship of two very different women. Isabelle (Maire Revière) is an elegant, tall, fair haired, blue-eyed haute bourgeoisie and her friend Magali (Beatrice Romand) is a short, earthy, dark-haired petite winemaker originally from Tunisia. Isabelle is happily married; Magali is divorced. They are both forty-something.

    Isabelle's daughter is to be married. But the focus of the film is not on the bride and groom, but on the older generation, on Isabelle and Magali. In this way Rohmer combines the warm and enchantment of the celebration of autumn life, when the grapes are ripe for harvest, when love has its last chance, when Dionysus has his festival, when the heat of summer is over and we are ready to reflect and realize what is really important before it's too late.

    Isabelle feels this strongly and wants her friend to find happiness before another winter comes. But Magali, because of the vineyard, doesn't have much of an opportunity to meet men, although she allows that she would like to. She is at that delicate age when one can try again or shrug it off. Isabelle intervenes by going to a dating service and placing an ad. She meets Gerald (Alain Libolt) and they have lunch (she insists on lunch) two or three times and she evaluates him. He is modest, somewhat suave and amazingly diplomatic. They share a certain attraction.

    Meanwhile, Rosine (Alexia Portal) who is dating Magali's son and who is very close to Magali, perhaps more so that she is to her son, also wants to find a mate for Magali. She proposes her philosophy professor, Etienne (Didier Sandre), who is in fact sweet on her. He is the kind of man who, as Magali observes, likes them younger as he grows older. But maybe she will be the exception. Maybe he will finally grow up. Both arrange for their choices to meet Magali at the wedding.

    As usual Rohmer explores humanity and how we relate to one another, and finds both love and a kind of sweetness that is liable to bring us to tears.

    The resolution of the film is followed by a most endearing anticlimax in which there is a dance of joy.
    stephenksmith

    Eric Rhomer's gently sexy autumnal romp through the countryside of France

    "Autumn Tale" is a friendly, rambling french film. Beautiful visuals. And, as always, the french have a realistic, sanguine approach to female and male beauty, where the women of the film are not hollywood-ized, but their natural beauty is enhanced by the french countryside's autumanl splendor. One middle aged woman plays matchmaker for her friend, but does not tell her she's placed an ad in the personals. Someone else plays matchmaker, and then threads of story lines appear and vanish like possible lovers come and gone. Rhomer is not a natural storyteller, but this film is not terribly amibitious or weighty, but a golden, good-natured romp through french womens' psychees and sweet taut clothing. The female leads are compelling and edible, again, because the french love to present beauty through the lens of reality and possibilty. Tasteful lust. Realistic. Wild, dionescian hair on the earthmother, tilted uterus'd owner of the winery. Tres elegante is her friend living a bit vicariously through her man-hunt. Fun film but don't expect a great story here. But, oooo la la, what curves and sex have the women of middle-aged france.
    8timmy_501

    A humanist critique of blind faith

    For this, the last of his Tales of the Four Seasons, Eric Rohmer chose the somewhat pastoral setting of a vineyard in French wine country. It's the story of a middle aged winemaker who wants to find a man but isn't willing to look for one; essentially she hopes to encounter the perfect man by chance but she severely limits the likelihood of a meeting because she rarely ventures away from her work/home. Her two friends (who always visit her, never vice versa) each try to set her up with a man. Her older friend attempts to deceive her into thinking the man she has picked is a chance encounter while her younger friend, who happens also be dating her son, makes her intentions clear.

    Essentially what Rohmer is saying with this film is that passively expecting things to happen without working for them in any way is foolish. Faith is a key theme in Rohmer's work and this might be taken as a sort of critique of blind faith. When the winemaker is thrust into these romantic entanglements she reacts like a petulant child instead of a mature adult. The logical plans of her wordly friends are a sharp contrast to her own naivety. Still, this isn't some cold rejection of her character; in spite of her flaws the winemaker still has some admirable traits and things work out well for her. This is the difference between Rohmer and certain other directors who attempt to analyze human nature: he never lets his ideas overcome the realistic boundaries of human behavior and thus avoids the all too common pitfalls of misanthropy and didacticism.

    Like almost every Rohmer film I've seen, An Autumn's Tale expresses some truths about human nature with a captivating realism. However, this film didn't really speak to me the way some of his films do because I ultimately don't have much in common with the winemaker. It's still well worth watching, especially for people who have more in common with the central character.
    10naomi_long-72771

    Real France, real relationships

    Lovely, like all of Rohmer's seasonal films. I discovered them very recently, but I was living in France around this time and I think this film is such a fantastic representation of the end of the '90s in rural France, and it hasn't changed a lot as I still go back to the vineyard region, and this captures the whole spirit and the kind of people you meet there beautifully. I always think Rohmer's films feel extremely real, all the people in them are very authentic and I like the way that, as usual, he explores the places in between the very stark relationships portrayed by Hollywood. If anybody has ever captured real France, then it's in this film. And it's so refreshing to just enjoy a film that feels like a very natural vignette, I wouldn't have minded even less of a romantic plot, it's just nice to be with these characters for a few afternoons and evenings in the middle of nowhere.
    patate-2

    Rohmer flicks have their own live, logic, code and references

    This one filled me with so much joy, a fellow viewer asked me to stay still on my chair. Last time I felt like it, I was watching Rear window. Beside, you get to see France grape farm in fall and 45 year old actress who played in other Rohmer flicks as teens and young adults. Just as long-lost friends who are going through same life cycle as I, the viewer. Probably the last of elderly Rohmer flick. Last scene during end-titles feels like a farewell to his public. I'll miss your flicks Eric. Thanks for everything.

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    Handlung

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    • Wissenswertes
      This films evokes Yasujiro Ozu 's films (1903-63) in particular An autumn afternoon ( sanma no aji)1962.
    • Zitate

      Gérald: You really fooled me. I was ready for anything but this. You see, in a way, I'm relieved: Something was fishy, but I couldn't figure it out. But I'm disappointed, too. Very much so. I was already more than interested in you. I don't want to shock you, but I wanted to love you, and I'm frustrated.

      Isabelle: OK, stop this nonsense.

    • Verbindungen
      Featured in Siskel & Ebert & the Movies: The Haunting/Lake Placid/Drop Dead Gorgeous/Inspector Gadget/An Autumn Tale (1999)

    Top-Auswahl

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    FAQ19

    • How long is Autumn Tale?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 1. Oktober 1998 (Deutschland)
    • Herkunftsland
      • Frankreich
    • Sprache
      • Französisch
    • Auch bekannt als
      • Autumn Tale
    • Drehorte
      • Saint-Paul-Trois-Châteaux, Drôme, Frankreich(Isabelle's hometown, bookstore, wedding at cathedral)
    • Produktionsfirmen
      • Les Films du Losange
      • La Sept Cinéma
      • Canal+
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Bruttoertrag in den USA und Kanada
      • 2.205.339 $
    • Eröffnungswochenende in den USA und in Kanada
      • 33.631 $
      • 11. Juli 1999
    • Weltweiter Bruttoertrag
      • 2.221.438 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 52 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital

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    Marie Rivière and Béatrice Romand in Herbstgeschichte (1998)
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    By what name was Herbstgeschichte (1998) officially released in India in English?
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