Why Do Fools Fall in Love - Die Wurzeln des Rock'n'Roll
Originaltitel: Why Do Fools Fall in Love
IMDb-BEWERTUNG
6,4/10
4744
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThree women each claim to be the widow of 1950s doo-wop singer Frankie Lymon, claiming legal rights to his estate.Three women each claim to be the widow of 1950s doo-wop singer Frankie Lymon, claiming legal rights to his estate.Three women each claim to be the widow of 1950s doo-wop singer Frankie Lymon, claiming legal rights to his estate.
- Auszeichnungen
- 2 Gewinne & 4 Nominierungen insgesamt
Miguel A. Núñez Jr.
- Young Little Richard
- (as Miguel A. Nunez Jr.)
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An interesting (but flawed account) of the battle over pop star Frankie Lymon's estate by three women claiming to be his widow...
The story portrayed here is actually semi-fictitious, but the background story of Frankie's life is entirely true.
From his starts as a fresh-faced Harlem kid to a haunted drug addict, Larenz Tate (one of the most underrated talents in Hollywood) shines as dreamer Frankie, and does well to give perspective to Frankie's conflicting attitudes towards his relationships with the women, which the script muddles- Frankie appears shallow yet introspective at the same time.
Halle Berry tries to make more of her understated and thin role as Zola Taylor, wifey no. 2, but provides an adequate performance.
The most developed of the three female characters, is Elizabeth Waters (Viveca A. Fox). Loyal yet dishonest, gritty Elizabeth is the only character aside from Frankie that seems to be real. This is a combined effort by the characterisation and the performance by Fox.
And Lela Rochon does very well cast against type, as a school marm dragged into this battle. Rochon clearly understands the character well, and manages to make her mark on the story despite being developed late into the film.
The period detail of this piece is well captured over the 20-odd years that this story is set (particularly the performances of Frankie with the Teenagers), and even the small scenes which provide insight into Frankie's younger days.
The main flaws of this film lie essentially in the struggle to develop some of the themes. As mentioned earlier, Frankie's reasons for bigamy are not established at all or how he copes this with this, or whether one of the wives in particular is lying about the legitimacy of her marriage.
Some of the characterisation is a bit thin, caused by some of the later events of the film and because this deep story of fame, loss, betrayal and torment has such a muddled structure the whole film comes across as sketchy by the end which clearly was not intended.
But never the less this is an adequate tribute, to the world of fame and its inevitable clingers-on, and those just caught up in the action. This will never be top of its genre however...
The story portrayed here is actually semi-fictitious, but the background story of Frankie's life is entirely true.
From his starts as a fresh-faced Harlem kid to a haunted drug addict, Larenz Tate (one of the most underrated talents in Hollywood) shines as dreamer Frankie, and does well to give perspective to Frankie's conflicting attitudes towards his relationships with the women, which the script muddles- Frankie appears shallow yet introspective at the same time.
Halle Berry tries to make more of her understated and thin role as Zola Taylor, wifey no. 2, but provides an adequate performance.
The most developed of the three female characters, is Elizabeth Waters (Viveca A. Fox). Loyal yet dishonest, gritty Elizabeth is the only character aside from Frankie that seems to be real. This is a combined effort by the characterisation and the performance by Fox.
And Lela Rochon does very well cast against type, as a school marm dragged into this battle. Rochon clearly understands the character well, and manages to make her mark on the story despite being developed late into the film.
The period detail of this piece is well captured over the 20-odd years that this story is set (particularly the performances of Frankie with the Teenagers), and even the small scenes which provide insight into Frankie's younger days.
The main flaws of this film lie essentially in the struggle to develop some of the themes. As mentioned earlier, Frankie's reasons for bigamy are not established at all or how he copes this with this, or whether one of the wives in particular is lying about the legitimacy of her marriage.
Some of the characterisation is a bit thin, caused by some of the later events of the film and because this deep story of fame, loss, betrayal and torment has such a muddled structure the whole film comes across as sketchy by the end which clearly was not intended.
But never the less this is an adequate tribute, to the world of fame and its inevitable clingers-on, and those just caught up in the action. This will never be top of its genre however...
The filmmakers know you've heard this tale before - true life chronicle of a young singing star's rise and tragic fall - and so they wisely downplay the standard bio trappings and instead focus on a raucously entertaining ride through Frankie Lymon's woman troubles. The smart screenplay revolves around the court battle of Lymon's three wives (yes, three!) over song royalties, leading to vivid (and often humorously contradictory) flashbacks of their lives with the singer. Larenz Tate is magnetic playing the many different sides of the ever-changing lead character, but the film ultimately belongs to Halle Berry, Vivica A. Fox and Lela Rochon as the wives. Each is allowed to shine as the trio portrays 30 years of changes in the women's lives, with Fox drop-dead hilarious as the most outrageous of the three. There's beautifully detailed '60s-era cinematography, sets, costuming and musical numbers, plus a side-splitting turn by Miguel Nunez as a young Little Richard. Major issues (such as '60s race relations) are barely glanced at, but what this film lacks in depth, it makes up for ten-fold in entertainment value. A winner!
