Zwei Männer, der eine ein Aristokrat, der andere ein betrunkener Anwalt, verlieben sich in den Anfängen der Französischen Revolution in dieselbe Frau.Zwei Männer, der eine ein Aristokrat, der andere ein betrunkener Anwalt, verlieben sich in den Anfängen der Französischen Revolution in dieselbe Frau.Zwei Männer, der eine ein Aristokrat, der andere ein betrunkener Anwalt, verlieben sich in den Anfängen der Französischen Revolution in dieselbe Frau.
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Of the six adaptations of A Tale of Two Cities seen, in personal ranking this one is number 3, number 1 is the 1935 film and number 2 is the 1958 film. The Paul Shelley adaptation is very good on the most part, Chris Sarandon's is decent while the Burbank Films Australia animated adaptation is the only one below average. This mini-series is not perfect, the biggest flaw is the execution of the mob scenes which are under-populated, unexciting and tension-less, almost too polite. Some of the hair-styles are on the wacky and anachronistic side(too 80s-looking). The costumes and sets are accurate and are rendered lovingly, and helped by the fluid photography. The music is haunting, beautiful and emotional, especially in the poignant final scene. There is also a very literate and thoughtfully adapted script and the direction is mostly competent apart from the mob scenes. The adaptation is faithful to Dickens' very concise if initially complicated book while not forgetting to give the storytelling life. The tragedy is very affecting(the ending is a tear-jerker as it should be) and the suspenseful moments quite intense, Cruncher's funny moments are judged well. The acting is good on the most part. James Wilby, Xavier DeLuc and John Mills stood out. Wilby's Sydney Carton is handsome and movingly characterised, DeLuc is dashing and succeeds in not making a far less interesting character dull and Mills is wonderfully sympathetic that you are touched by his presence. Serena Gordon's Lucie is very tender, Kathy Kriegel is a very bat-out-of-hell Madame DuFarge, Anna Massey is perfect as Miss Pross, the Cruncher of Alfred Lynch is sly and hilarious, Jean-Pierre Aumont evokes sympathy too and Jean-Marc Bory is a creepy Evremonde. The idea to mix English and French actors was a great one and it paid off, something that it does better than the other adaptations. In conclusion, not perfect but a very good adaptation on the whole. 8/10 Bethany Cox
I rented this movie without expectation, thinking it was just another mini series made in the 80's with poor lighting and wacky hairstyles. But I was blown away by it! The innocence and heartbreaking bittersweetness of the movie gripped me, and of the thousands of movies I've watched I have never seen one with this astounding of character development. Even if you generally don't enjoy movies like this, I recommend to give it a try! It's not easily found, but if you are lucky enough to stumble across it you'll love it. The set and hairstyles are very 80's-ish, but the acting and characters are so perfectly drawn I didn't notice anything but them! Sydney Carton now ranks right up there with Sir Percy Blakeney (from The Scarlet Pimpernel) on my list of ideal men.
You should not do this. You should not compare a film to its literary source: they are two different media, each with its own codes of expression and interpretation. But I couldn't help it: I had to do this. Only to constate that the movie gives up almost all the motives of interest present in the novel. Note that sometimes movies are on the same level as literary sources: for what concerns "A Tale of Two Cities", see for exemple the old and quite forgotten silent movie of the same title, directed in 1917 by Frank Lloyd: it stands out of its own, Dickens or no Dickens.
Apart from the comparison, this is quite a lenghty TV film, quite static, a little boring sometimes, but by no means badly realized. I will call it: quite well done, and quite useless.
Apart from the comparison, this is quite a lenghty TV film, quite static, a little boring sometimes, but by no means badly realized. I will call it: quite well done, and quite useless.
I saw this in English class, and I must say, is an engrossing adaptation of the book. It kept me involved and i liked the little changes they made to the movie. A must watch for any fan of Charles Dickens' novels.
Although I did not care for the way Lucie's hair looked in the beginning, it is just a minor quibble. The two men playing Darnay and and Carton are perfect for the roles, and Jerry Cruncher is hilarious. Another thing I liked was that they made Madame Defarge young and witch looking. in the novel she is only in her twenties when Lucie finds her father, and less then 20 years have passed, so she is quite young.
All in all 9 out of 10 stars.
Although I did not care for the way Lucie's hair looked in the beginning, it is just a minor quibble. The two men playing Darnay and and Carton are perfect for the roles, and Jerry Cruncher is hilarious. Another thing I liked was that they made Madame Defarge young and witch looking. in the novel she is only in her twenties when Lucie finds her father, and less then 20 years have passed, so she is quite young.
All in all 9 out of 10 stars.
10docp
This is without doubt one of the real gems of the British TV scene ever. The story, the characters, the costumes and the acting are all without fault and could never be bettered. Do not pass up the opportunity of seeing this series if it ever should arise. From the opening scenes to the tear-jerking conclusion there is drama, excitement, romance, heroism and self-sacrifice, often several of them simultaneously. It is altogether a most marvellous experience and a real landmark in the history of recorded drama. I don't doubt that Charles Dickens would have been proud to have been associated with it.
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- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
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- Auch bekannt als
- Historia en dos ciudades
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- Laufzeit
- 3 Std. 8 Min.(188 min)
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