Thomas and Sarah

Although the time frame covered a number of years and started in 1910, World War I seems to have been skipped altogether and Thomas would have been prime cannon fodder. Although the stories seemed to cover the time during the money making on Wall Street, they skipped the war. The plots seemed to shift Thomas from being just a rogue looking for an opening to get ahead and to America to a man with a really ugly soul, at least as far as Sarah was concerned. Sarah's character seemed always to think things would sort themselves out for the better even on the gloomiest day. The title for the finale was very apt. After doing some research, I think I know whose funeral it was or at least whose funeral I hope it was.In some episodes Ms Collins seemed uncomfortable, as though she'd rather have been doing something else.Perhaps Thomas'attitude was wearing thin. I'm a fan of both Ms Collins and Mr. Alderton and saw them on the stage in London in 1980 when we lived in England.

Thought struck me - possible sequel.Thomas and Sarah make fortune out of munitions in WW1, get to know the right people - Sir Thomas Watkins?

Twas nice to see a 'spin off' series from 'Upstairs Downstairs', so that the 'Upstairs Downstairs' vibes can continue - and it does for the first few episodes but Thomas & Sarah become a boring couple after a while - ie: The series drags on & becomes un-relatable to Upstairs Downstairs.

I suppose different writers, directors, budgets, cast members & studios etc all add to the very different feel of Thomas & Sarah being a spin-off series. The series then transforms itself into a series that warrants its own merits. I wouldn't have chosen those two characters from the Upstairs Downstairs cast to make a spin-off series. I woulda chosen what I consider to be the 5 main characters: Lord & Lady Bellamy, Rose, Hudson & Mrs Bridges.

However it is in this series that we get to see Sarah perform - 'What Are We Gonna Do With Uncle Arthur...' 'What Are We Gonna Do With Uncle Arthur... 'becomes the Upstairs Downstairs closing signature tune on later episodes.

The ending theme tune 'What Are We Gonna Do With Uncle Arthur...' is what moves my Star Rating from 2 for contents - 5 for entertainment.

Moments ago, I savored the final episode, after enjoying the entire series over the past couple of weeks. First I must confess, I was an immediate fan of both characters in Up/Down. For me, Pauline Collins as Sarah was my favorite, and certainly she was the most interesting and complex of the bunch. Then enters John Alderman (Sorry about that, chief. You know I meant Alderton!). From his very first lines, facial expression, voice tone and accent I was sold on this intriguing, semi-lovable rogue. You knew something was up, the plot had thickened, the game was afoot from his very first lines with "Miss Elizabeth" during the 'job interview.' From the first to the last, you were never quite sure if Thomas is being sincere, facetious or calculating! What a talent, and what a delightful viewing pleasure. Thank you, Pauline and John! (FYI - they are and have been married in 'real' life for many years - how cool is that! And, make sure to check out Pauline's rave success in 1989's, "Shirley Valentine".)

In Thomas & Sarah, I love their ambiguous, dynamic relationship, and thought all the plots, situations and various characters were most entertaining. Entertainment, for me, on par with Up/Down -- again, possibly in large part due to my entrancement with the characters/actors (i.e., I have no interest in reading stories about T&S, as I need Pauline and John to be part of the equation). So much so that, I'm eagerly looking forward to watching them in "Wodehouse Playhouse," and hope that I can, someday,find "No, Honestly".

Last comment: Most definitely, first get to know these two characters in Up/Down, before watching them in this classic, sadly-short TV series

To answer the first comment - They aren't making series like this anymore because they've forgotten how. They did recently try with "Berkeley Square" about a group of governesses/nannies in 1902 London. Even though that series manages to work on its own terms, it doesn't come close to having the kind of heart that "Thomas and Sarah", and its predecessor "Upstairs Downstairs" did.

I've noticed a trend with recent historical programming from Britain. They're now more concerned with making the characters (of whatever era is being depicted) have a more modern EDGE to them. The recent series about Henry VIII is a prime example. Since when did Henry VIII have a cool East-end London accent anyway? They no longer care about accurate costuming and period detail either. Costumes and settings reflect this theme of appearing more modern/relatable to today's viewers - and it all comes off looking like rubbish.

I think one of the most tragic aspects of the kind of historical drivel being churned out by English TV these days is that they've forgotten a key component that made both "Thomas & Sarah" and UD work so well - HUMOUR! Humour is sadly missing from these badly scripted dramas that take themselves so damned seriously. Someone at the BBC needs to re-visit the vaults and see what real historical drama is!!