WHY DO FOOLS FALL IN LOVE? is a supremely entertaining biopic of the young singer Frankie Lyman, which unfolds in a clever variation on the traditional flashback form of storytelling. The film opens with three women arriving at Frankie's former manager's office after his death, trying to claim his estate, all claiming to be the legal widow of Lyman and it is during the trial to determine which of these ladies is Lyman's legal widow where Frankie's story unfolds. As with all movie biographies, you never know how much you're watching is based on fact and what has been enhanced or diluted for dramatic effect. In this screenplay, Frankie is a charismatic young singer, who apparently had no problem charming women out of their clothes and their money, the latter of which apparently went to support his drug habit. Frankie's drug use is somewhat glossed over and the screenplay tends to concentrate more on Frankie's manipulative ways with these three women and how he, at one time or another, managed to convince all three of them that there were the only women in the world. Baby-faced Larenz Tate plays Frankie with a sincerity and sexiness that possibly oversells Frankie's real womanizing, but he manages to keep Frankie likable despite some of the slimy things he does. The three women in Frankie's life are well played by Halle Berry, Viveca A. Fox, and Lela Rochon, with Fox a standout in probably the best performance of her career. The musical sequences are troublesome...Tate works hard at lip-syncing authentically, but I never bought the lip-syncing in the film...all of the musical sequences in the film come off sounding "canned." Still, Tate and the ladies commit to their roles and do make the movie worth watching. I don't know how accurate the film is as a biography of Frankie Lyman, but it is a very entertaining film that will effortlessly hold interest.
I don't believe this movie didn't do better in the ratings. I thought it was clever and entertaining. Halle Berry is beautiful and Larenz Tate was engaging as Frankie Lymon. Again, Gregory Nava is a director to watch for. I didn't realize he also did Selena and that was a movie I also enjoyed. Nothing heavy or slick, no action, fires, explosions, just good story telling about characters and their relationships with one another.
"Why Do Fools Fall in Love" is somewhat flawed and takes quite a lot of artistic liberties, but it's always fun to watch. Larenz Tate isn't entirely convincing as Frankie Lymon--I guess they just cast him because he's real short. The concert scenes and TV appearances where he sings are noticeably lip-synched and look pretty cheesy. But acting-wise Tate did a fine job. Obviously, they didn't really delve into his drug addiction, to keep with its light-hearted feel. So we don't get to experience the heavy drama of Lymon's short life. The actresses were good--Halle Berry, Vivica A. Fox and Lela Rochon. Their performances were equally effective and amusing. The great Little Richard has some spirited cameos. He definitely brought the mood of the film to an all-time high. I just wish he could've been in it for longer than 10 minutes. The whole movie basically concentrates on the romantic-comedy portions of Lymon's life--some true, some fabricated. There were some dramatic moments, but they occur mostly towards the end. But I got a lot of laughs and the film just has a fitfully satisfying upbeat tone. Of course, I LOVED the music. I have to admit that was one of the main reasons I enjoyed it so much.
"Why Do Fools Fall in Love" is a moderately loose portrayal of Lymon's life, but it makes great entertainment.
"Why Do Fools Fall in Love" is a moderately loose portrayal of Lymon's life, but it makes great entertainment.
Wusstest du schon
- WissenswertesWhen Tina Andrews wrote the original script, the part of Frankie Lymon was first offered to Michael Jackson.
- PatzerWhen the scenes changes to Lamberton Prison in 1985, Diana Ross' version of "Why Do Fools" is more than once referred to as a new hit, when in fact, it was released in 1981.
- Zitate
Emira Eagle: Maybe there were three separate Frankies, and each of us got a piece.
- SoundtracksWhy Do Fools Fall in Love
Written by Frankie Lymon and Morris Levy
Performed by Frankie Lymon and the Teenagers
Courtesy of Rhino Entertainment Company/EMI Records UK Ltd.
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Box Office
- Bruttoertrag in den USA und Kanada
- 12.461.773 $
- Eröffnungswochenende in den USA und in Kanada
- 3.946.382 $
- 30. Aug. 1998
- Weltweiter Bruttoertrag
- 12.461.773 $
- Laufzeit
- 1 Std. 56 Min.(116 min)
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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