Getting Off

"Getting Off," a 1979 adult film directed by Ed De Priest, is a raunchy, unapologetic journey into the depths of human desire. With a 7/10 rating, this film delivers a steamy experience that will leave viewers thrilled and entertained. The movie wastes no time, diving straight into the action with a powerful and memorable scene.

The story, albeit simple, serves as a mere vessel to navigate between intense sexual encounters. It follows a group of young, liberated individuals embracing their carnal desires and pushing the boundaries of societal norms. The characters are uninhibited and fearless, embracing their sexuality with a raw honesty that is both intriguing and refreshing.

One of the film's standout scene Desiree Cousteau pees standing up, unleashing a powerful stream while John Leslie and Pat Manning watch on, their faces a mixture of surprise and delight. This scene is a perfect example of the film's unashamed exploration of bodily functions and fluid exchange, pushing the envelope of what is considered acceptable in mainstream cinema.

Another memorable moment involves Pat Manning and Desiree Cousteau again. This time, Manning is on her back, legs spread wide, as John Leslie penetrates her. What elevates this scene is the passionate and skilled cunnilingus performed by Manning on Cousteau, a true display of eroticism and pleasure that will leave viewers breathless. The raw chemistry between the actors is undeniable, as they surrender completely to the moment.

"Getting Off" is a time capsule of an era when adult films pushed boundaries and challenged societal taboos. It embraces a liberated mindset, celebrating sexual freedom and the exploration of one's desires. The film's unapologetic nature extends beyond the sexual content, with a healthy dose of humor and a playful attitude that ensures the mood remains light and enjoyable.

In terms of production value, the film showcases the aesthetic of the era, with a grainy film stock and a color palette that adds to the vintage appeal. The locations are varied and interesting, from seedy motels to luxurious apartments, each setting providing a unique backdrop to the passionate encounters.

In conclusion, "Getting Off" is a must-watch for fans of vintage adult films. It captures a moment in time when sexuality was celebrated on screen with a fearless and uninhibited approach. While the story may be thin, the film makes up for it with intense performances, memorable scenes, and a playful attitude that embraces the raunchy nature of the genre. "Getting Off" leaves viewers satisfied, yet eager for more.

Dominatrix Pat Manning and her sidekick John Leslie (who seems to be doing a Jerry Lewis impression throughout) take their new sex slave, Desi Cousteau, for a walk in the park that isn't quite a walk in the park. They give her some fairly mild s/m, and also tell her dirty stories, which are acted out in loops. The loops are hot stuff.

Except for some business with a rose, the film is a bit tame even for the anything-goes 1970s. Kinkiest moment, in which babyface Desi lengthily urinates in front of the camera, will be missing from most 80s and 90s video prints of this picture but will probably be restored sooner or later.

The framing footage is intentionally modeled upon Radley Metzger's s/m film THE PUNISHMENT OF ANNE. Sex scenes in the frame are a bit long shot and consequently don't look that good on video, the only place you'll ever see this film today, but the loops look great and the cast of San Francisco stalwarts which populates them certainly earn their paychecks. Leslie's mugging gets old, and Desi seems awfully whiny for a submissive. (Isn't that why dominatrixes carry whips?)

Manning's performance as a cool dom is good. For those not familiar with her work, she was a woman considerably past 30 who contributed about 10 years to the pornbiz, late 70s to late 80s. She demonstrated a classy presence, strong acting talent, and often sizzling sexuality. This isn't her best movie role but it's not bad. The porn content will seem a bit mild to habitués of today's vidshop backrooms but film is a fine example of Golden Age hardcore. (Isn't that Jewell Bryght, from CHINA DE SADE, in the voodoo scene?)